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I Won't Learn from You: And Other Thoughts on Creative Maladjustment

af Herbert R. Kohl

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1761156,179 (4)Ingen
"I won't learn from you" is Herb Kohl's now-classic essay about the phenomenon of "not-learning," or refusing to learn, which takes place when a student's intelligence, dignity, or integrity is compromised by a teacher, an institution, or a larger social mindset. Available in book form for the first time, "I Won't Learn from You" serves here as a starting point for four new, groundbreaking essays by one of the country's leading thinkers on education. "The Tattooed Man: Confessions of a Hopemonger" is about the importance of teaching hope, and is Kohl's first autobiographical effort to discover in his own ghettoized childhood attitudes that let him recognize "not-learning" when he saw it among his students decades later. "Creative Maladjustment and the Struggle for Public Education" is inspired by Martin Luther King, Jr.'s call for creative maladjustment to an unjust society, and deals with the ways in which one can lead a positive life and learn new ways of maintaining opposition and resistance. "Excellence, Equality, and Equity" explores the relationship between these three crucial - and often confused - concepts. "Uncommon Differences" is about the way in which notions such as political correctness have been used to distract us from the central concerns of public education, including educating the poor, developing cultural diversity within the schools, and undoing the stigmatization of students who do not conform. It is about what public education in America can become. Written in Kohl's hallmark conversational style and employing the case examples that make his writing so compelling, these essays are at the forefront of current thinking on urban education.… (mere)
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This is a slim gem from one of my education policy and philosophy heroes.

"To agree to learn from a stranger who does not respect your integrity causes a major loss of self. The only alternative is to not-learn and reject the stranger's world."

"Not-learning (as a conscious choice, as opposed to a failure to learn) and unlearning are central techniques that support changes of consciousness and help people develop positive ways of thinking and speaking in opposition to dominant forms of oppression. Not-learning in particular requires a strong will and an ability to take the kinds of pressure exerted by people whose power you choose to question."

"Throughout life, there may be as much occasion for not-learning as there is occasion for learning. It is uncomfortable to talk about the need to reject certain kinds of learning and reassuring to look at learning in a positive way, but without studying not-learning we can get only a partial view of the complex decisions facing people as they choose values and decide upon actions. I am just beginning to understand the importance of not-learning in the lives of children, and I urge other people to think and write about roads people choose to not-travel and how those choices define character and influence destiny." ( )
  beckydj | Mar 31, 2013 |
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"I won't learn from you" is Herb Kohl's now-classic essay about the phenomenon of "not-learning," or refusing to learn, which takes place when a student's intelligence, dignity, or integrity is compromised by a teacher, an institution, or a larger social mindset. Available in book form for the first time, "I Won't Learn from You" serves here as a starting point for four new, groundbreaking essays by one of the country's leading thinkers on education. "The Tattooed Man: Confessions of a Hopemonger" is about the importance of teaching hope, and is Kohl's first autobiographical effort to discover in his own ghettoized childhood attitudes that let him recognize "not-learning" when he saw it among his students decades later. "Creative Maladjustment and the Struggle for Public Education" is inspired by Martin Luther King, Jr.'s call for creative maladjustment to an unjust society, and deals with the ways in which one can lead a positive life and learn new ways of maintaining opposition and resistance. "Excellence, Equality, and Equity" explores the relationship between these three crucial - and often confused - concepts. "Uncommon Differences" is about the way in which notions such as political correctness have been used to distract us from the central concerns of public education, including educating the poor, developing cultural diversity within the schools, and undoing the stigmatization of students who do not conform. It is about what public education in America can become. Written in Kohl's hallmark conversational style and employing the case examples that make his writing so compelling, these essays are at the forefront of current thinking on urban education.

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