Picture of author.

Ṣādiq Hidāyat (1903–1951)

Forfatter af Blind Owl

56+ Værker 1,570 Medlemmer 45 Anmeldelser 13 Favorited

Om forfatteren

Critics regard Sadiq Hidayat as one of the outstanding writers of the twentieth century. Known primarily for his short stories, he was influenced by Poe and Kafka. His stories plumb the depth of human motivation and seek out the meaning of life. Many critics regard his novel The Blind Owl (1937) as vis mere the masterpiece of all Persian fiction. His work evidences a deep pessimism, which eventually led him to suicide. (Bowker Author Biography) vis mindre
Image credit: Public domain

Værker af Ṣādiq Hidāyat

Blind Owl (1937) 1,183 eksemplarer, 39 anmeldelser
Three Drops of Blood (2008) 109 eksemplarer, 1 anmeldelse
Hāji Āghā : portrait of an Iranian confidence man (1945) 42 eksemplarer, 1 anmeldelse
Levende begravet (1986) 27 eksemplarer
Sag-i Vilgard (2000) 22 eksemplarer
The Patient Stone (1987) 12 eksemplarer
Hayyam'in Teraneleri (2012) 11 eksemplarer
Favayed-e Giyahkhari (2004) 10 eksemplarer
L'Abîme et autres récits (1987) 9 eksemplarer, 2 anmeldelser
Vagh Vagh Sahab (2003) 7 eksemplarer
The blind owl; Three drops of blood (2006) 6 eksemplarer, 1 anmeldelse
Madame Alavieh (1997) 5 eksemplarer
Zeven korte verhalen (2000) 5 eksemplarer
توپ مرواری 4 eksemplarer
Blind Owl; Buried Alive (1391) 4 eksemplarer
Hidayetname (2005) 3 eksemplarer
O Mocho Cego 3 eksemplarer
سایه روشن 3 eksemplarer
ZAND VA HOUMAN YASEN (2004) 2 eksemplarer
Navishtah'ha-yi parakandah (2000) 2 eksemplarer
KARVANE ESLAM 2 eksemplarer
NIRANGESTAN 2 eksemplarer
MAZIYAR 2 eksemplarer
New Writing and Writers 14 (1978) 2 eksemplarer
داش آکل 2 eksemplarer
Vagh-Vagh Saahaab 1 eksemplar
Alacakaranlık : öykü (2001) 1 eksemplar
Kafkina poruka 1 eksemplar
L'eau de jouvence (2015) 1 eksemplar, 1 anmeldelse
FA115 - 4 stories 1 eksemplar
FA62 - 4 stories 1 eksemplar
محلل 1 eksemplar
Het paarlen kanon 1 eksemplar

Associated Works

The Rubáiyát of Omar Khayyám (1120) — Redaktør, nogle udgaver5,235 eksemplarer, 75 anmeldelser
Tablet & Pen: Literary Landscapes from the Modern Middle East (Words Without Borders) (2010) — Bidragyder — 198 eksemplarer, 2 anmeldelser
Nouvelles persanes (1980) — Forfatter, nogle udgaver1 eksemplar

Satte nøgleord på

Almen Viden

Kanonisk navn
Hidāyat, Ṣādiq
Juridisk navn
صادق هدایت
Andre navne
صادق هدایت
Hedayat, Sadegh
Fødselsdato
1903-02-17
Dødsdag
1951-04-04
Begravelsessted
Cimetière du Père-Lachaise, Paris, France
Køn
male
Nationalitet
Perzië
Land (til kort)
Iran
Fødested
Tehran, Iran
Dødssted
Parijs, Frankrijk
Dødsårsag
suicide
Bopæl
Tehran, Iran (birth)
Paris, France
Uddannelse
Dar ol-Fonoon
Erhverv
writer
translator
Kort biografi
Hedayat subsequently devoted his whole life to studying Western literature and to learning and investigating Iranian history and folklore. The works of Guy de Maupassant, Anton Chekhov, Rainer Maria Rilke, Edgar Allan Poe and Franz Kafka intrigued him the most. During his short literary life span, Hedayat published a substantial number of short stories and novelettes, two historical dramas, a play, a travelogue, and a collection of satirical parodies and sketches. His writings also include numerous literary criticisms, studies in Persian folklore, and many translations from Middle Persian and French. He is credited with having brought Persian language and literature into the mainstream of international contemporary writing. There is no doubt that Hedayat was the most modern of all modern writers in Iran. Yet, for Hedayat, modernity was not just a question of scientific rationality or a pure imitation of European values.In his later years, feeling the socio-political problems of the time, Hedayat started attacking the two major causes of Iran’s decimation, the monarchy and the clergy, and through his stories he tried to impute the deafness and blindness of the nation to the abuses of these two major powers. Feeling alienated by everyone around him, especially by his peers, Hedayat’s last published work, The Message of Kafka, bespeaks melancholy, desperation and a sense of doom experienced only by those subjected to discrimination and repression.

Hedayat's most enduring work is the short novel The Blind Owl of 1937. It has been called "one of the most important literary works in the Persian language"
He ended his life by gassing himself and is buried in the Père Lachaise.

Medlemmer

Discussions

The Blind Owl i The Chapel of the Abyss (juli 2018)

Anmeldelser

Interesting. A bloody, opium fever dream of a book about a man that murders his wife whom he only calls “the bitch.” Pretty unpleasant stuff. Not my cup of tea.
 
Markeret
BookyMaven | 38 andre anmeldelser | Feb 8, 2024 |
This is a fever-dream of a dark, compelling novel, and a reading experience that sucks one in until each moment is its own small psychological impact. A novel that was banned in Hedayat's home country of Iran, the work mounts gorgeous prose, a poetic sensibility, and a sometimes-style of repetition that makes one feel as if they're being sucked into a whirlpool of a story. It's a novel to be sucked into and experience...and perhaps to be read more than once if the darkness isn't too much.

Recommended.… (mere)
½
 
Markeret
whitewavedarling | 38 andre anmeldelser | Jan 21, 2024 |
I feel bad for rating this book only 3 stars. I feel it's because I'm too stupid for it or maybe just that I'm in the wrong sort of mood to enjoy it. The first half-ish of the book was good but when it changes perspective and you have to read the guy calling his wife "the bitch" over and over it gets really grating. Like I found the constant stuff about him being literally dead and everyone else being terrible rabble very repetitive, overwrought and not even vaguely interesting. At the same time I really liked the repetitive symbols like the geometric houses and stub end of cucumber taste because they enhanced the dream-like sense which the best parts of the novel contain, the sense of endless repetition and falling, an eternal hell. It's hard to fit the two parts of the novel together and see the connections while the repetitive symbols are pretty intriguing and create interesting ideas and impressions in my head. The best part is the part around the halfwayish point where he goes and buries the cut up body in the strange place. I just felt it went on too long without really saying much more. I liked the open endedness and suggestions of something more but without ever explaining it. I feel it'd be super interesting to interpret if I put the effort in to like take notes, cross reference etc which would also cut out the stuff I don't like so much heh. I don't know I realise I probably missed a lot and wasn't reading it well enough or whatever… (mere)
 
Markeret
tombomp | 38 andre anmeldelser | Oct 31, 2023 |
You won't find a darker novel than this, and scarcely one better written. It's strange and fascinating to realize that this work boasts best modern classic status in Iranian literature, despite having initially been suppressed there as a potential suicide threat to teenagers. It's encouraging to me that a modern culture exists in which such a gruesomely powerful brief for Death could finally be not only legitimized, but uniquely celebrated, for its literary merit.
1 stem
Markeret
Cr00 | 38 andre anmeldelser | Apr 1, 2023 |

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Statistikker

Værker
56
Also by
3
Medlemmer
1,570
Popularitet
#16,443
Vurdering
3.9
Anmeldelser
45
ISBN
107
Sprog
13
Udvalgt
13

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