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Billion Year Spree: The True History of Science Fiction (1973)

af Brian W. Aldiss

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314284,048 (3.76)7
"Discusses the works of Mary Shelley, Edgar Allan Poe, Lucian, H.G. Wells, John W. Campbell, and others from Victorian times to the present."--
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Indeholder "Introduction --", "1. The Origins of the Species: Mary Shelley", "2. 'A Clear-Sighted, Sickly Literature': Edgar Allan Poe", "3. Pilgrim Fathers: Lucian and All That", "4. The Gas-Enlightened Race: Victorian Visions", "5. The Man Who Could Work Miracles: H. G. Wells", "6. The Flight from Urban Culture: Wells' Coevals", "7. To Barsoom and Beyond: ERB and the Weirdies", "8. In the Name of the Zeitgeist: Mainly the Thirties", "9. The Future on a Chipped Plate: The World of John W. Campbell's "Astounding"", "10. After the Impossible Happened: The Fifties and Onwards, and Upwards", "11. The Stars My Detestation: Yesterday and Tomorrow", "Envoi", "Critical Bibliography", "Index".

"Introduction --" handler om ???
"1. The Origins of the Species: Mary Shelley" handler om ???
"2. 'A Clear-Sighted, Sickly Literature': Edgar Allan Poe" handler om ???
"3. Pilgrim Fathers: Lucian and All That" handler om ???
"4. The Gas-Enlightened Race: Victorian Visions" handler om ???
"5. The Man Who Could Work Miracles: H. G. Wells" handler om ???
"6. The Flight from Urban Culture: Wells' Coevals" handler om ???
"7. To Barsoom and Beyond: ERB and the Weirdies" handler om ???
"8. In the Name of the Zeitgeist: Mainly the Thirties" handler om ???
"9. The Future on a Chipped Plate: The World of John W. Campbell's "Astounding"" handler om ???
"10. After the Impossible Happened: The Fifties and Onwards, and Upwards" handler om ???
"11. The Stars My Detestation: Yesterday and Tomorrow" handler om ???
"Envoi" handler om ???
"Critical Bibliography" handler om ???
"Index" handler om ???

Det her er vist den engelske bog, hvor jeg har skullet slå flest ord op i en ordbog. ( )
  bnielsen | Dec 27, 2016 |
Een pleziertochtje door de ruimte en tijd, een lichtjarenfeest. De ontwikkelingsgang van het genre wordt geschetst, aandacht wordt besteed aan de algemene literaire waarde van de diverse romanse en stromingen. Een volwaardige literatuurgeschiedenis van het Essef genre. Gedetailleerd overzicht van de fantastische literatuur en de toekomst- romans, waarvan de schrijver de oorsprong nagaat tot in de klassieke oudheid.
tilføjet af karnoefel | RedigerNBD / Biblion
 

» Tilføj andre forfattere (2 mulige)

Forfatter navnRolleHvilken slags forfatterVærk?Status
Brian W. Aldissprimær forfatteralle udgaverberegnet
Minor, WendellOmslagsdesignermedforfatternogle udgaverbekræftet
November, DavidOmslagsfotograf/tegner/...medforfatternogle udgaverbekræftet
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Rooted as they are in the facts of contemporary life, the phantasies of even a second-rate writer of modern Science Fiction are incomparably richer, bolder and stranger than the Utopian or Millennial imaginings of the past.
Aldous Huxley: Literature and Science
Often I sit alone at night, staring with the eyes of my mind into the darkness of unborn time, and wondering in what shape and form the great drama will be finally developed, and where the scene of its next act will be held.
Rider Haggard: the final paragraph of She
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'The stars shone at intervals, as the clouds passed over them: the dark pines rose before me, and every here and there a broken tree lay on the ground; it was a sense of wonderful solemnity, and stirred strange thoughts within me.' [Aldiss is quoting from Mary Shelley's Frankenstein]
Introduction
Wy are the public buildings so high? How come you don't know? Why, that's because the spirits of the public are so low.

Or so says W. H. Auden, in a definitive word on town-planners, pinning down a nebulous relationship.
Citater
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Science fiction is no more written for scientists than ghost stories are written for ghosts. Most frequently, the scientific dressing clothes fantasy. And fantasies are as meaningful as science. The phantasms of technology now fittingly embody our hopes and anxieties. It is from this angle that I have approached my subject. (introduction)
This volume will use the term 'science fiction' (and the abbreviation 'sf'), a widely preferred usage to the hyphenated science-fiction. Perhaps unease at the ungrammatical distortion of having a noun do duty as adjective has led to the fashion for abbreviating the term in a number of ways: SF, sf, sci-fi, sci-fic, si-fi, si-fic. Only would-be trendies use sci-fi. (footnote in chapter one)
Wells is the Prospero of all the brave new worlds of the mind, and the Shakespeare of science fiction. (chapter five)
So why does one obstinately respect Wells the more? It must be because, whatever else his failings, he is trying to grapple with what he sees as the real world, whereas Burroughs -- however expertly, and he can be a mesmerist -- is dishing out daydreams. (chapter seven)
Ghastly writer though Lovecraft is, predictable though the horrors are. somewhere buried in his writing is a core of power that remains disconcerting when all the adjectives have fallen away like leaves. (chapter seven)
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"Discusses the works of Mary Shelley, Edgar Allan Poe, Lucian, H.G. Wells, John W. Campbell, and others from Victorian times to the present."--

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