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A Season of Monstrous Conceptions

af Lina Rather

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
373669,724 (3.5)1
"Lina Rather's A Season of Monstrous Conceptions is an eldritch historical fantasy of midwifery, monstrosity, and the rending of the world, for fans of The Essex Serpent and The Death of Jane Lawrence. "An entrancing and transformative queer tale of cosmic horror."-Caitlin Starling "A blood sacrifice of a novel."-Meg Elison In 17th-century London, unnatural babies are being born, with eyes made for the dark and webbed digits suited to the sea. Sarah Davis is intimately familiar with such strangeness-having hidden her uncanny nature all her life and fled to London under suspicious circumstances, Sarah starts over as a midwife's apprentice to a member of the illegal Worshipful Company of Midwives, hoping to carve out for herself an independent life. But with each new unnatural birth, the fear in London grows of the Devil's work. When the wealthy Lady Wren hires her to see her through her pregnancy, Sarah quickly becomes a favorite of her husband, the famous architect Lord Christopher Wren, whose interest inthe uncanny borders on obsession. Sarah soon finds herself caught in a web of magic and intrigue created by those who want to use her power for themselves, and whose pursuits threaten to unmake the earth itself"--… (mere)
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Lina Rather packs a lot into her slim novellas, including well-drawn characters that you come to care a lot about. This is a tale of cosmic horror, the monstrous conceptions of the title, witnessed by apprentice midwife Sarah, who has been hired by architect Chistopher Wren’s wife Faith. It brought to mind The Dress Lodger by Sheri Holman, but set in 1675 London rather than 1831 London. The two novels share a feminist concern with the raw deal women of little means have historically been handed, as well as malformed babies and the men who take advantage of them. The denouement moved maybe a bit too quickly—I would have really enjoyed more detail. But if Lina Rather ever decides to write a novel that’s twice the length of the two I’ve read, or even twice the length of the two of them together, I’m there for it—it will surely be magnificent. ( )
  Charon07 | Dec 9, 2023 |
The premise of A Season of Monstrous Conceptions appealed to me, but the book simply isn't substantial enough to fill the promise of its premise. It has wonderful elements: a setting in 17th Century London; a bisexual apprentice midwife wife with unclearly defined otherworldly powers; Christopher Wren and the rebuilding of London after the great fire; and those monstrous conceptions of the title—babies with too many eyes, too much hair, scales, tails, the wrong number of limbs.

At 160 pages, this book moved quickly, too quickly, with not nearly enough detail. Readers were told all those elements were there, but never allowed to sink into them sufficiently to feel as if they were experiencing them. I left it feeling as if I'd read a preliminary sketch that was never fully realized as the novel it might have been. I makes for a fun evening's reading, but doesn't have the kind of riches that call for rereading.

I received a free electronic review topic of this title from the publisher via NetGalley; the opinions are my own. ( )
  Sarah-Hope | Oct 21, 2023 |
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"Lina Rather's A Season of Monstrous Conceptions is an eldritch historical fantasy of midwifery, monstrosity, and the rending of the world, for fans of The Essex Serpent and The Death of Jane Lawrence. "An entrancing and transformative queer tale of cosmic horror."-Caitlin Starling "A blood sacrifice of a novel."-Meg Elison In 17th-century London, unnatural babies are being born, with eyes made for the dark and webbed digits suited to the sea. Sarah Davis is intimately familiar with such strangeness-having hidden her uncanny nature all her life and fled to London under suspicious circumstances, Sarah starts over as a midwife's apprentice to a member of the illegal Worshipful Company of Midwives, hoping to carve out for herself an independent life. But with each new unnatural birth, the fear in London grows of the Devil's work. When the wealthy Lady Wren hires her to see her through her pregnancy, Sarah quickly becomes a favorite of her husband, the famous architect Lord Christopher Wren, whose interest inthe uncanny borders on obsession. Sarah soon finds herself caught in a web of magic and intrigue created by those who want to use her power for themselves, and whose pursuits threaten to unmake the earth itself"--

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