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I Am Alive and You Are Dead: A Journey into the Mind of Philip K. Dick (1993)

af Emmanuel Carrère

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6551335,593 (3.9)8
For his many devoted readers, Philip K. Dick is not only one of the "one of the most valiant psychological explorers of the 20th century" (The New York Times) but a source of divine revelation. In the riveting style that won accolades for The Adversary, Emmanuel Carre?re's I Am Alive and You Are Dead, follows Dick's strange odyssey from his traumatic beginnings in 1928, when his twin sister died in infancy, to his lonely end in 1982, beset by mystical visions of swirling pink light, three-eyed invaders, and messages from the Roman Empire. Drawing on interviews as well as unpublished sources, he vividly conjures the spirit of this restless observer of American postwar malaise who subverted the materials of science fiction--parallel universes, intricate time loops, collective delusions--to create classic works of contemporary anxiety.… (mere)
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This is in no sense a scholarly work—no footnotes, no bibliography, not even a "further reading" list. Emmaneul Carrère is an unabashed fan of Philip K. Dick who, having read everything there was to read, still wanted to know more about how Dick's mind worked. He pursued this quest through much of Dick's unpublished material and apparently interviews with those who knew him. (I say "apparently" because the lack of footnotes, while adding to readability, does detract from complete clarity about sources and research methods.) Nevertheless, Carrère has produced a fascinating book, and he and his translator, Timothy Brent, have made it a very readable one, too.

Carrère gives a reasonably full account of Dick's life, while assuming that his readers are those who have already read most or all of Dick's major works, and the earlier biographies. (Cautionary note: this means that, if you haven't read Dick's major works, you should beware of spoilers.) His goal is working out an understanding of his subject's mind from this wealth of material. To what extent did the traumas of Dick's childhood (the death of his twin sister when they were a few weeks old, his parents' divorce, his mother's own obsessions) contribute to his own instability and emotional problems, and to what extent were they merely the background against which his own personality oddities played out? How did his problems and his drug use affect his fiction? How much was the drug use the cause of his later problems, and how much was it an unguided attempt at self-medication? Carrère seems both clear-eyed and sympathetic in his descriptions of not only Philip Dick, but also his parents, wives, and friends. This is a highly readable and interesting book about a fascinating writer.

Recommended. ( )
  LisCarey | Sep 19, 2018 |
Actually very sad. I'm still laughing about the part " ... and after many years of bible study she was convinced that Jesus Christ lived at the center of the earth in a glass coffin that protected him from wizards. " ~ ( )
  Baku-X | Jan 10, 2017 |
While this book told me what I wanted to know about Philip K. Dick, it also tells much more than I wanted to know about the plots of his books. There are still a number of Dick's novels that I want to read, and so it was frustrating to find that Carrere outlines in detail the plot of each book. I've never read a biography that goes into such detail about an author's works. His point was to show how intricately entwined Dick's fiction was with his personal life. But for those of us who haven't read all of Dick's books, yet still plan to, this is not ideal reading. If I had read all of his books already, I wouldn't have minded and probably would've appreciated the book even more. As it was, I had to skip over large chunks of potential plot spoilers. ( )
  S.D. | Apr 4, 2014 |
Actually very sad. I'm still laughing about the part " ... and after many years of bible study she was convinced that Jesus Christ lived at the center of the earth in a glass coffin that protected him from wizards. " ~ ( )
  BakuDreamer | Sep 7, 2013 |
Fascinating. He's even more strange than you'd think from the books. Not quite as good as the best of his books but interesting all the same. ( )
  jerhogan | Jan 15, 2013 |
Viser 1-5 af 13 (næste | vis alle)
Emmanuel Carrère thinks the posthumously published social novels Dick produced were done to please snobbish friends and lovers. However, Dick was continually looking for the form which would best suit his ideas. No great stylist, his problem was that he had a hard time putting a story together without the conventions of genre fiction. His best work uses the methods developed in the pages of Galaxy by a group of writers including Pohl, Kornbluth, Bester, Sheckley and Harlan Ellison. What we today recognise as the "PKD future" is actually a collaboration between these socially conscious writers responding to Eisenhower's and J Edgar Hoover's America and specifically to McCarthyism. Unlike the conservative techno-SF writers, they actually predicted the world we know today.
 

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I am sure, as you hear me say this, you do not truly believe me, or even believe that I believe it myself. But nevertheless it is true. . . . You are free to believe me or free to disbelieve, but please take my word on it that I am not joking; this is very serious, a matter of importance. I am sure that at the very least you will agree that for me even to claim this is in itself amazing. Often people claim to remember past lives; I claim to remember a different, very different, present life. I know of no one who has ever made that claim before, but I rather suspect that my experience is not unique; what perhaps is unique is the fact that I am willing to talk about it. -- FROM A SPEECH GIVEN BY PHILIP K. DICK IN FRANCE, SEPTEMBER 24, 1977
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For his many devoted readers, Philip K. Dick is not only one of the "one of the most valiant psychological explorers of the 20th century" (The New York Times) but a source of divine revelation. In the riveting style that won accolades for The Adversary, Emmanuel Carre?re's I Am Alive and You Are Dead, follows Dick's strange odyssey from his traumatic beginnings in 1928, when his twin sister died in infancy, to his lonely end in 1982, beset by mystical visions of swirling pink light, three-eyed invaders, and messages from the Roman Empire. Drawing on interviews as well as unpublished sources, he vividly conjures the spirit of this restless observer of American postwar malaise who subverted the materials of science fiction--parallel universes, intricate time loops, collective delusions--to create classic works of contemporary anxiety.

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