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Perfect from Now On: How Indie Rock Saved My Life

af John Sellers

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1825150,843 (2.98)3
John Sellers was powerless to resist the call of indie rock -- once he finally heard it. In this hilarious and revealing memoir, Sellers meticulously charts his transformation from a teenage headbanger rebelling against his Dylan-obsessed father to a thirtysomething fixated on the obscure Ohio band Guided By Voices. Along the way, he commemorates the deaths of Ian Curtis and Kurt Cobain, makes a pilgrimage inspired by the Smiths, and riffs on Pavement and the other raucous bands that have ruled college radio since the 1980s. Packed with compulsively constructed lists, ridiculous formulas, and embarrassing confessions, this is a book for anybody who thinks that corporate rock still sucks.… (mere)
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you guys, this writer thinks that talking shit about Tears for Fears and Wham! and Stacey Q will show me that he is a discerning audiophile. you guys, he makes sure we know that he knows that kim deal is the Hottest Female Alternative Rocker or something. you guys, help me.

why do david lee roth-loyal boys get so much airtime? this uppity bro thinks he can make me laugh? (like making jokes about ibiza and mardi gras and hookers that bill maher would reject as being stale will somehow hide rather than reveal the writer's essential mundane dorkdom?) thinks he can tell me about moz&marr? (unintentional comedy doesnt count.) thinks he has evidence that riot grrl was embarrassing because it was led by "unappealing harpies"? (i cant get into the shit with saying michiganders believe new yorkers to be "lox eating money grabbers" because i cant unpack that many layers of ignorance right now if i am to enjoy any part of my day off.)

this book was written by a homely pile of crap van halen dude who thinks we are all as gross as he is inside. as a person who has brothers and a father, i am offended. ( )
  alison-rose | May 22, 2023 |
Obnoxious, adolescent, and smug. Even when I agreed with him or was interested in the bands he was talking about, the tone was just so irritating. The worst offense, though, would have to be how any reference to a female musician was directly or indirectly about the way she looked. Every one. Grow up. ( )
  captainsunbeam | Oct 16, 2020 |
This book was alright for me. It had some great and relatable quotes about being an obsessive music fan and some funny moments too but there were a lot of parts where I wanted to just skip ahead because he seemed to be going on and on. I was also a bit disappointed that the synopsis included a reference to him taking a Smiths pilgrimage type trip to Manchester when really he didn't end up doing much at all to do with The Smiths while in Manchester. That was the part of the synopsis that sold me as a Smiths fan so that was a bit disappointing but overall I did relate to and enjoy his enthusiasm and experiences as a music fan. ( )
  morgantaylor | Oct 10, 2014 |
Very good overview of indie rock from the 80s and 90s--might just be saying that because I agree with a lot of what he has to say. Unfortunately, the second half of the book is devoted to covering one band: Guided by Voices. Still well-written, but drags if you're not as into the band as the author. ( )
1 stem francomega | Jul 18, 2009 |
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Life was something you dominated if you were any good. - F. Scott Fitzgerald, The Crack-Up

You're stupid, Sellers. Sellers, you're stupid. - Mildly retarded kid on the author's school bus, 1982
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To my dad, Mark Ashley Sellers Jr., for APBA, Magic, and the sounds of spring
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I hate Bob Dylan.
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John Sellers was powerless to resist the call of indie rock -- once he finally heard it. In this hilarious and revealing memoir, Sellers meticulously charts his transformation from a teenage headbanger rebelling against his Dylan-obsessed father to a thirtysomething fixated on the obscure Ohio band Guided By Voices. Along the way, he commemorates the deaths of Ian Curtis and Kurt Cobain, makes a pilgrimage inspired by the Smiths, and riffs on Pavement and the other raucous bands that have ruled college radio since the 1980s. Packed with compulsively constructed lists, ridiculous formulas, and embarrassing confessions, this is a book for anybody who thinks that corporate rock still sucks.

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