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Edith Sitwell: A Unicorn Among the Lions

af Victoria Glendinning

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912297,197 (3.86)2
Not until her twenties was the real Edith Sitwell born. Freed from her unhappy home life she set up home in a shabby London flat: she became - almost overnight - one of the best-known 1920s pioneering poets. Her Plantagenet good looks attracted the photographer Cecil Beaton and the principal painters of the day. She befriended Aldous Huxley, T.S. Eliot, and Gertrude Stein. She rebuffed Wyndham Lewis and ardently loved the temperamental Russian painter, Pavel Tchelitchew. The thirties she spent in penury, writing her novels, poems and biographies and it was only when Yeats hailed her as 'a major poet' that her work reached a wider audience and she set off to conquer New York and Hollywood. In this vivid and sympathetic portrayal, drawing on Edith's brilliantly funny and often outrageous letters, Victoria Glendinning shows the spontaneous, gallant, yet tragically insecure woman behind the public image.… (mere)
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What a life, what a personality. Makes one think about the importance of privilege/connections/money/hustling/branding to a writer's life and how the societal worship of eccentricities can sometimes overshadow an artist's works. Especially with the Woolf connections and references peppered throughout the book.

Glendinning is thorough in her scholarship and organisation, with just enough pithy sideways authorial interjection to temper and balance out Sitwell's overwhelming individuality. Published in 1981, the book referenced a few times the letters between Sitwell and Tchelitchew to be released by Yale in 2000. I wonder if there's any new edition with perhaps an afterword about how they would colour Glendinning's analyses of their smothering codependent relationship.

Aside: it's always nice when one's faves show up in someone else's biographies, it really humanises (de-lionises) all the well-known names and also populates the setting of the past really well. ( )
  kitzyl | Dec 31, 2020 |
Het leven en het werk van de Engelse excentrieke grande dame die samen met haar twee broers het 'deleterious trio' van de Engelse literatuur vormde in de 1ste helft van de 20ste eeuw. Heel veel faits divers maar weinig analyse van haar werk. ( )
  joucy | Jul 16, 2013 |
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This may not be the critical blast Glendinning intended, then (though the WW II poems are eloquently defended). But it's a shrewdly selective montage of a half-lived life: less brightly anecdotal--and more touching--than you'd expect.
tilføjet af jburlinson | RedigerKirkus Reviews
 
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Not until her twenties was the real Edith Sitwell born. Freed from her unhappy home life she set up home in a shabby London flat: she became - almost overnight - one of the best-known 1920s pioneering poets. Her Plantagenet good looks attracted the photographer Cecil Beaton and the principal painters of the day. She befriended Aldous Huxley, T.S. Eliot, and Gertrude Stein. She rebuffed Wyndham Lewis and ardently loved the temperamental Russian painter, Pavel Tchelitchew. The thirties she spent in penury, writing her novels, poems and biographies and it was only when Yeats hailed her as 'a major poet' that her work reached a wider audience and she set off to conquer New York and Hollywood. In this vivid and sympathetic portrayal, drawing on Edith's brilliantly funny and often outrageous letters, Victoria Glendinning shows the spontaneous, gallant, yet tragically insecure woman behind the public image.

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