Jean-Pierre JeunetAnmeldelser

A gem!

2175

2022 movie #36. 2022. When a household's robots realize there is an AI revolt going on, they lock everyone in the house for their safety. Comedic SF with some dark undertones. French dubbed in English. Currently on Netflix. Quirky but I liked it.

Tenants of a post-apocalyptic apartment building plan to eat their new neighbor.

2.5/4 (Okay)

It's beautiful to look at, but that's about all there is to it. It's one of those movies where I assume from the tone that it's meant to be a comedy but I couldn't point to anything that's supposed to be funny.

(Jul. 2021)

Deadly aliens are cloned.

2.5/4 (Okay).

It's pretty dumb, and very unoriginal. But at least it's better than Alien 3.

A post-apocalyptic future becomes the setting for pitch black humor in this visually intricate French comedy. The action takes place within a single apartment complex, which is owned by the same man that operates the downstairs butcher shop. It's a particularly popular place to live, thanks to the butcher's uncanny ability to find excellent cuts of meat despite the horrible living conditions outside. The newest building superintendent, a former circus clown, thinks he has found an ideal living situation. All that changes, however, when he discovers the true source of the butcher's meat, and that he may be the next cut.

A shy woman helps people anonymously, and falls in love.

I think it might be impossible to not be in a good mood after watching this movie.

Concept: A
Story: A
Characters: A
Dialog: A
Pacing: A
Cinematography: A
Special effects/design: B
Acting: A
Music: A

Enjoyment: A plus

GPA: 4.0/4

(Jul. 2010)

Más de doscientos años después de su muerte, Ripley vuelve a la vida gracias al empleo de técnicas avanzadas de clonación. Pero, durante el proceso, el ADN de Ripley se ha mezclado con el de la Reina Alien, por lo que Ripley empieza a desarrollar ciertas características de la peligrosa alienígena.

Jean-Pierre Jeunetin ohjaama ranskalainen elokuva Amélie kertoo nuoresta pariisilaisnaisesta, joka kylvää ympäriinsä pieniä hyviä tekoja, onnen kipinöitä. Amélie on ihastuttava vastalause nykyiselle itsekäälle ja omaa etua tavoittelevalle ajan hengelle.

Elokuvasta tulee hyvä mieli. Katsoja saa uppoutua hetkeksi romanttiseen vaahtokarkki-maailmaan, mikä ei voi päättyä kuin onnellisesti. Elokuva on upea pieniä yksityiskohtia myöten. Päähenkilö Amélie on mielenkiintoinen erakkona kasvanut, omaan maailmaansa uppoutunut hahmo, jota on hauska seurata. Tällaisia Amélien kaltaisia pyyteettömiä hyväntekijöijä tarvittaisiin maailmaan enemmänkin.

Amélie opettaa olemaan epäitsekäs ja nauttimaan elämän pienimmistäkin iloista. Tämä on elokuva, joka jokaisen tulisi nähdä vähintään kerran. Omat katsomiskertani taitavat mennä jo toiselle kymmenelle. Suosittelen lämpimästi myös elokuvan soundtrackia.

Amelie, an innocent and naive girl in Paris, with her own sense of justice, decides to help those around her and along the way, discovers love.

Após deixar a vida de subúrbio que levava com a família, a inocente Amélie (Audrey Tautou) muda-se para o bairro parisiense de Montmartre, onde começa a trabalhar como garçonete. Certo dia encontra uma caixa escondida no banheiro de sua casa e, pensando que pertencesse ao antigo morador, decide procurá-lo ­ e é assim que encontra Dominique (Maurice Bénichou). Ao ver que ele chora de alegria ao reaver o seu objeto, a moça fica impressionada e adquire uma nova visão do mundo. Então, a partir de pequenos gestos, ela passa a ajudar as pessoas que a rodeiam, vendo nisto um novo sentido para sua existência. Contudo, ainda sente falta de um grande amor.

I denne post-apokalyptiske filmen befinner vi oss i Frankrike. Det er svært dårlige tider, og kjøtt er mangelvare. Byens rotter er for lengst utryddet/spist opp, og slakteren Clapet går nye veier for å fremskaffe denne sjeldne varen. En av metodene er å ansette stadig nye alt-mulig-menn i bygningen han eier, for så å slakte vedkommende etterpå ...

En dag ankommer sirkusartisten Louison for å bli den nye alt-mulig-mannen. Mens han fikser og ordner i gården, går slakteren rundt og gleder seg til de nye kjøttforsyningene. Han har imidlertid ikke tatt høyde for at datteren hans forelsker seg i Louison. Og dermed er det duket for dramatikk!

Filmen er henimot mesterlig regissert, og noen av detaljene er det bare å gi seg fullstendig over for. De karikerte figurene i filmen er lattervekkende, til tross for det makabre hendelsesforløpet. Jeg ble virkelig positivt overrasket! Kanskje aller mest fordi jeg oppfattet filmen som en fornøyelig parodi på genren "sær og for spesielt interesserte", en genre som sjelden går hjem hos meg.½

Til tross for at filmen er prisbelønt, har jeg bare en kommentar:
Oppskrytt!½

An amazing film that truly puts new techniques to use in a wonderful way. Actors do a great job too.

1832

109 minutos

122 minutos

At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
(source: TMDb)