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Indlæser... La Voz De M.A.Y.O.: Tata Rambo, Vol. 1| 16 | 1 | 1,312,193 | 
(2) | Ingen | La Voz De M.A.Y.O: Tata Rambo is based on the oral history of Ramon Jaurigue, an orphan and WWII veteran who co-founded the Mexican, American, Yaqui, and Others (M.A.Y.O.) organization, which successfully lobbied the Tucson City Council to improve living and working conditions for members of the Pascua Yaqui tribe. Thanks to this period of activism, the Yaquis were federally recognized as one of the remaining Native American tribes. Meanwhile Ramon's home life suffered as his focus was pulled from family to wider community, and from domesticity to the adrenaline of the campaign. A resonant, neglected slice of American history is told for the first time with art by J. Gonzo, letter art by Bernardo Brice, edited by Claire Napier, and La Voz de M.A.Y.O boasts a script by Henry Barajas the great-grandson of Ramon Jaurigue, a.k.a. Tata Rambo.… (mere) |
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| Kanonisk titel |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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| Oprindelig udgivelsesdato |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. This book is sincerely dedicated to the M.A.Y.O. Organization
Ramon H. Jaurige
Padre Antonio Shanchez
Ted Valenzuela
Rosie Jimenez
Felipe Olivas
George Salgado
Joaquin Burruel
Felipe Gastelo
Gloria Tona
Ignacio Elenez
Cecilia Valencia
Rudy Romero
Dolores Sanchez
Pete Lopez
Agustina Gllardo
Juan Alvarez
Teodora Acuna
Basilio Olivas
Delfina Solo
Joaquin Bracamonte
Don Manuel Alvarez
Richard Flores
Natalia Cocio
Eddie Flores
Ralph Gomez  | |
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| Første ord |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. City of South Tucson, Arizona
March 25, 2015
It was the weekend before Cesar Chavez Day. I wanted to take my great-grandfather, Ramon Jaurigue, to his last march in solidarity for Rosa Robles. He deserved to leave this life on his two feet. Fighting for what's right. | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. Contents: Graphic Reclamations: A Foreword [by Frederick Luis Aldama] -- Chapter One: Battle for the Barrio -- Chapter Two: ¡Si Se Puede! -- Chapter Three: Yes We Did! -- Epilogue -- Interview: Raul Grijalva -- Thanks -- Back Matter: La Voz De MAYO Newsletters [by Ramon H. Jaurigue, Teddy Acuña, Cecilia Valencia, Pedro Lopez, Manuel V. Alvarez, Dolores V. Sanchez, Frank Gonzalez Wood, Rosie Jimenez, et al.] -- Back Matter: Newspaper Clippings [by Tom Duddleston Jr., Lawson Allen, Dennis Eskow, Judy Donovan, et al.] -- Backmatter: Additional Materials [by Ramon H. Jaurigue] -- Creator Bios | |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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▾Referencer Henvisninger til dette værk andre steder.  Wikipedia på engelsk
Ingen ▾Bogbeskrivelser La Voz De M.A.Y.O: Tata Rambo is based on the oral history of Ramon Jaurigue, an orphan and WWII veteran who co-founded the Mexican, American, Yaqui, and Others (M.A.Y.O.) organization, which successfully lobbied the Tucson City Council to improve living and working conditions for members of the Pascua Yaqui tribe. Thanks to this period of activism, the Yaquis were federally recognized as one of the remaining Native American tribes. Meanwhile Ramon's home life suffered as his focus was pulled from family to wider community, and from domesticity to the adrenaline of the campaign. A resonant, neglected slice of American history is told for the first time with art by J. Gonzo, letter art by Bernardo Brice, edited by Claire Napier, and La Voz de M.A.Y.O boasts a script by Henry Barajas the great-grandson of Ramon Jaurigue, a.k.a. Tata Rambo. ▾Biblioteksbeskrivelser af bogens indhold Ingen biblioteksbeskrivelser fundet. ▾LibraryThingmedlemmers beskrivelse af bogens indhold |
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Barajas gives a warts and all portrait full of passion and love, but the narrative suffers from occasional vagueness and some confusing transitions. And there are unanswered questions about how Jaurigue went from being an influential figure on the rise to being ignored or forgotten by the community in later years. The back matter includes newsletters, local newspaper clippings, and an essay by Jaurigue that are a bit dull and numbing to read in one shot.
The art is serviceable, but a bit odd and awkward in places. (