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From the winner of the Nobel Prize in Literature and author of the Booker Prize-winning novel The Remains of the Day, here is a novel that is at once a gripping psychological mystery, a wicked satire of the cult of art, and a poignant character study of a man whose public life has accelerated beyond his control. The setting is a nameless Central European city where Ryder, a renowned pianist, has come to give the most important performance of his life. Instead, he finds himself diverted on a series of cryptic and infuriating errands that nevertheless provide him with vital clues to his own past. In The Unconsoled Ishiguro creates a work that is itself a virtuoso performance, strange, haunting, and resonant with humanity and wit.… (mere)
A neat experimental idea and concept that really does memic real life satiracly. However as an audiobook I was ready for it to be over. Very different from his later works ( )
Here is what I wrote in 2011 about this read: "Oh my, that was a challenge. 500 pages, three days, little sleep for pianist Mr. Ryder, and left with the impression on a dream. Three variations on the theme of a talented musican at different life stages. Variations on a theme of broken relationships and estrangement: between parents and children, between lovers. Most memorable scene: Ryder, Sophie, and Boris finally at home together to enjoy a meal, yet can barely communicate with each other; Mr. Ryder distains the food Sophie has prepared and yet at the end of the novel is enamored of the relation-less lovely breakfast banquet following the morning of the big performance(s). Hmmm, how long will the mind ponder this one?? ( )
The Unconsoled itself is beautifully controlled, even-paced, deadpan in spite of all extravagances. Its determined equanimity of tone makes you drowsy, and sometimes you wonder if you'd notice if you dropped off to sleep while you were reading. But there is finally something haunting, even alluring, about the proliferation of obstacles and stories in this book.
Oplysninger fra den engelske Almen VidenRedigér teksten, så den bliver dansk.
For Lorna and Naomi
Første ord
Oplysninger fra den engelske Almen VidenRedigér teksten, så den bliver dansk.
The taxi driver seemed embarrassed to find there was no one - not even a clerk behind the reception desk - waiting to welcome me.
Citater
Oplysninger fra den engelske Almen VidenRedigér teksten, så den bliver dansk.
‘To be perfectly fair, it’s not their fault. The modern forms, they’re so complex now. Kazan, Mullery, Yoshimoto. Even for a trained musician such as myself, it’s hard now, very hard. The likes of von Winterstein, the Countess, what chance do they have? They’re completely out of their depth. To them it’s just crashing noise, a whirl of strange rhythms. Perhaps they’ve convinced themselves over the years they can hear something there, certain emotions, meanings. But the truth is, they’ve found nothing at all. They’re out of their depth, they’ll never understand how modern music works. Once it was simply Mozart, Bach, Tchaikovsky. Even the man in the street could make a reasoned guess about that sort of music. But the modern forms! How can people like this, untrained, provincial people, how can they ever understand such things, however great a sense of duty they feel towards the community? It’s hopeless,
‘My own view is that Kazan never benefits from formalised restraints. Neither from the circular dynamic, nor even a doublebar structure. There are simply too many layers, too many emotions, especially in the later works.’
One should not, in any case, attempt to make a virtue out of one’s limitations.’
Sidste ord
Oplysninger fra den engelske Almen VidenRedigér teksten, så den bliver dansk.
I filled my coffee cup almost to the brim. Then, holding it carefully in one hand, my generously laden plate in the other, I began making my way back to my seat.
From the winner of the Nobel Prize in Literature and author of the Booker Prize-winning novel The Remains of the Day, here is a novel that is at once a gripping psychological mystery, a wicked satire of the cult of art, and a poignant character study of a man whose public life has accelerated beyond his control. The setting is a nameless Central European city where Ryder, a renowned pianist, has come to give the most important performance of his life. Instead, he finds himself diverted on a series of cryptic and infuriating errands that nevertheless provide him with vital clues to his own past. In The Unconsoled Ishiguro creates a work that is itself a virtuoso performance, strange, haunting, and resonant with humanity and wit.
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