C.E. McGill
Forfatter af Our Hideous Progeny
Værker af C.E. McGill
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Almen Viden
- Køn
- non-binary
- Fødested
- Scotland, UK
- Kort biografi
- C.E. McGill was born in Scotland and raised in North Carolina. They are a recent graduate of NC State University. C.E. McGill's short fiction has appeared in Fantasy Magazine and Strange Constellations, and they are a two-time finalist for the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing. They now live back in Scotland.
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- #127,845
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- 4.0
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- 9
First of all, when I think gothic, I think [b:Frankenstein|86153707|Frankenstein (The 1818 Original Classic)|Mary Wollstonecraft Shelley|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1678289679l/86153707._SY75_.jpg|4836639]. Or [b:Dracula|56638232|Dracula|Bram Stoker|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1610405857l/56638232._SY75_.jpg|3165724]. Or in modern terms, I think of [b:Mexican Gothic|59075223|Mexican Gothic|Silvia Moreno-Garcia|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1632600638l/59075223._SY75_.jpg|73647361] or [b:What Moves the Dead|58724626|What Moves the Dead (Sworn Soldier, #1)|T. Kingfisher|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1632936332l/58724626._SY75_.jpg|91735925]. And maybe therein lies my problem: I think gothic horror and, looking back, this doesn't claim to be horror. And it certainly isn't. Our Hideous Progeny is not, as some reviewers claim, a retelling of Mary Shelly's Frankenstein, with gothic horror beats and a gothic horror feel. This is a continuation of that story, picking up years later (and could just as easily been a modern story) and telling it's own story with an entirely different tone. Importantly, if you go into this thinking it's a gothic horror tale, you will be disappointed.
Secondly, billing this as having a "feminist twist" is disingenuous. This isn't as the first line of the blurb states "a classic tale with a feminist twist." This is a story of a righteous feminist anger. Feminism takes the main stage here as Mary (the main character) tells the story from her point of view and we see her internal thoughts. Mary is ambitious. And Mary is angry that as a woman of science she isn't afforded the same luxuries as men of science. The scenes where we see Mary confront these themes are well written and succeeded in evoking anger at her society, her husband and the men who continually stomp on her aspirations or hint at a weaker female constitution.
Lastly, for the blurb at least (and a three-for-one): the "adventure", the "forbidden love" and the sabotage are, respectively, minimal, minimal, and entirely predictable. The first two, especially (adventure and forbidden love) are such superficial details they're hardly worth mentioning.
Beyond the blurb though, this book did have some problems. At the same time, this book felt overfull with storytelling beats and was boring. Until the last few pages (maybe the last 50ish?) nothing really happened...and yet, every few pages throughout the book there's some new wrong being done against Mary, a new source of indignation, whether it's from her husband, her memories, or the Royal [Science] Societies and members therein, and while that's (most likely) an accurate description of how woman were treated in that time and place it didn't make for an interesting story.
C.E. McGill, I think, set out to address prejudices and ambitions, and to a lesser extent, mortality and grief. And they did so. But not in a particularly thought-provoking or entertaining way. Our Hideous Progeny was not "A gothic adventure story..." but "A feminist story of ambition and obsession, mortality and loss, with hints of forbidden love, in a lightly gothic setting."… (mere)