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A Scandal in Belgravia (Missing Mysteries)…
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A Scandal in Belgravia (Missing Mysteries) (original 1991; udgave 2000)

af Robert Barnard BSC

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
1643168,257 (3.61)6
Murder pays no respect to rank...or the neighborhood. And so it happened that young aristocrat Timothy Wycliffe was bludgeoned to death in his elegantly furnished flat in Belgravia by a person or persons unknown. Unknown, in fact, for 30 years. Then the dead man's friend Peter Proctor -- once a young man on his way up in the diplomatic service, now a retired Member of Parliament -- seeks an antidote to boredom by attempting to write his own memoirs. Unfortunately, they seem to be creating more problems than he anticipated, and not just of the writer's-block variety. Peter keeps getting sidetracked by speculations on Timothy's death. The murder was allegedly accomplished by a beating from one of his boyfriends. But Peter can't accept so simple a solution, so he begins to probe the past. In so doing, he opens a fascinating window on British society during the 1950s and its changing -- and unchanging -- mores since.… (mere)
Medlem:Condorena
Titel:A Scandal in Belgravia (Missing Mysteries)
Forfattere:Robert Barnard BSC
Info:Poisoned Pen Press (2000), Paperback, 256 pages
Samlinger:Dit bibliotek, Læser for øjeblikket, Ønskeliste, Skal læses, Læst, men ikke ejet, Favoritter
Vurdering:****
Nøgleord:Ingen

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A Scandal in Belgravia af Robert Barnard (1991)

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The last book of Barnard's I read was Death of a Mystery Writer, a glorious near Colin Watson-style comedy. This book is very much more serious -- and in fact I'd claim it as a fairly substantial work of fiction, reminiscent perhaps of John le Carre, perhaps of Somerset Maugham. Retired UK civil servant Peter Proctor decides to investigate the long-ago murder of his friend Timothy Wycliffe, a crime probably covered up because of government embarrassment over Wycliffe's outrageously gay lifestyle. There are lots of good things to say about this excellent book, not least its portrayal of UK politics during British colonialism's last halfwitted hurrah, the Suez Crisis. The book's sole flaw is a stupid twist in the final few lines; forget that and read it for the brilliant rest. ( )
  JohnGrant1 | Aug 11, 2013 |
This is Barnard’s 24th book, and possibly his best. Peter Proctor is a retired government minister trying to write his memoirs. He is sidetracked by thoughts about the death of a friend many years before and he begins to investigate the circumstances of his friend’s death. Barnard is known for his truly well-crafted, old-fashioned British mysteries. His characters are complex but carefully drawn.

Have done a re-read in 2019. Once again his amazing ability to turn a phrase was a delight. I must agree with another reviewer who commented on the final scene (twist) in the book. Unnecessary, and even disappointing. ( )
  mysterymax | Nov 30, 2011 |
A strange book: not a conventional whodunnit. Peter Proctor is a political outcast, ex-Conservative minister who, is writing his memoirs. He gets as far as the early days in the Foreign Office when a college and friend, Timothy Wycliffe, comes to mind and diverts the track of Proctor's thought to the mysterious death of Wycliffe at the height of the Suez crisis.
Proctor starts to investigate a murder that occurred in his youth and soon finds that the man assumed to be the killer, Wycliffe's homosexual partner, is unlikely to have committed the crime. We wind gently to a surprising conclusion - or two! ( )
  the.ken.petersen | Jul 31, 2009 |
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Murder pays no respect to rank...or the neighborhood. And so it happened that young aristocrat Timothy Wycliffe was bludgeoned to death in his elegantly furnished flat in Belgravia by a person or persons unknown. Unknown, in fact, for 30 years. Then the dead man's friend Peter Proctor -- once a young man on his way up in the diplomatic service, now a retired Member of Parliament -- seeks an antidote to boredom by attempting to write his own memoirs. Unfortunately, they seem to be creating more problems than he anticipated, and not just of the writer's-block variety. Peter keeps getting sidetracked by speculations on Timothy's death. The murder was allegedly accomplished by a beating from one of his boyfriends. But Peter can't accept so simple a solution, so he begins to probe the past. In so doing, he opens a fascinating window on British society during the 1950s and its changing -- and unchanging -- mores since.

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