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Ellen Datlow

Forfatter af Snow White, Blood Red

131+ Works 24,792 Members 545 Reviews 36 Favorited

Om forfatteren

Ellen Datlow is the editor of science fiction, fantasy, and horror anthologies. She was the fiction editor of Omni magazine and Omni Online from 1981-1998. Then she was the editor of the webzine Event Horizon: Science Fiction, Fantasy, and Horror from September 1998-December 1999. She has won the vis mere World Fantasy Award seven times, the Bram Stoker Award twice with her co-editors and the Hugo Award for Best Editor in 2002 and 2005. She currently lives in New York City and edits fiction for Scifi.com. In 2011 she was given the Life Achievement Award by the Horror Writers Association.She is a long time trustee of the Horror Writers Association. She has been the co-host of the Fantastic Fiction reading series at the KGB Bar since 2000, a series which features luminaries and up-and-comers in speculative fiction. (Bowker Author Biography) vis mindre
Image credit: KGB readings, NYC 2006, photo by Cory Doctorow


Værker af Ellen Datlow

Snow White, Blood Red (1993) — Redaktør — 1,738 eksemplarer
Black Thorn, White Rose (1994) — Redaktør — 1,102 eksemplarer
The Green Man: Tales from the Mythic Forest (2002) — Redaktør; Forord — 1,025 eksemplarer
The Faery Reel: Tales from the Twilight Realm (2004) — Redaktør — 1,016 eksemplarer
Ruby Slippers, Golden Tears (1995) — Redaktør — 941 eksemplarer
A Wolf at the Door and Other Retold Fairy Tales (2000) — Redaktør — 804 eksemplarer
Black Heart, Ivory Bones (2000) — Redaktør — 682 eksemplarer
Silver Birch, Blood Moon (1999) — Redaktør — 620 eksemplarer
Naked City (2011) — Redaktør — 619 eksemplarer
Black Swan, White Raven (1997) — Redaktør — 579 eksemplarer
The Coyote Road: Trickster Tales (2007) — Redaktør — 493 eksemplarer
Troll's Eye View: A Book of Villainous Tales (2009) — Redaktør — 344 eksemplarer
After (2012) — Redaktør — 342 eksemplarer
Lovecraft's Monsters (2014) — Redaktør; Introduktion, nogle udgaver338 eksemplarer
The Year's Best Fantasy and Horror: Thirteenth Annual Collection (2000) — Editor & Introduction — 332 eksemplarer
Lovecraft Unbound (2009) — Redaktør; Introduktion — 323 eksemplarer
The Year's Best Fantasy and Horror: First Annual Collection (1986) — Redaktør — 310 eksemplarer
The Year's Best Fantasy and Horror: Eighth Annual Collection (1991) — Redaktør — 309 eksemplarer
Teeth: Vampire Tales (2011) — Redaktør — 294 eksemplarer
Swan Sister: Fairy Tales Retold (2003) — Redaktør — 290 eksemplarer
The Year's Best Fantasy and Horror: Tenth Annual Collection (1997) — Redaktør — 286 eksemplarer
The Year's Best Fantasy and Horror: Fifteenth Annual Collection (2002) — Redaktør — 266 eksemplarer
The Year's Best Fantasy and Horror: Twelfth Annual Collection (1999) — Redaktør — 264 eksemplarer
A Whisper of Blood (1991) — Redaktør — 256 eksemplarer
The Year's Best Fantasy and Horror: Seventh Annual Collection (1994) — Redaktør — 253 eksemplarer
The Year's Best Fantasy and Horror: Ninth Annual Collection (1996) — Redaktør — 241 eksemplarer
The Year's Best Fantasy and Horror: Eleventh Annual Collection (1998) — Redaktør — 241 eksemplarer
The Year's Best Fantasy and Horror: Sixteenth Annual Collection (2003) — Redaktør — 235 eksemplarer
Blood Is Not Enough: 17 Stories of Vampirism (1989) — Redaktør — 218 eksemplarer
The Year's Best Fantasy and Horror 2007: 20th Annual Collection (2007) — Redaktør — 211 eksemplarer
Tails of Wonder and Imagination: Cat Stories (2010) — Redaktør — 210 eksemplarer
The Year's Best Fantasy and Horror: Sixth Annual Collection (1993) — Redaktør — 209 eksemplarer
The Year's Best Fantasy and Horror: Fifth Annual Collection (1992) — Redaktør — 202 eksemplarer
Off Limits: Tales of Alien Sex (1996) — Redaktør — 201 eksemplarer
The Year's Best Fantasy and Horror: Second Annual Collection (1987) — Redaktør — 198 eksemplarer
The Best Horror of the Year Volume One (2009) — Redaktør — 190 eksemplarer
The Beastly Bride: Tales of the Animal People (2010) — Redaktør — 188 eksemplarer
The Year's Best Fantasy and Horror: Third Annual Collection (1988) — Redaktør — 183 eksemplarer
Haunted Legends (2010) — Redaktør — 179 eksemplarer
Haunted Nights (2017) — Redaktør — 177 eksemplarer
The Dark (2003) — Redaktør — 175 eksemplarer
The Year's Best Fantasy and Horror 2008: 21st Annual Collection (2008) — Redaktør — 165 eksemplarer
The Year's Best Fantasy and Horror: Fourth Annual Collection (1991) — Redaktør — 155 eksemplarer
When Things Get Dark: Stories inspired by Shirley Jackson (2021) — Redaktør — 153 eksemplarer
Some of the Best from Tor.com: 2014 Edition (2015) — Redaktør — 153 eksemplarer
Vanishing Acts: A Science Fiction Anthology (2000) — Redaktør — 152 eksemplarer
Inferno (2007) — Redaktør — 139 eksemplarer
Fearful Symmetries (2014) — Redaktør — 136 eksemplarer
Supernatural Noir (2011) — Redaktør — 133 eksemplarer
The Best Horror of the Year Volume Four (2012) — Redaktør — 133 eksemplarer
Some of the Best from Tor.com: 2016 Edition (2017) — Redaktør — 132 eksemplarer
The Best Horror of the Year: Volume Two (2010) — Redaktør — 129 eksemplarer
Salon Fantastique: Fifteen Original Tales of Fantasy (2006) — Redaktør — 128 eksemplarer
Darkness: Two Decades of Modern Horror (2010) — Redaktør — 126 eksemplarer
Little Deaths (1995) — Redaktør — 125 eksemplarer
The Doll Collection (2015) — Redaktør — 124 eksemplarer
Poe: 19 New Tales Inspired by Edgar Allan Poe (2009) — Redaktør; Introduktion — 123 eksemplarer
The Best Horror of the Year Volume Five (2013) — Redaktør — 118 eksemplarer
The Monstrous (2015) — Redaktør — 113 eksemplarer
Some of the Best from Tor.com: 2013 Edition (2013) — Redaktør — 111 eksemplarer
The Best Horror of the Year Volume Three (2011) — Redaktør; Bidragyder — 111 eksemplarer
The Devil and the Deep: Horror Stories of the Sea (2018) — Redaktør — 109 eksemplarer
Nightmares: A New Decade of Modern Horror (2016) — Redaktør — 107 eksemplarer
The Best Horror of the Year Volume Six (2014) — Redaktør — 107 eksemplarer
Hauntings (2013) — Redaktør — 107 eksemplarer
The Best Horror of the Year Volume Eight (2016) — Redaktør — 104 eksemplarer
Echoes: The Saga Anthology of Ghost Stories (2019) — Redaktør — 100 eksemplarer
Nebula Awards Showcase 2009 (2009) — Redaktør — 91 eksemplarer
The Best Horror of the Year Volume Seven (2015) — Redaktør — 91 eksemplarer
The First Omni Book of Science Fiction (1983) — Redaktør — 88 eksemplarer
The Dark of the Woods (2006) — Redaktør — 86 eksemplarer
Twists of the Tale: An Anthology of Cat Horror (1996) — Redaktør — 85 eksemplarer
Digital Domains: A Decade of Science Fiction & Fantasy (2010) — Redaktør — 79 eksemplarer
The Second Omni Book of Science Fiction (1983) — Redaktør — 72 eksemplarer
Children of Lovecraft (2016) — Redaktør — 71 eksemplarer
Black Feathers: Dark Avian Tales: An Anthology (2017) — Redaktør — 70 eksemplarer
The Best Horror of the Year Volume Nine (2017) — Redaktør — 69 eksemplarer
Blood and Other Cravings (2011) — Redaktør — 67 eksemplarer
Screams From the Dark: 29 Tales of Monsters and the Monstrous (2022) — Redaktør — 64 eksemplarer
The Best Horror of the Year Volume Ten (2018) — Redaktør — 62 eksemplarer
The Best Horror of the Year Volume Eleven (2019) — Redaktør — 62 eksemplarer
The Cutting Room: Dark Reflections of the Silver Screen (2014) — Redaktør — 60 eksemplarer
Some of the Best from Tor.com: 2015 Edition (2016) — Redaktør — 59 eksemplarer
Body Shocks (2021) — Redaktør — 55 eksemplarer
Lethal Kisses: 18 Tales of Sex, Horror, and Revenge (1996) — Redaktør — 54 eksemplarer
The Fifth Omni Book of Science Fiction (1987) — Redaktør — 54 eksemplarer
The Best Horror of the Year Volume Twelve (2020) — Redaktør — 53 eksemplarer
The Fourth Omni Book of Science Fiction (1985) — Redaktør — 49 eksemplarer
The Sixth Omni Book of Science Fiction (1989) — Redaktør — 46 eksemplarer
The Third Omni Book of Science Fiction (1985) — Redaktør — 46 eksemplarer
Nightmare Carnival (2014) — Redaktør — 44 eksemplarer
Edited By (2020) — Redaktør — 37 eksemplarer
The Seventh Omni Book of Science Fiction (1989) — Redaktør — 35 eksemplarer
The Best Horror of the Year, Volume Fourteen (2022) — Redaktør — 27 eksemplarer
Omni Best Science Fiction Three (1993) — Redaktør — 26 eksemplarer
Christmas and Other Horrors: An Anthology of Solstice Horror (2023) — Redaktør — 26 eksemplarer
Omni Best Science Fiction One (1992) — Redaktør — 23 eksemplarer
Omni Best Science Fiction Two (1992) — Redaktør — 21 eksemplarer
Telling Tales: The Clarion West 30th Anniversary Anthology (2013) — Redaktør — 13 eksemplarer
Omni Visions Two (1994) — Redaktør — 12 eksemplarer
Omni Visions One (1993) — Redaktør — 11 eksemplarer
Subterranean Magazine, Issue #7 (2008) 2 eksemplarer
Magic Bites (2011) 2 eksemplarer
Omni Magazine April 1982 (1982) — Editor, Fiction — 2 eksemplarer
Omni Magazine November 1989 (1989) — Redaktør — 2 eksemplarer
Omni Magazine December 1993 (1993) — Fiction Editor — 1 eksemplar
Omni Magazine October 1989 — Redaktør — 1 eksemplar

Associated Works

Nebula Awards Showcase 2007 (2007) — Bidragyder — 105 eksemplarer
Nebula Awards 33 (1999) — Bidragyder — 99 eksemplarer
Nebula Awards Showcase 2003 (2003) — Bidragyder — 87 eksemplarer
Polder: A Festschrift for John Clute and Judith Clute (2006) — Bidragyder — 13 eksemplarer
The Unquiet Dreamer: A Tribute to Harlan Ellison (2019) — Bidragyder — 12 eksemplarer
Guest of Honor: Harlan Ellison — Forfatter — 1 eksemplar
80年代SF傑作選〈上〉 (ハヤカワ文庫SF) (1992) — Bidragyder — 1 eksemplar
Science Fiction Eye #08, Winter 1991 — Bidragyder — 1 eksemplar

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Almen Viden



Naked City? Ellen Datlow i Early Reviewers (juli 2011)


We all love a good night at the cinema and The Cutting Room makes for perfect spooky October fare. The collection may not be perfect, but the most terrifying stories are well written masterpieces of horror. Using the backdrop of cinema as a theme, The Cutting Room says as much about terror as it does about our obsession with movies.

An experimental story by Peter Straub completely fails to do anything but here are a few words on the stories I absolutely enjoyed.

The Cutter - Edward Bryant
Shocking tale of a young boy who works in a classic silver screen cinema and the dark obsession of the cinema's owner/projectionist. Absolutely haunting. Perfect choice to set the mood for the rest of the stories.

The Hanging Man of Oz
Well written, creepy story of about the Hanging Munchkin urban legend. The writing is great but the dialogue is terrible.

Cuts - F. Paul Wilson
No words, just read this...READ IT!

Final girl theory - A.C. Wise
An obsessed fan meets the star of an odd and disturbing cult film. An amazing look at the dissolution of nostalgia when confronted with the reality of consequence.

The Thousand Cuts - Ian Watson
When time jumps forward randomly a group of people begin to suspect that their reality is merely a bunch of edits in a movie. My favourite of the bunch. Hilarious and brilliantly bleak.

Dead Image - David Morrell
Writer worms his way into the role of film director by casting an actor who resembles a classic actor long dead. I liked this one a lot. More of a thinky thriller story.

each thing I show you is a piece of my death - Gemma Files & Stephen J. Barringer
Really experimental piece. Clearly inspired by slender man and snuff films. Perhaps the darkest and goriest of the stories. written as emails and computer correspondence.

Cinder Images - Gary McMahon
Disturbing story of Holocaust and Succubus exposing us to the horror of violence. Very supernatural. Well written and scary.

The Pied Piper of Hammersmith - Nicholas Royle
Watching trains go by is like watching a filmstrip for a young man. The title of this is brilliant as well as the story within.

Recreation - Lucy A. Snyder
A poem. Love letter to film in the days of cold digital production.

Even the Pawn - Joel Lane
Murder mystery. Body in a dumpster. Really nice twist ending. And I mean cool twist ending.

The cinema is a medium of light, but it’s astounding the darkness that rises from the shadows. Whether behind the scenes or sitting in the seats this book will take you through the screen in a way rarely experienced in written fiction.
… (mere)
hubrisinmotion | 7 andre anmeldelser | Nov 14, 2023 |
Take that 3 as a positive 3. I very much enjoyed my time with this book! It's just as is usually the case with anthologies I found my opinions varied a lot between stories and there weren't any huge standouts either. But there's definitely quite a few high quality stories here.

Thinking of faves:
- Caker's Man: Great creepy story about the very real creepiness of certain adults as experienced by kids, yet done without depicting any truly awful acts. The horror of being overfamiliar, leering, suggesting gross things. The possibly supernatural element springs from that, and it's vague and uncertain but works well due to being grounded in relatable horror.
- Dancing Sober in the Dust: The creepy narrator recovers the costumes of a grim dancing duo, with the sections of the story interspersed with museum catalogue style descriptions of the costumes. The ending almost feels a touch cliche but the whole thing really works, with the extra theme of the past as living memory vs the past as stuck in archives.
- The God Bag: this is how you pull off a "twist" ending when the reveal seems inevitable. Heavy on the theme of dementia and aging and what you lose and what you'd give to get yourself back. It's not clear if the mother's sacrifice is something she'd have done in her right mind - maybe it was just the first thing that came to mind while barely conscious - but it doesn't really matter. It's really chilling and effective, again grounded in very relatable horror around parenthood and loss of self.
- The Quizmasters: A shorter one based on a kind of goofy concept that's pulled off effectively and doesn't outstay its welcome. The horror of random chance and "why would someone do that"
- The Steering Wheel Club: Powerfully hones in on the emotions and drives of abusive men. The ending really boils it down to something incredibly effective - getting what you want forever as horrifying punishment
- Shards: Friends go to a cabin and it destroys their lives. A cursed object type story, but written really well.
- Chit Chit: There's a really effectively creepy scene of someone having their skull "massaged" so it's soft and can be transformed into a horse skull but I admit my appreciation of this one is mostly due to featuring a folk horror favourite tradition Mari Lwyd
- Tiptoe: A Laird Barron story that taps into what seems to be his usual discomfort with parenting and the horrors that emerge from heterosexual relationships. Nearly nothing horrific actually happens in view, so it's mostly just a constant unease, realising there are people who are not like you that you pass every day and they're dangerous. With an excellent closing image.

A few of the others were pretty decent but didn't make an impact on me, most of the rest weren't *bad* bad but felt like they didn't work totally or just weren't right for my tastes.

The Offering: I think this wasn't bad exactly - although the conclusion could have been chopped off - but I just couldn't help feeling these were the absolute worst AirBnB hosts of all time. It actually bugged me a lot how irresponsible they were! This would be fine but the conclusion talks about the aftermath and doesn't address it. Weirdly weakens the story for me.
Poor Butcher-Bird: This had some good stuff (and the most effective and consistent use of gore and descriptions of horror imagery) but I just really really hate stories where it's about a supernatural creature and her human lover and we're supposed to be like, cheering the supernatural creature eating humans or w/e because the creature is really cool and morally right. I mean... yeah, obviously, in the story it's fine for her to do it. idk just a daft pet peeve
The King of Stones: Just a bit of a mess.

… (mere)
tombomp | Oct 31, 2023 |
Obviously short story collections are very variable but overall I enjoyed this a lot. There's none I'd super recommend but there were no real clunkers either (although the first story is overall the worst I think)

Some that I liked more than average:

In a Cavern, In a Canyon by Laird Barron - combined a well sketched out background of Alaskan outposts and rough family life with a particularly vivid and uncomfortable monster the help me monster, a creature who appears when people are trying to help others and eats them due to their compassion the monster and the way a disappearance or a single experience can define your life connected well too

Between the Pilings by Steve Rasnic Tem - looking at lovecraftian innsmouth as a smalltime seaside resort. I think *just* the seaside town aspect was enough to make me like it because it reminded me of all the run down seaside towns in the UK but things like the froggy people being hotel clerks tapping on their computer was charming too. And the sense of chasing nostalgia and the past and then sometimes it creeps up and catches you... It's good

The Underground Economy by John Langan - I'm not sure why this stuck with me; it's set mostly in a strip club and there's no attempt at explanation or connections. It just... Is. But for some reason the imagery really compelled me. Hard one to convey

The Rooms Are High by Reggie Oliver - another one where I probably enjoyed it more because it's clearly set in a seaside town I know well (Ramsgate) but I just loved the atmosphere here. It kind of whiffs the ending I think but it really sells the sense of things being slightly off and I love the old style b&b setting. Be warned for descriptions of implied child and adult sexual abuse though. The way it played with memory and age and going back to something actually bad... There's a decent amount left unanswered that I feel wasn't really used well but the parts that are there are very good

Fabulous Beasts by Priya Sharma - this constantly came close to being gratuitously unpleasant but never crossed it. Again heavy warnings for incest, sexual abuse, murder, child sexual abuse there's something slightly absurd about the ending but in a way that's like "fuck it why not, they deserve it". Again it's largely about how your past can destroy your present and escaping that and the consequences of it.

I also liked the Tamsyn Muir entry The Woman in the Hill. The Neil Gaiman entry Black Dog had promise but got a bit screwed by its connection to American Gods which ruined some of the horror. the rest are all at least alright and all very readable.
… (mere)
tombomp | 2 andre anmeldelser | Oct 31, 2023 |
Kind of disappointing - none were AWFUL but there were no real stand outs and I felt that too many hit the "didn't explain enough", a few hit "showed too much" and a couple hit both.

I'm not exactly a discerning horror reader - I never watch horror films or shows and my fiction intake is like the SCP wiki, nosleep and a few books. So I don't think my issue is coming from being jaded about it. I was just surprised at how many seemed to end in a way that had no real connection to the rest of the story and totally ignored the suspense building that the author at done.

There's one story I don't think belonged here and I honestly found myself really disliking the concept. In "Sicko" the woman who's murdered in the first part of Psycho gets her ending rewritten... Except instead of being murdered she gets raped by her boss who says he'll keep doing it to her because otherwise he'll tell the police she stole money There's absolutely no supernatural element to this story and the Psycho connection is kind of gratuitous. It just felt super misogynistic and unpleasant reading someone partly retell one of the most famous scary films of all time just to describe going through something horrific in a different way. It felt outside the genre too.

Probably the best one here is Scream Queen by Nathan Ballingrud, about a fan of an old cult classic horror movie going to interview the reclusive actress who had a show stealing scene and discovering the sinister truth behind her performance. It was the one that felt most reflective and actually saying something interesting past just trying to be scary - about the way film stars can be an image more than a person, about the negative parts of film performance, loneliness because people want something that's not you... There's a lot going on as well as it being genuinely creepy and scary.

Other ones that I felt at least had some scary elements and weren't disappointing even if I wasn't sure they totally pulled it off

- Mine Seven doesn't fully pull through on the promise but horror set in ever dark Svalbard is great and the final reveal of the creature of sorts is genuinely creepy
- The Devil Will Be At The Door was genuinely scary even if it didn't feel particularly special. The feeling of inevitability was good where the ending is obvious from the start but it's still scary.
- Two Truths and a Lie was very much in the "tradition" of creepypasta stuff like Candle Cove and was mostly well executed. It suffered a little as usual from the story sort of demanding some kind of explanation but inevitably the explanation being inadequate, but the atmosphere and imagery was solid enough that it felt quite creepy and reasonably satisfying.

Others had scary moments and weren't bad exactly, just felt like they whiffed. For example, the last story here, The Whisper of Stars, has a bunch of stuff seeded in a story about a tundra expedition, such as weird writing on some trees, a paranoid expedition member, then in a very sudden ending everyone gets killed by wolves except the narrator overnight and then the narrator kills herself due to paradoxical undressing with hypothermia?, Just a total whiff of an ending.
… (mere)
tombomp | 2 andre anmeldelser | Oct 31, 2023 |



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Associated Authors

Terri Windling Editor, Introduction, Editor & Introduction
Kelly Link Contributor, Editor
Gavin J. Grant Editor, Contributor
Nick Mamatas Contributor, Editor
Diana Pho Editor
Ben Bova Editorial Director, Introduction
Jane Yolen Contributor
Neil Gaiman Contributor, Cover artist, Collaborator
Delia Sherman Contributor, Author
Jeffrey Ford Contributor
Tanith Lee Contributor
Charles de Lint Contributor, Foreword
Edward Bryant Contributor, Foreword, Introduction
Joyce Carol Oates Contributor, Composer, Author
Kathe Koja Contributor
Steve Rasnic Tem Contributor
Laird Barron Contributor
Pat Cadigan Contributor
Michael Cadnum Contributor
Nathan Ballingrud Contributor
Nancy Kress Contributor
Terry Dowling Contributor
Gemma Files Contributor
Richard Bowes Contributor
Lucius Shepard Contributor
Midori Snyder Contributor
Garry Kilworth Contributor
John Langan Contributor
Glen HIRSHBERG Contributor
James Frenkel Contributor, Foreword, Introduction
Ellen Kushner Contributor
Carol Emshwiller Contributor
Howard Waldrop Contributor
Gregory Maguire Contributor
Nicholas Royle Contributor
Garth Nix Contributor
Dale Bailey Contributor
Kaaron Warren Contributor
Thomas Canty Cover artist
Gregory Frost Contributor
Charles Vess Contributor, Illustrator, Cover artist
Katherine Vaz Contributor
Peter Straub Contributor
Brian Hodge Contributor
Genevieve Valentine Contributor, Introduction
Caitlin R Kiernan Contributor
Elizabeth Hand Contributor
Susan Wade Contributor
Ellen Steiber Contributor
Melanie Tem Contributor
Kim Newman Contributor
Gene Wolfe Contributor
Harlan Ellison Contributor
Christopher Fowler Contributor
Karen Joy Fowler Contributor
Elizabeth Bear Contributor
Harvey Jacobs Contributor
Emma Bull Contributor
Susanna Clarke Contributor
Ramsey Campbell Contributor
Jack Dann Contributor
Joe R Lansdale Contributor
Stephen Gallagher Contributor
Gahan Wilson Contributor, Illustrator
Holly Black Contributor
Pat Murphy Contributor
John Crowley Contributor
Lisa Goldstein Contributor
Michael Swanwick Contributor
Brian Evenson Contributor
Bruce McAllister Contributor
M Rickert Contributor
Robert Silverberg Contributor
Margo Lanagan Contributor
Theodora Goss Contributor
Peter S. Beagle Contributor
Lisa Tuttle Contributor
A. R. Morlan Contributor
Dennis Etchison Contributor
Stephen King Contributor
Simon Bestwick Contributor
Barry N. Malzberg Contributor
Livia Llewellyn Contributor
Priya Sharma Contributor
A. C. Wise Contributor
Dan Simmons Contributor
Thomas Ligotti Contributor
Scott Bradfield Contributor
Jonathan Carroll Contributor
Steve Duffy Contributor
Ursula K. Le Guin Contributor
Caitlín R Kiernan Contributor
Kij Johnson Contributor
Seanan McGuire Contributor
Roberta Lannes Contributor
Nalo Hopkinson Contributor
Reggie Oliver Contributor
K. W. Jeter Contributor
Douglas Clegg Contributor
Suzy McKee Charnas Contributor
Steven Millhauser Contributor
Bruce Glassco Contributor
David J. Schow Contributor
Richard Kadrey Contributor
Susan Palwick Contributor
Lucy Taylor Contributor
Elizabeth A. Lynn Contributor
Wendy Wheeler Contributor
Steve Berman Contributor
Caroline Stevermer Contributor
Esther M. Friesner Contributor
Joe Haldeman Contributor
Michael Blumlein Contributor
Will Shetterly Contributor
Terry Lamsley Contributor
Conrad Williams Contributor
Ray Cluley Contributor
Norman Partridge Contributor
Seth Johnson Contributor, Introduction
Jack Womack Contributor
Lavie Tidhar Contributor
M. John Harrison Contributor
John Brunner Contributor
Anne Bishop Contributor
Carole Johnstone Contributor
Andy Duncan Contributor
Joan D. Vinge Contributor
Veronica Schanoes Contributor
Nancy Farmer Contributor
Siobhan Carroll Contributor
Carolyn Dunn Contributor
Brian Stableford Contributor
Robert Shearman Contributor
Joel Lane Contributor
Gary McMahon Contributor
Roger Zelazny Contributor
Scott Baker Contributor
John Kessel Contributor
Storm Constantine Contributor
Nan Fry Contributor
Thomas M. Disch Contributor
M. Shayne Bell Contributor
James P Blaylock Contributor
Ian McDonald Contributor
Mike O'Driscoll Contributor
Nancy A. Collins Contributor
Geoff Ryman Contributor
Gary A. Braunbeck Contributor
Fred Chappell Contributor
Paul J. McAuley Contributor
Connie Willis Contributor
Douglas E. Winter Contributor
Charles L. Grant Contributor
Michael Chabon Contributor
Christopher Rowe Contributor
Gwyneth Jones Contributor
Christopher Barzak Contributor
Jack Cady Contributor
Marc Laidlaw Contributor
Matthew Kressel Contributor
Melissa Marr Contributor
Adam L G Nevill Contributor
Christopher Harman Contributor
Pat York Contributor
Lee Thomas Contributor
Michael Bishop Contributor
William Gibson Contributor, Foreword
Patricia C. Wrede Contributor
Lucy Sussex Contributor
Clive Barker Contributor
David Nickle Contributor
Bill Lewis Contributor
Patricia Briggs Contributor
Ellen Klages Contributor
Peter Crowther Contributor
Barry Malzberg Contributor
Milbre Burch Contributor
Hiromi Goto Contributor
Karl Edward Wagner Contributor
Kelley Eskridge Contributor
A M Dellamonica Contributor
Sarah Monette Contributor
Jack Ketchum Contributor
Mark W. Tiedemann Contributor
Jay Russell Contributor
Jedediah Berry Contributor
Dan Chaon Contributor
Gardner Dozois Contributor
A. S. Byatt Contributor
Graham Joyce Contributor
S. P. Somtow Contributor
Lewis Shiner Contributor
Joan Aiken Contributor
Terry Bisson Contributor
Michaela Roessner Contributor
Michael Shea Contributor
Daniel Abraham Contributor
Bruce Sterling Contributor
Angela Carter Contributor
Melissa Lee Shaw Contributor
Ray Bradbury Contributor
Haruki Murakami Contributor
James Powell Contributor
Ted Chiang Contributor
Janeen Webb Contributor
Stephen Dedman Contributor
Ryan Edmonds Contributor
Leonard Rysdyk Contributor
Robin Mckinley Contributor
Elizabeth E. Wein Contributor
Ray Vukcevich Contributor
Cassandra Khaw Contributor
Poppy Z. Brite Contributor
Robert Frazier Contributor
Chet Williamson Contributor
Kit Reed Contributor
Alison Littlewood Contributor
Angela Slatter Contributor
Thomas Tessier Contributor
Sharyn McCRUMB Contributor
Severna Park Contributor
Paul Tremblay Contributor
Rick Wilber Contributor
Ian Watson Contributor
Mark Samuels Contributor
Wendy Froud Contributor
Cody Goodfellow Contributor
Benjamin Rosenbaum Contributor
Maureen F. McHugh Contributor
Christopher Golden Contributor
Nadia Bulkin Contributor
Barbara Roden Contributor
Cecil Castellucci Contributor
Joe Hill Contributor
Simon Ings Contributor
Tia V. Travis Contributor
Elizabeth Engstrom Contributor
E Michael Lewis Contributor
Orrin Grey Contributor
Geoffrey A. Landis Contributor
David Morrell Contributor
Nina Allan Contributor
Ann Downer Contributor
Isabel Cole Contributor
Lawrence Schimel Contributor
Michael Kandel Contributor
M. E. Beckett Contributor
Tim Wynne-Jones Contributor
Daniel Quinn Contributor
Carrie Vaughn Contributor
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