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Indlæser... The Race for Paris (2015)af Meg Waite Clayton
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Bliv medlem af LibraryThing for at finde ud af, om du vil kunne lide denne bog. Der er ingen diskussionstråde på Snak om denne bog. Based on experiences of real people, this historical fiction pays homage to women news correspondents during WWII. Liv, a talented AP photographer from New York, and Jane, a reporter from Nashville, have joined Allied forces in France to document the last stages of the war. Women are not welcomed or wanted in these roles at the time, and they persevere in the face of many barriers. They want to be among the first to cover the 1944 liberation of Paris, so they head out on their own in the hopes of getting closer to the action. They meet and travel with Fletcher, a British military photographer and friend of Liv’s husband, who tries to protect them without making it too obvious. The author does an exceptional job of helping the reader imagine what it must have been like to live in a warzone, where they travel by jeep, survive on military-issue rations, sleep in uncomfortable surroundings, try to keep clean by washing in a helmet, and deal with imminent danger. For example, at one point, they are shown caves where people have been hiding from the Nazis: “Within a minute, the world around us was pitch-black and I was creeping uneasily behind Liv, groping for the sides of the cave. They were gritty cold, but anchoring, and slightly less frightening than the smell of the damp stone and the taste of underground air and the quiet crunch of steps that might be ours alone, or might not.” Well-selected relevant quotes from real war correspondents open each chapter. It is mostly told in first person from Jane’s point of view. There is a bit of a love triangle among the trio, but it does not overpower the historical story. The history is well-researched, and the writing is direct. The characters are believable, and their camaraderie feels authentic. The plot is based around the trio’s journey and is portrayed as a series of encounters, though a key piece of the story appears to be abandoned at the half-way point. The ending is particularly well-done. It is an inspirational story of strong women risking their lives, overcoming obstacles, and surpassing social stereotypes. Wow! The Race for Paris is quite a ride. It is the fictional account of two female reporters who, ignoring orders to stay at their post at the field hospital, go AWOL during WWII so that they can take photographs and report about what's happening on the front. Women were not allowed anywhere near the front; in fact, they could be arrested and sent home for being anywhere close to it. Liv, a photographer, and Jane, a journalist, set off to report on the front. On their journey, they run into Fletcher, a friend of Liv's husband. Fletcher does his best to keep them safe as they race for Paris, trying to get there in time to be the first reporters at the liberation. But once they reach Paris, they push on towards Holland and Germany, as Liv becomes increasingly desperate to find her missing twin brother. Meg Waite Clayton does a wonderful job of painting a picture of what it must have been like for female journalists during WWII, fighting for every picture and story. As Fletcher, Jane, and Liv's journey becomes increasingly dangerous, each of them makes choices with large repercussions. ingen anmeldelser | tilføj en anmeldelse
HæderspriserDistinktioner
A moving and powerfully dynamic World War II novel about two American journalists and an Englishman, who together race the Allies to Occupied Paris for the scoop of their lives. Normandy, 1944. To cover the fighting in France, Jane, a reporter for the Nashville Banner, and Liv, an Associated Press photographer, have endured enormous danger and frustrating obstacles--including strict military regulations limiting what women correspondents can do. Ingen biblioteksbeskrivelser fundet. |
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Google Books — Indlæser... GenrerMelvil Decimal System (DDC)813.6Literature English (North America) American fiction 21st CenturyLC-klassificeringVurderingGennemsnit:
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The first several chapters felt especially contrived -- pulled together perhaps out of various article clippings and photos--it felt removed and, perhaps due to the narration, whimsically nostalgic--the tone was like someone reminiscing about "the good ol' days", which felt miss-placed, given the topic. I liked though, this unique perspective--getting an idea of the monumental risks required from as yet unknown female journalists/photojournalists if they weren't to be completely shut out from covering the war. ( )