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Mimesis - Virkelighedsgengivelsen i den vesterlandske litteratur (1946)

af Erich Auerbach

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1,934126,179 (4.13)1 / 21
A half-century after its translation into English, Erich Auerbach's Mimesis still stands as a monumental achievement in literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written.… (mere)
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Engelsk (6)  Svensk (3)  Italiensk (3)  Alle sprog (12)
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"Odysseus' Scar" : external vs internal reality, physical vs psychological space, legend vs truth in Homeric poetry and the Bible, and what this means for us now. ( )
1 stem melanierisch | Oct 25, 2020 |
809 AUE
  ScarpaOderzo | Apr 26, 2020 |
809 AUE
  ScarpaOderzo | Apr 26, 2020 |
An iconic but really unreadable work that I think point to the current dissolution of literature and the higher education of literature; a kind of writing that portends to say much but in the end says nothing about writing and imagination. All this was supported by Mellon money (Bollingen Foundation) and translated by one of the 20th century giants of translation, Willard Trask. ( )
1 stem JayLivernois | Jan 21, 2019 |
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» Tilføj andre forfattere (57 mulige)

Forfatter navnRolleHvilken slags forfatterVærk?Status
Auerbach, ErichForfatterprimær forfatteralle udgaverbekræftet
Roncaglia, AurelioIntroduktionmedforfatternogle udgaverbekræftet
Said, EdwardIntroduktionmedforfatternogle udgaverbekræftet
Trask, Willard R.Oversættermedforfatternogle udgaverbekræftet
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Vigtige steder
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Had we but world enough and time...

-Andrew Marvell
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Readers of the Odyssey will remember the well-prepared and touching scene in book 19, when Odysseus has at last come home, the scene in which the old housekeeper Euryclea, who had been his nurse, recognizes him by a scar on his thigh.
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A half-century after its translation into English, Erich Auerbach's Mimesis still stands as a monumental achievement in literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written.

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