This particular volume, The Greatest Stories of the Bible, is not in fact a Bible in the traditional sense, as the front matter makes clear. While the actual text is taken literally from the New King James translation of material, the volume is made up of editorially-selected extracts from the Biblical canon with an eye to building a narrative thread through both the Old and New Testament. Rather than presenting a more fluid storyline, Nelson's Greatest Stories of the Bible has focused on ordering a string of various stories and plot lines (each not more than three or four pages in length).

This treatment works for some Books of the Bible (such as the Book of Jonah, a minor prophet) but not for others (such as the Book of Job). The Book of Jonah is broken into four relatively equal segments (Rebellious Prophet, Repentant Prophet, Successful Prophet and Pouting Prophet). Given the length of the original and its flow of its storyline, this makes sense. Contrast that with the treatment given to Job, a fairly lengthy poetic treatment of Everyman's reaction to the decisions made by a seemingly capricious Deity. In this volume, Job has been reduced to three chapters (specifically 1,2, and 42) which reduces the message of Job down to the overly simplistic message (and this is my statement of the takeaway from those segments) of “God is God, so don't whine”. Hardly inspiring. Some of the more awkward incidents in the lives of patriarch Jacob as well as King David have been eliminated entirely.

Overall, however, this treatment is largely respectful of both the content and the reader's intelligence. Each of the 250 “stories” is manageable in length for purposes of reading aloud or instruction. For example, in introducing great works of classical art, a book such as this would be quite useful in presenting the literary reference for a painting of Jacob meeting Rachel at her father's well for the first time. Production values are pleasing (cream pages with a light brown type, good quality paper and deckle-edged, a ribbon bookmark sewn into the binding); the cover design uses the conceit of a tattered old volume and debossing of the trim at the edges adds a pleasing tactile touch. ( )