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John Crowley (1) (1942–)

Forfatter af Little, Big

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39+ Works 11,505 Members 269 Reviews 108 Favorited
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Om forfatteren

John Crowley was a recipient of the American Academy & Institute of Arts & Letters Award for Literature. He lives in the hills above the Connecticut River in northern Massachusetts with his wife & twin daughters. (Bowker Author Biography)
Image credit: Photo by Zoe Crowley

Serier

Værker af John Crowley

Little, Big (1981) 4,197 eksemplarer
Aegypt (1987) 1,155 eksemplarer
Engine Summer (1979) 715 eksemplarer
Love & Sleep (1994) 559 eksemplarer
Daemonomania (2000) 536 eksemplarer
Lord Byron's Novel: The Evening Land (2005) 482 eksemplarer
The Translator (2002) 478 eksemplarer
Beasts (1976) 467 eksemplarer
The Deep (1975) 403 eksemplarer
Endless Things (2007) 392 eksemplarer
Ka: Dar Oakley in the Ruin of Ymr (2017) 325 eksemplarer
Novelty: Four Stories (1989) 200 eksemplarer
Four Freedoms (2009) 183 eksemplarer
Great Work of Time {novella} (1991) 162 eksemplarer
Flint and Mirror (2022) 93 eksemplarer
And Go Like This: Stories (2019) 73 eksemplarer
Totalitopia (Outspoken Authors) (2017) — Forfatter — 65 eksemplarer
Antiquities: Seven Stories (1993) 52 eksemplarer
In Other Words (2007) 42 eksemplarer
Reading Backwards (2019) 33 eksemplarer
Conversation Hearts (2008) 32 eksemplarer
Little, Big : Part 1 (1997) 19 eksemplarer
Little, Big : Part 2 (1995) 19 eksemplarer
Snow {story} (1985) 16 eksemplarer
Gone {story} 4 eksemplarer
In Blue [short fiction] (1989) 3 eksemplarer
Exogamy {short story} 2 eksemplarer
Novelty {story} (1983) 1 eksemplar

Associated Works

Naked City (2011) — Bidragyder — 641 eksemplarer
Black Swan, White Raven (1997) — Bidragyder — 586 eksemplarer
The Science Fiction Century (1997) — Bidragyder — 534 eksemplarer
American Gothic Tales (1996) — Bidragyder — 462 eksemplarer
Poe's Children: The New Horror: An Anthology (2008) — Bidragyder — 461 eksemplarer
Masterpieces: The Best Science Fiction of the Century (2001) — Bidragyder — 450 eksemplarer
The Big Book of Science Fiction (2016) — Bidragyder — 422 eksemplarer
The Year's Best Science Fiction: Seventh Annual Collection (1990) — Bidragyder — 281 eksemplarer
The Year's Best Fantasy and Horror: Seventh Annual Collection (1994) — Bidragyder — 254 eksemplarer
The Year's Best Fantasy and Horror: Fourteenth Annual Collection (2001) — Bidragyder — 249 eksemplarer
The Year's Best Science Fiction: Third Annual Collection (1986) — Bidragyder — 227 eksemplarer
Tails of Wonder and Imagination: Cat Stories (2010) — Bidragyder — 219 eksemplarer
Magicats! (1939) — Bidragyder — 219 eksemplarer
Modern Classics of Fantasy (1939) — Bidragyder — 208 eksemplarer
Conjunctions: 39, The New Wave Fabulists (2002) — Bidragyder — 197 eksemplarer
The Book of Magic: A Collection of Stories (2018) — Bidragyder — 167 eksemplarer
The Judges of the Secret Court (2011) — Introduktion, nogle udgaver160 eksemplarer
Interfaces (1980) — Bidragyder — 155 eksemplarer
The Year's Best Fantasy and Horror: Fourth Annual Collection (1991) — Bidragyder — 154 eksemplarer
A Science Fiction Omnibus (1973) — Bidragyder — 148 eksemplarer
Elsewhere: Tales of Fantasy (1982) — Bidragyder — 144 eksemplarer
Future on Ice (1998) — Bidragyder — 143 eksemplarer
Shadows (1978) — Bidragyder — 141 eksemplarer
The Mammoth Book of the Best of Best New SF (2008) — Bidragyder — 104 eksemplarer
Whispers: An Anthology of Fantasy and Horror (1977) — Bidragyder — 96 eksemplarer
American Fantastic Tales: Boxed Set (2009) — Bidragyder — 92 eksemplarer
The Best Science Fiction of the Year #15 (1986) — Bidragyder — 76 eksemplarer
Nebula Awards 25 (1991) — Bidragyder — 62 eksemplarer
Snake's Hands: The Fiction of John Crowley (2003) — Bidragyder — 45 eksemplarer
New Haven Noir (2017) — Bidragyder — 45 eksemplarer
The Seventh Omni Book of Science Fiction (1989) — Bidragyder — 38 eksemplarer
The Orbit Science Fiction Yearbook: No. 3 (1990) — Bidragyder — 32 eksemplarer
Omni Best Science Fiction Three (1993) — Bidragyder — 28 eksemplarer
Lapham's Quarterly - The Future: Volume IV, Number 4, Fall 2011 (2011) — Bidragyder — 23 eksemplarer
The Year's Best Science Fiction & Fantasy, 2020 Edition (2020) — Bidragyder — 21 eksemplarer
Conjunctions: 67, Other Aliens (2016) — Bidragyder — 14 eksemplarer
Lightspeed Magazine, Issue 33 • February 2013 (2013) — Bidragyder — 14 eksemplarer
Spirits Unwrapped (2019) — Bidragyder — 8 eksemplarer
Lightspeed Magazine, Issue 18 • November 2011 (2011) — Bidragyder — 7 eksemplarer
Lightspeed Magazine, Issue 96 • May 2018 (2018) — Bidragyder — 5 eksemplarer

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Discussions

Little, Big 25th Anniversary Edition i Fine Press Forum (august 2023)
Little, Big i Hogwarts Express (april 2013)
Fantasy Novel i Name that Book (oktober 2010)

Anmeldelser

The best "What if?" stories out there are the ones which take a certain action (or character) and change it a little bit - and then allow the story to unfold with that change in place. Sometimes, that allows weirder things to be added, sometimes it is just a story as it may have happened.

Crowley went for the first option - he started with a small change but wrapped it into a secret society and time travel. And yet, the novella works because its internal logic makes sense inside of its own framework.

Cecil Rhodes's real life reads as a story even without embellishments. His will established the Rhodes Scholarship - which is probably the first thing a modern reader think of when they hear his name. His story in Africa may be colorful and his name may be living in a lot of local names (past and current) but I'd admit that I knew very little about him before I met him in this novella (and then went to check how much of what was in the text was true - the answer ended up being "a lot").

It all started really innocently - a young man invented a time machine and went back in time to get a rare stamp. Things did not go exactly as expected and before long the reality he started from seemed to have changed - the British Empire never fell, a time traveling society had been meddling and ensuring that the Empire will stand forever and history as we know it had become a bit less stable. So where does Rhodes come into play you wonder? Well, he had the money and he had the right upbringing and mindset - setting up a scholarship while making sense before his death did not really match his thoughts earlier in his life. So what if he never managed to get to the later stage of his life and never got disillusioned with the Empire?

For most of the novella, the reader needs to pick up from sometimes very subtle clues what kind of reality the text is talking about - ours, the one where Rhodes dies even younger than in ours or something totally different. It could have been frustrating but it ends up fascinating - Crowley's handling of the real history works flawlessly in its merging of the story of a young man, Winterset, who is asked to go back in time and undo a change which brought what he thinks of the real history. There are some places where the text could have stalled but somehow it never happens - the necessary confusion for the story to work ends up being the strength of the novella. And by the end of it, by the time when the reader knows a lot more about that world than any of the characters, it all gets tied together - all the way back to where we started with that rare stamp.

This story is exactly what science fiction (and fantasy) is really good at - looking at real life issues with a different lens. In this case, it is colonialism and the British Colonial Service - the format allows the exploration not only of what had been but of what could have been (both good and bad). The ending may feel unresolved - the story is closed but there is enough of an opening for everyone, including the reader and Winterset, to realize that this may not be the end.

I am not surprised the novella won the World Fantasy Award (even if it is nominally a science fiction story, there are some elements to push it to the border between the two genres or even over into fantasy) - if anything, I am surprised it did not win more awards. I am glad to have finally found it.
… (mere)
½
 
Markeret
AnnieMod | 2 andre anmeldelser | Apr 23, 2024 |
An Irish nobleman is torn between loyalty to England and his Ulster homeland, or so it appears. A magical flint which he carries on him represents old Ireland and its gods, and a small magical mirror reflects the image of Elizabeth I. With aching beauty and rich period detail, this novel of paranormal history demands to be slowly savored, and so I did.
 
Markeret
jillrhudy | 2 andre anmeldelser | Mar 21, 2024 |
I really liked this. It had some pretty cool ideas for post-apocalypse societies, but I'll admit, I liked the truthful speakers the best. I got a little bored and distracted at Dr. Boots' List, which is a shame, because it ties in really well with the main story. I hope I didn't miss anything because of it. I very much liked the idea of Path, and the Filing System, and I was intrigued by the League of women. Quite interesting!
 
Markeret
zjakkelien | 14 andre anmeldelser | Jan 2, 2024 |
It took me forever to get through this book. It has sleep dust embedded throughout its pages, and apparently they’ve invented a release mechanism that works even with e-books. Seriously, I don’t think there was a single session where I sat down to read this book during the day and didn’t fall asleep at some point before standing back up, and I rarely take mid-day naps. Likewise, when I read it before bed, I usually ended up going to sleep earlier than I normally would. So… I guess that’s the main thing I got out of this book. I’m now very well rested?

The story revolves around a large and very convoluted family, most of whom live in or around a large and very convoluted house in the middle of nowhere. There's some overlap with the fairy realm there, so that some family members are able to see them, although others can’t, and most lose the ability as they get older.

My Kindle edition had a family tree – at the very end of the book, with no reference to it in the table of contents that might have clued me in to its existence. By the time I saw it, it was too late to do me much good. The most critical people were pretty easy to keep track of though, and since I was reading on the Kindle I was able to search and find prior references if I forgot who someone was, so I did ok without the tree. In the earlier parts of the book, it jumps back and forth in the timeline quite a bit and introduces a large number of characters, but this wasn’t the part I disliked. It felt a little confusing at times, but I was able to follow it and the setting seemed really interesting, so I’d looked forward to learning where everything was going.

The further I got into the book, the less I liked it. The timeline got more linear and the character focus narrowed, but the story became more nebulous. It became more metaphorical and less logical, and there were long sequences where the author wrote about things happening to characters, except that apparently those things weren’t actually happening, or at least not in the way the characters thought they were, to the point that sometimes I was confused about what was “real” in the context of the book and what wasn’t. And then you have people becoming fish, birds, and trees? It probably didn’t help that, by this point, I was in a perpetually sleepy haze myself whenever I read the book. Reading this made me feel like what I imagine it would feel like to be on drugs, and I’ve never enjoyed books that give me that sensation.

The writing style is more literary I guess, with some odd ways of phrasing things that occasionally required me to re-read a sentence. I wouldn’t call this a funny book, but there were times it made me burst out in surprised laughter because something unexpectedly struck me funny, even toward the end when I wasn’t enjoying it anymore. Sometimes I wasn’t even sure if the things that made me laugh were supposed to be funny. It’s possible I might have been delirious. The ending was as unsatisfying as I expected it to be by the time I finally reached it. This book I think is more about style and atmosphere, but the story itself lacked enough substance for me to sink my teeth into.

I’m rating this at 2.5 stars and rounding down to 2 because I think I would have preferred less sleep.
… (mere)
½
1 stem
Markeret
YouKneeK | 113 andre anmeldelser | Sep 9, 2023 |

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Associated Authors

Nick Hornby Screenwriter
John Sheehan Contributor
Toby Haynes Director
Sam Miller Director
Charlie Brooker Screenwriter
Ally Pankiw Director
Bisha K. Ali Screenwriter
Colm Tóibín Original book
Piaras Mac Éinrí Contributor
Natasha Powers Contributor
Anelise H. Shrout Contributor
Michelle O'Mahony Contributor
Peter Connell Contributor
Kerby Miller Contributor
Patrick Nugent Contributor
Jim Mac Laughlin Contributor
Marion Ingoldsby Contributor
Ciarán Reilly Contributor
Patrick Duffy Contributor
Connell Foley Contributor
Carmen Tunney Contributor
Lorraine Chadwick Contributor
Kevin Hourihan Contributor
Laurence Geary Contributor
Grace Neville Contributor
Helen E. Hatton Contributor
Marita Foster Contributor
Hilary O'Kelly Contributor
Jonny Geber Contributor
Annette Hennessy Contributor
Chris Morash Contributor
Neil Buttimer Contributor
Colin Sage Contributor
Mark G. McGowan Contributor
David Nally Contributor
Brian Gurrin Contributor
Jennifer Harrison Contributor
Thomas Keneally Contributor
Catherine Marshall Contributor
William F. Nolan Contributor
John Reid Contributor
David Dickson Contributor
Peter Gray Contributor
Mary Kelly Contributor
Christine Kinealy Contributor
David J. Butler Contributor
Julian Campbell Contributor
Luke Dodd Contributor
John Feehan Contributor
Cormac Ó Gráda Contributor
Dympna McLoughlin Contributor
Patrick Hickey Contributor
Liz Thomas Contributor
Gerard MacAtasney Contributor
Kieran Foley Contributor
Cathal Póirtéir Contributor
Liam Kennedy Contributor
Joe Lee Contributor
Terence Dooley Contributor
Regina Sexton Contributor
Matthew Stout Contributor
John O'Connell Contributor
Charles E. Orser Contributor
Terry Bisson Interviewer
Kate Mara Actor
Yvonne Gilbert Cover artist
Gary A. Lippincott Cover artist
Harold Bloom Afterword
Richard Carr Cover designer
Tom Canty Cover artist
Peter Milton Illustrator
Matilde Horne Translator
Monique Lebailly Translator
Ed Lindlof Cover artist
John Avon Cover artist
Nozomi Ōmori Translator
Hans Maeter Translator
George Smith Cover artist
J. Nilsson Illustrator
Les Edwards Cover artist
Melody Newcomb Illustrator
Joachim Körber Translator
Thomas Canty Cover artist
Charles Vess Illustrator

Statistikker

Værker
39
Also by
51
Medlemmer
11,505
Popularitet
#2,043
Vurdering
3.9
Anmeldelser
269
ISBN
246
Sprog
11
Udvalgt
108

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