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Indlæser... The Adrian Mole Diaries: The Secret Diary of Adrian Mole, Aged 13¾ & The Growing Pains of Adrian Mole645 | 10 | 36,451 |
(3.93) | 20 | Fiction.
Literature.
Humor (Fiction.)
HTML: British adolescent angst has never been so "laugh-out-loud funny" (The New York Times)—the journey begins with these first two books in the heartbreakingly hilarious series. Commiserate with "one of literature's most endearing figures" (The Observer)—a sharp-witted, pining, and achingly honest underdog of great expectations and dwindling patience who knows all (or believes he does) and tells all. First published in 1982, Adrian Mole's chronicle of angst has sold more than 20 million copies worldwide, spawned seven sequels, been adapted for television, and staged as a musical—truly "a phenomenon" (The Washington Post). The Secret Diary of Adrian Mole, Aged 13and ¾: Adrian Mole must amass his grievances—his acne vulgaris is grotesque; his crush, Pandora, has received seventeen Valentine's Day cards (seventeen!); his PE teacher is a sadist; he fears his parents' marriage is over since they no longer smoke together; his dog has gone AWOL; no one appreciates his poetry; and Animal Farm has set him off pork for good. If everyone were as appalled as Adrian Mole, it would be a better world. For now, for us, it's just "screamingly funny" (The Sunday Times). The Growing Pains of Adrian Mole: Growing up among inferiors in Great Britain isn't easy for a sensitive "poet of the Midlands" like Adrian, considering everything in the world is conspiring to scar him for life—his hormones are in a maelstrom; his mother is pregnant (at her age!); his girlfriend is in shut down; and he's become allergic to non-precious metals. As his "crisply hilarious saga" (Booklist) continues, the changes Adrian undergoes will surely be profound. "Townsend's wit is razor sharp" (Daily Mirror) as she shows us the world through the haunted eyes of her luckless teenage diarist and self-proclaimed "undiscovered intellectual," proving again and again why she's been called "a national treasure" (The New York Times Book Review). . … (mere) |
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▾Referencer Henvisninger til dette værk andre steder. Wikipedia pÃ¥ engelskIngen ▾Bogbeskrivelser Fiction.
Literature.
Humor (Fiction.)
HTML: British adolescent angst has never been so "laugh-out-loud funny" (The New York Times)—the journey begins with these first two books in the heartbreakingly hilarious series. Commiserate with "one of literature's most endearing figures" (The Observer)—a sharp-witted, pining, and achingly honest underdog of great expectations and dwindling patience who knows all (or believes he does) and tells all. First published in 1982, Adrian Mole's chronicle of angst has sold more than 20 million copies worldwide, spawned seven sequels, been adapted for television, and staged as a musical—truly "a phenomenon" (The Washington Post). The Secret Diary of Adrian Mole, Aged 13and ¾: Adrian Mole must amass his grievances—his acne vulgaris is grotesque; his crush, Pandora, has received seventeen Valentine's Day cards (seventeen!); his PE teacher is a sadist; he fears his parents' marriage is over since they no longer smoke together; his dog has gone AWOL; no one appreciates his poetry; and Animal Farm has set him off pork for good. If everyone were as appalled as Adrian Mole, it would be a better world. For now, for us, it's just "screamingly funny" (The Sunday Times). The Growing Pains of Adrian Mole: Growing up among inferiors in Great Britain isn't easy for a sensitive "poet of the Midlands" like Adrian, considering everything in the world is conspiring to scar him for life—his hormones are in a maelstrom; his mother is pregnant (at her age!); his girlfriend is in shut down; and he's become allergic to non-precious metals. As his "crisply hilarious saga" (Booklist) continues, the changes Adrian undergoes will surely be profound. "Townsend's wit is razor sharp" (Daily Mirror) as she shows us the world through the haunted eyes of her luckless teenage diarist and self-proclaimed "undiscovered intellectual," proving again and again why she's been called "a national treasure" (The New York Times Book Review). . ▾Biblioteksbeskrivelser af bogens indhold Ingen biblioteksbeskrivelser fundet. ▾LibraryThingmedlemmers beskrivelse af bogens indhold
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Like many other great comic writers, Townsend started out as a playwright, when she was persuaded, in her early thirties, to go to a writing workshop at a local theatre. A couple of successful stage plays were followed by a BBC commission for a short series of radio plays about a teenager called Nigel Mole (later changed to Adrian to avoid confusion with the hero of Down with skool!). And the rest, as they say, is history.
A lot of the appeal of Adrian Mole is quite simply down to it being very clever comic writing. All the diaries are full of brilliant one-liners and more sophisticated buried jokes, some that you would probably only spot on a third or fourth reading. There are brilliant set-pieces in which absurd situations are brought about in the most natural and plausible way imaginable. But it also succeeded commercially because of the way Townsend was able to sneak a lot of the hard realities of Thatcherite Britain into a superficially innocent narrative: it was a book that you could enjoy whether you were an adult or a teenager, working-class or middle-class, on the left or on the right. Re-reading forty years on, it's striking how multi-culti it was: even in the early eighties this very mainstream book was full of non-white, non-heterosexual and non-stereotype characters. Reading it obviously didn't reform British society and overcome its prejudices, but it might have mitigated a few of them.
Townsend talked about the diary form as a very easy one to work with: she felt that you could do anything you like with it, provided you stuck to a linear time-sequence. (And a single point of view, obviously.) In a way, teenage Adrian is just an updated Mr Pooter, reporting on things that don't make sense to him but are much clearer to us, and getting into embarrassing or humiliating situations that he tells us about in a disarmingly frank way (going to A&E with a model aeroplane stuck to his nose after a failed attempt to try glue-sniffing). His overestimation of his own literary talents and his failure to understand other people (especially women) often make him a little bit contemptible, but this is always offset by his honesty, kindness and compassion. The way he is constantly being seduced by elderly people into becoming their unpaid carer is much more important to us than his conviction that his experimental novel Lo! The flat hills of my homeland and his serial-killer sitcom The white van are masterpieces. We can't help liking him and feeling that, if we had the bad luck to get into situations like those he is constantly finding himself in, we probably wouldn't do much better at maintaining our dignity. ( )