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Mikhail Bulgakov (1891–1940)

Forfatter af Mesteren og Margarita

318+ Works 29,652 Members 650 Reviews 217 Favorited
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Om forfatteren

Mikhail Afanasevich Bulgakov was a Russian playwright, novelist, and short-story writer best known for his use of humor and satire. He was born in Kiev, Ukraine, on May 15, 1891, and graduated from the Medical School of Kiev University in 1916. He served as a field doctor during World War I. vis mere Bulgakov's association with the Moscow Art Theater began in 1926 with the production of his play The Days of the Turbins, which was based on his novel The White Guard. His work was popular, but since it ridiculed the Soviet establishment, was frequently censored. His satiric novel The Heart of a Dog was not published openly in the U.S.S.R. until 1987. Bulgakov's plays including Pushkin and Moliere dealt with artistic freedom. His last novel, The Master and Margarita, was not published until 1966-67 and in censored form. Bulgakov died in Moscow on March 10, 1940. (Bowker Author Biography) A practicing physician like Anton Chekhov, Mikhail Afanasevich Bulgakov became a popular writer and playwright in the comparatively easier political climate of the Soviet Union during the 1920s. The civil war and its internecine horrors became one of his major themes as did the new Soviet society. His early prose is often satiric, with strong elements of the fantastic and grotesque, but it also contains the themes of guilt and personal responsibility that become so crucial in his later work. Bulgakov wrote a number of important plays that provoked bitter attacks in the press, and he was shut out of the theater and literature in 1929. Only a direct appeal to Stalin allowed Bulgakov to resume a professional career. Even then, however, some publishing houses and theaters rejected some of his important works, such as the novel Life of Monsieur de Moliere (1933). Bulgakov's masterpiece written over a number of years and only published decades after his death is the novel Master and Margarita (1966-67). Combining two principal plot lines-Satan's visit to contemporary Moscow and the trial and execution of Jesus in biblical Judaea-the work may be read on many levels, from the purely satiric to the allegorical. It has been acclaimed as one of the most important achievements of twentieth-century Russian fiction. Today, Bulgakov is celebrated for both his plays and his novels. Several of his plays are public favorites and standard fare in Russian theaters. Bulgakov died in Moscow on March 10, 1940. (Bowker Author Biography) vis mindre

Omfatter også følgende navne: Boulgakov-M, M. Bulgakov, M. Bulgakov, Boulgakov M., M. Boelgakov, Bulgakov M.A., M.A. Bulgakov, M.A. Boelgakov, Mihayl Bulgakov, Mijail Bulgakov, Mixail Bulgakov, Mihail Bulgakov, Mijail Bulgakov, Mihail Bulkakov, Mikail Bulgakov, Mikhai Bulgakov, Michal Bulgakov, Bulgakov Micail, Mihail Bulgakov, Mihhail Bulgakov, Mikhail Bulgakov, Michael Bulgakov, Mikhail Bulgakov, Mikhail Bulgakov, Mikhail Bulgakow, Mikhail Bulgakov, Mikhail Bulgakov, Mikhail Bulgakov, Miĥail Bulgakov, Michail Bulgakov, Mikhail Bulgakov, Michail Bulgakov, Bulhakow Michail, Mihkail Bulgakov, Michail Bulgakow, Mikhail Bulgakov, Michael Bulgakov, Mikhaíl Bulgakov, Mikhail Boulgakov, Michail Boelgakov, Mihails Bulgakovs, Michał Bułgakow, mikhail boulgakov, Michael Boelgakov, Mikail, Boulgakov, Mikhail Bulgäkov, Mikhail Bulgákov, Michał Bułhakow, Michael Boelgakov, Bulgákov Mijaíl, Mikhaïl Bulgakov, Mijaíl Bulgákov, Mikhaïl Bulgàkov, Boulgakov Michaïl, Michaił Bułhakow, Mihail A. Bulgakov, Mikhaïl Boulgakov, Michaël Boulgakov, Mikhaïl Boulgakov, Mikchail Boulgakov, Mikhaíl Búlgakov, ブルガーコフ, Mikhaíl Bulgákov, Mijail A. Bulgakov, Michail A. Bulgakov, Michail A. Bulgakov, Mijail A. Bulgákov, Mikhail A. Bulgakov, Булгаков М, BULGAKOV MIJAIL AFA, Michail A. Boelgakov, Mikhail A. Boelgakov, Mikhail Afanasevitch, Bulgakov Afanas'evic, Mijaíl A. Bulgákov, Michael A. Boelgakov, Boulgakov Mikaïl, Boulgakov Mikhaïl, Mikhaïl Boulgakov, Bulhakow M./Bulgakov M., Булгаков М.А., М.А. Булгаков, М.А. Булгаков, М. А. Булгаков, М. А. БУЛГАКОВ, М. А. Булгаков, Булгаков М. А.,, Michail Afanasevic Bulgakov, Mihaïl Afanasevic Bulgakov, Mihayl Afanasyevic Bulgakov, Mihayl Afanasyevic Bulgakov, מיכאיל בולגקוב, Michail Afanesevic Bulgakov, מיכאיל בולגקוב, Bulgakov Mihail Afanasevich, Michail Afanasevic Bulgakov, Mikhail Afanasevich Bulgakov, bulgakov michail afanasjevic, Михаил Булгаков, Miĥail Afanasjeviĉ Bulgakov, Михаил Булгаков, Bulgakov Mikhail Afanasoevich, Булгаков Михаил, מיכאיל בולגאקוב, Mikhaïl Boulgakov, Mikhail Afanasʹevich Bulgakov, Булгаков: Михаил, Michail Afanasjevitsj Boelgakov, ミハイル ブルガーコフ, Mikhail Afanasievitch Boulgakov, Mijaíl A. Bulgákov, Михаил А. Булгаков, ミハイル・ブルガーコフ, Mihail Afansyeviç Bulgakov, Mikhaïl Afanassievitch Boulgakov, Михаи́л Булга́ков, Mijail Afanas'evich Bulgakov, Mihail Afanesyeviç Bulgakov, ミハイール ブルガーコフ, Mikhaïl Afanassievitch Boulgakov, Mikhaíl Afanasyevich Булга́ков, BULGAKOV Michail (Kiev 1891 - Mosca 1940), Булгак Михаил Афанасьевич, Михаил Афанасьевич Булгако, МИХАИЛ АФАНАСЬЕВИЧ БУЛГАКО, Михаил ?фана?ьевич Булгако, Михаил Афанасиевич Булгаков, ミハイル・アファナーシェヴ ブルガーコフ, ミハイル・アファナシエヴィチ ブルガーコフ, ミハイル・アファナーシエヴィチ ブルガーコフ, ミハイール・アファナーシェヴィチ ブルガーコフ, Michail Afanasjevic Bulgakov (Михаи́л Афана́сьевич Булга́ков)

Værker af Mikhail Bulgakov

Mesteren og Margarita (1966) — Forord, nogle udgaver20,282 eksemplarer
En hunds hjerte (1968) 3,132 eksemplarer
Aantekeningen van een jonge arts (1975) 859 eksemplarer
A Theatrical Novel (1937) 758 eksemplarer
The Fatal Eggs (1925) 733 eksemplarer
The Life of Monsieur de Molière (1933) 270 eksemplarer
Morfine (1926) 258 eksemplarer
Diaboliad (1972) 172 eksemplarer
Diaboliad and Other Stories (1972) 162 eksemplarer
Notes on the Cuff & Other Stories (1922) 91 eksemplarer
Flight & Bliss (1985) 58 eksemplarer
Six plays (1991) 50 eksemplarer
Flight (1927) 41 eksemplarer
J'ai tué (1988) 33 eksemplarer
Romanzi e racconti (1990) 29 eksemplarer
More about Bulgakov and Mandelstam (1993) 22 eksemplarer
Zoyka's Apartment (1991) 21 eksemplarer
Livets stråle (2014) 16 eksemplarer
The days of the Turbins (1926) 15 eksemplarer
Ecrits autobiographiques (1997) 15 eksemplarer
Tutto il teatro (2004) 13 eksemplarer
Romans en verhalen (2014) 13 eksemplarer
Racconti fantastici (1991) 13 eksemplarer
Cartas a Stalin (1990) 12 eksemplarer
Racconti (1970) 11 eksemplarer
Black Snow {Adapted} (1986) 10 eksemplarer
Uova fatali­Cuore di cane (2010) 10 eksemplarer
אי הארגמן (1990) 10 eksemplarer
Salmo y otros cuentos inéditos (2011) 10 eksemplarer
Morfin & andra noveller (2018) 9 eksemplarer
Le anime morte (1992) 9 eksemplarer
Пьесы (1992) 8 eksemplarer
Kleine Prosa I (1983) 7 eksemplarer
Teatro 7 eksemplarer
Jutustused ; Batum : [näidend] (2003) 7 eksemplarer
Uova fatali e altri racconti (1967) 6 eksemplarer
Feuilletons 6 eksemplarer
Adam and Eve (in Six Plays) (1992) 6 eksemplarer
Великий канцлер (1992) 6 eksemplarer
Pühameeste sepitsused (1993) 5 eksemplarer
Red and White (2002) 5 eksemplarer
Djävulens Vändkrets (2013) 5 eksemplarer
Secret et sociétés secrètes (1991) 5 eksemplarer
Fyra romaner (2022) 4 eksemplarer
Meistererzählungen (1993) 4 eksemplarer
Ханский огонь (1988) 4 eksemplarer
Ouăle fatale. Diavoliada (1991) 4 eksemplarer
Écrits sur des manchettes (1992) 4 eksemplarer
Cuore di cane e altri racconti (2001) 4 eksemplarer
Kíev-Moscou (2022) 4 eksemplarer
La locomotive ivre (2005) 3 eksemplarer
Relatos de Moscú (2008) 3 eksemplarer
Morfi. Zapiski yunogo vracha (2011) 3 eksemplarer
Los días de los Turbín (2002) 3 eksemplarer
Creative Review (1975) 3 eksemplarer
Son Günler (puskin) (2015) 3 eksemplarer
Üstat ile Margarita-Midi Boy (2012) 3 eksemplarer
Till en hemlig vän (1988) 3 eksemplarer
Vzetes tojok kisregyek (2008) 3 eksemplarer
O prospěšnosti alkoholismu (2011) 3 eksemplarer
Haus Nr. 13, Meistererzählungen (1974) 3 eksemplarer
Rasskazy (1988) 2 eksemplarer
Morfi povest, rasskazy (2018) 2 eksemplarer
Stücke II (1990) 2 eksemplarer
Corazón de perro y otros relatos (1989) 2 eksemplarer
Jugoslavija : zemlja i ljudi (1980) 2 eksemplarer
Избранное (1991) 2 eksemplarer
The Embroidered Towel (1926) 2 eksemplarer
Pismo vrhovnoj vlasti (2012) 2 eksemplarer
Maleficios (1992) 2 eksemplarer
Noore arsti märkmed ; Morfium (2010) 2 eksemplarer
Rusia. Volumen 2 — Bidragyder — 2 eksemplarer
Izbrannoe (2000) 2 eksemplarer
Sobache serdtce. Teatralnyi roman (2014) 2 eksemplarer
Ölümcül Yumurtalar (2020) 2 eksemplarer
Bir Ölünün Anilari (2021) 2 eksemplarer
Romany 1 eksemplar
Relatos satíricos 1 eksemplar
Sobache serdtse. Morfij (2018) 1 eksemplar
Povesti (1983) 1 eksemplar
Pʹesy (1991) 1 eksemplar
La isla purpúrea 1 eksemplar
El verbo 1 eksemplar
Morfina y otros relatos (1900) 1 eksemplar
Correspondencia 1926-1940 (2009) 1 eksemplar
Los huevos fatídicos (2021) 1 eksemplar
GARDA E BARDHE 1 eksemplar
Sobache serdtse (2016) 1 eksemplar
Morfiy. Povesti i rasskazy (2020) 1 eksemplar
Velikikansler ; Knaz tmy (2000) 1 eksemplar
Diavoliada. Rokovye iaitsa (2019) 1 eksemplar
Guruló lakótér (1990) 1 eksemplar
Stücke I (1982) 1 eksemplar
Kleine Prosa 1 eksemplar
Ich habe getötet 1 eksemplar
Izbrannye proizvedeniia (2002) 1 eksemplar
Morphine (2023) 1 eksemplar
劇場 1 eksemplar
Bulgakow-Stücke 1 eksemplar
Theatre Stories (1998) 1 eksemplar
Journal confisqué (1992) 1 eksemplar
Opowiadania 1 eksemplar
Sobranie sochinenii 1 eksemplar
I grandi romanzi russi: Nuove traduzioni (2015) — Forfatter — 1 eksemplar
Рассказы 1 eksemplar
Izlase : [proza] 1 eksemplar
Morfijs 1 eksemplar
White guards 1 eksemplar
Paura 1 eksemplar
Köpek Kalbi (2021) 1 eksemplar
Kaybolmuş Bir Göz 1 eksemplar
Contos completos 1 eksemplar
Pripovetke 1 eksemplar
Stalin'e Mektuplar (2015) 1 eksemplar
Çelik Boğaz 1 eksemplar
Seytanname (2021) 1 eksemplar
Stolytsa v bloknote 1 eksemplar
Zapisi mladog liječnika (2013) 1 eksemplar
Menekülés : színművek (2009) 1 eksemplar
Kobna jaja / Psece srce (2015) 1 eksemplar
Kobna jaja : pripovijest (2000) 1 eksemplar
Hayatimizin Bir Günü (2021) 1 eksemplar
Köpek Kalbi (Bez Ciltli) (2021) 1 eksemplar
Dil-i sag (1385) 1 eksemplar
The Red Crown 1 eksemplar
Run 1 eksemplar
Psí srdce a jiné povídky (2014) 1 eksemplar
Romanzo teatrale 1 eksemplar
En diaboliad 1 eksemplar
Die weiße Garde 1 eksemplar
Teatral Bir Roman - Siyah Kar (2013) 1 eksemplar
Διηγήματα 1 eksemplar
Kol Manşetinde Notlar (2015) 1 eksemplar

Associated Works

The Literary Cat (1977) — Bidragyder — 241 eksemplarer
Russian Short Stories from Pushkin to Buida (2005) — Bidragyder — 223 eksemplarer
The Fatal Eggs and Other Soviet Satire (1965) — Bidragyder — 124 eksemplarer
The Big Book of Modern Fantasy (2020) — Bidragyder — 108 eksemplarer
A Life in Medicine: A Literary Anthology (2002) — Bidragyder — 81 eksemplarer
Great Soviet Short Stories (1962) — Bidragyder — 76 eksemplarer
1917: Stories and Poems from the Russian Revolution (2016) — Bidragyder — 35 eksemplarer

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Discussions

Master and Margarita i Fine Press Forum (november 2023)
The Master and Margarita - Group Read i 75 Books Challenge for 2017 (februar 2018)
Mikhail Bulgakov i Fans of Russian authors (november 2017)
The Master and Margarita Group Read: Part 1 i Club Read 2012 (juli 2017)
Master and the Margarita Group Read (April) i 75 Books Challenge for 2016 (maj 2016)
Best Bulgakov Translation? i Fans of Russian authors (marts 2015)
The Master and Margarita Group Read: Part 2 i Club Read 2012 (juli 2012)
Master & Margarita Spoiler-Free i The 11 in 11 Category Challenge (februar 2011)
Group Read (January): The Master and Margarita i The 11 in 11 Category Challenge (januar 2011)
The Master and Margarita: What edition are you reading? i Group Reads - Literature (august 2009)

Anmeldelser

A story about Russia in the 1950’s and a visit from Satan and some cohorts, including Behemoth, a very large and typical cat. I don’t know enough about Russia of the time to get all of the satire, though some is quite obvious. Read simply as a love story and for the touching novel within the novel about Christ and Pilate, it is fully satisfying.
 
Markeret
cspiwak | 463 andre anmeldelser | Mar 6, 2024 |
Despite the promising chapter titles, the first one hundred pages of this book was of so little interest that I gave up on it. Clearly I'm out of step with the vast majority of readers. There was no one I cared about and whatever literary and ethical subtext may have been present for others, was so obscure and illusive to me, that all that I could find was a tedious procession of hyperbolic outrages.
 
Markeret
simonpockley | 463 andre anmeldelser | Feb 25, 2024 |
This early realist work of Bulgakov brought so strongly to my mind the stories of James Herriot that I quickly began "hearing" these stories in Herriot's voice as I read them. Newly qualified as a doctor, Bulgakov's alter ego here is sent off to be the sole physician in a rural part of the country in the early part of the twentieth century. There he finds the local peasantry often resistant to the modern medicine he practices and he struggles with a large culture gap. He also struggles with his inexperience and the anxiety this causes, obsessing about possible strangulated hernias in particular. As a man of good nature and talent, however, he rises to the occasion.

For instance, if this section isn't the Russian physician equivalent of James Herriot, then I'm a babushka:
'Well now,' I said, 'you see... er... it seems... in fact it's quite certain... you see, you have a rather unpleasant disease - you have syphilis...'

As soon as I had said this I felt awkward. I thought he might be frightened out of his wits. But not at all. He gave me a sidelong glance, rather as a hen looks up with her round eye when she hears a voice calling her. I was astonished to see mistrust in his round eye.

'You've got syphilis,' I repeated softly.

'What's that, then?' asked the man with the speckled rash...

'You can get dressed again,' I said. 'You've got syphilis! It is an extremely serious illness which affects the whole body. It will take a long time to cure.'

Here I faltered because - I swear it - I detected in that hen-like gaze astonishment clearly mixed with derision.

'But I'm only a bit hoarse in the throat,' said the patient.

'Yes, I know. That's why it's gone hoarse, and that's why you've got a rash on your chest. Have a look at your chest.'

He squinted at his chest. The ironic glint in his eyes did not fade.

'Couldn't you just give me something for my throat?' he asked...

'Look here,' I continued aloud, 'your throat is a minor matter. We'll make your throat better too, but the most important thing is to get rid of the general disease. And the treatment's going to take a long time - two years.'

At this the patient stared at me. I saw the verdict in his eyes: You've gone off your head, doctor!

'Why so long?' he asked. 'How can it take two years? All I need is something to gargle for my throat.'

I saw red...

A few minutes later the yellow back of his sheepskin jerkin was disappearing through the door and a woman in a headscarf was elbowing past him. A few minutes later, as I ran along the half-dark passage from my out-patient surgery to get some cigarettes from the pharmacist, I happened to overhear a hoarse whisper:

'He's no good. Young fellow. I've just got a sore throat, see, but he looks me all over... chest, belly... Lord, here am I with nothing but a sore throat and he gives me ointment for my legs.'

'Careless, careless,' a quavering peasant woman's voice agreed...

I pulled my head into my shoulders and furtively tried to hunch myself up as if I were guilty, and disappeared with a burning sense of resentment. I was in a terrible state. Had I been completely wasting my time?
Anyway, the first seven stories of this collection are generally in this vein, and are quite enjoyable and lightly humorous. The last two stories, Morphine and The Murderer, take a radical turn however as Bulgakov writes not about 'himself' but about two other doctors, one who becomes addicted to morphine and another who gets caught up in the Russian Revolution. Nothing humorous in the least about these two stories, which makes for a somewhat jarring tone shift at the finish.

It should be noted that these stories were published separately in two journals between 1925 and 1927 and while Bulgakov is said to have intended at some point to collect and edit them as a single published volume, he never did and so we cannot know what decisions might have made if this volume had been put together by the author.
… (mere)
 
Markeret
lelandleslie | 20 andre anmeldelser | Feb 24, 2024 |
Il Maestro e Margherita è uno di quei romanzi così densi da farmi guardare con sconforto alla pagina bianca che dovrei riempire di affermazioni sagaci su un grande classico della letteratura. Purtroppo tutto quello che mi viene da scrivere al riguardo è: leggetelo! Cosa che, oltre a non farmi vincere il premio di Blogger Originale dell’Anno, non vi metterà addosso nessuna curiosità di leggerlo…

Potrei raccontarvi che questa è la terza volta (credo) che leggo Il Maestro e Margherita. La prima volta era molto giovane e ne ho apprezzato soprattutto l’aspetto fantastico e umoristico. Come si fa a non ridere delle trovate di Behemoth e Korov’ev? O di Margherita che svolazza nei cieli di Mosca e finisce per devastare l’appartamento dell’odioso Latunskij? Allo stesso modo si apprezza il lato fantastico, con la presenza di Woland/Satana e del suo seguito, delle streghe e della presenza del Bene e del Male, che si stanno antipatici, ma sotto, sotto lavorano insieme.

La seconda volta, invece, penso di essere rimasta colpita soprattutto dalla critica feroce di Bulgakov all’Unione Sovietica: in particolare, il mondo della cultura, appiattito sulle posizioni più compiacenti al regime. Il romanzo si apre proprio con una discussione su come vada modificato un poema antireligioso per essere soddisfacente. Per farvi un’idea di quanto pungesse la critica di Bulgakov vi basterà sapere che nel 1941 venne pubblicato (postumo) in maniera pesantemente censurata e rimaneggiata in Urss e che bisognerà aspettare il 1973 per averne la versione integrale.

Questa volta – la terza – ho riflettuto sull’idea che la viltà sia il peggiore dei peccati. È vero, la nostra vigliaccheria potrebbe distruggere la vita di qualcun’altrə; è vero anche che a volte si è vili non per mancanza di coraggio, ma per pigrizia, noncuranza, o perché quella mattina ci siamo svegliatə male. E allora vedere conseguenze drammatiche al nostro non-agire non ci piace e vorremmo tornare indietro, quando ancora si poteva fare qualcosa di buono. Vorremmo essere sempre eroicə, ma a volte siamo carnefici: inutile incazzarsi con chi ce lo fa notare. Per quanto faccia male, potrebbe avere ragione.

E allora?

Bulgakov ci offre le sue risposte, declinandole in più di una situazione. Lascio volentieri a lui l’onore di presentarvele.
… (mere)
 
Markeret
lasiepedimore | 463 andre anmeldelser | Jan 11, 2024 |

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Associated Authors

Isaak E Bábel Contributor
Borís Pasternak Contributor
Máximo Gorki Contributor
Sergio Leone Translator
Clara Coïsson Translator
Mauro Martini Contributor
Vera Dridzo Translator
Marko Fondse Translator, Afterword, Foreword
Michael Glenny Translator
Mirra Ginsburg Translator
Hugh Aplin Translator
Ellendea Proffer Afterword, Translator, Introduction
Thomas Reschke Übersetzer, Translator
Claude Ligny Translator
Alexander Nitzberg Translator, Übersetzer
Danusia Schejbal Illustrator
Vera Dridso Translator
Jüri Ojamaa Translator
Ulla-Liisa Heino Translator
Melissa Jacoby Cover designer
Krystyna Skalaki Cover designer
António Pescada Translator
Zoia Prestes Translator
Martti Mäkelä Translator
Zlata Kocić Translator
Ojārs Vācietis Translator
Vida Flaker Translator
Robert Goldstrom Cover artist
Manuel de Seabra Translator
Felicitas Hoppe Afterword
Jørgen Harrit Translator
Gert Jan Pos Translator
Priit Rea Illustrator
Janez Gradišnik Translator
Simon Franklin Introduction
Richard Pevear Translator
Orlando Figes Introduction
Diana Burgin Translator
Aleksandr Kalugin Cover artist
Vappu Orlov Translator
Peter Suart Illustrator
Aai Prins Translator
Libor Dvořák Translator
Andrew Bromfield Translator
Boris Misirkov Translator
Roy McMillan Narrator
Friso Henstra Cover artist
Viveca Melander Translator
Silvia Serra Translator
浅川 彰三 Translator
Marian Schwartz Translator
中田 甫 Translator
Josep M. Güell Translator
Evgeny Dobrenko Introduction
Hélène Gibert Translator
Dick Peet Translator
Esa Adrian Translator
Terry Gilliam Introduction
Keith Gessen Introduction
Piero Cudini Afterword
Wladimir Zatskoy Translator
Doris Lessing Foreword
Maria Olsufieva Translator
Carl R. Proffer Translator, Editor
Marianne Gourg Translator
Jaume Creus Translator
Silvia Sichel Translator
Carl Proffer Translator
J. A. E. Curtis Introduction
Julie Curtis Introduction
Aggy Jais Translator
Alison Rice Translator
Barbara Nasaroff Translator
Frank Dwyer Translator
石原 公道 Translator
法木 綾子 Translator
Gerardo Escodín Translator
水野 忠夫 Translator
Víctor Gallego Translator
José Ardanaz Translator
Julia Pericacho Translator

Statistikker

Værker
318
Also by
21
Medlemmer
29,652
Popularitet
#678
Vurdering
4.1
Anmeldelser
650
ISBN
1,354
Sprog
38
Udvalgt
217

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