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Indlæser... Lempicka (Basic Art Series) (1991)299 | Ingen | 88,657 |
(3.63) | Ingen | Goddess of the Automobile Age: The changing aspects of femininity and masculinity Tamara de Lempicka (1898-1980) stood at the center of the sophisticated Paris art world of the 1920s and 30s. Her love for beautiful women, elegant automobiles, and the modern metropolis provided not only motifs for her pictures, but also influenced her artistic style. Simultaneously with her career as artist, Tamara de Lempicka pioneered a new image of life on the screen, evident in the new, self-confident woman and the changing aspects of femininity and masculinity. The same sense of style was reflected in a futuristic cult of speed, domestic design forms promulgated by the Bauhaus, and the dandyism of a George Brummell. Tamara de Lempicka's best-known painting, "Self-Portrait, or Tamara in a Green Bugatti", presents the artist as a female dandy brimming with cool elegance. Whether as an Art-D#65533;co artist, a post-Cubist or a Neoclasissist, de Lempicka struck the taste of a cosmopolitan (and wealthy) public that found its own image reflected in her work. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions… (mere) |
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Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. In 1980, Kizette fulfilled her mother's last wish by taking the ashes of Tamara de Lempicka up in a hired helicopter and scattering them into the crater of Mount Popocatépetl, that volcano in Mexico whose activity has never quite died down. (Klik for at vise Advarsel: Kan indeholde afsløringer.) | |
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▾Referencer Henvisninger til dette værk andre steder. Wikipedia på engelskIngen ▾Bogbeskrivelser Goddess of the Automobile Age: The changing aspects of femininity and masculinity Tamara de Lempicka (1898-1980) stood at the center of the sophisticated Paris art world of the 1920s and 30s. Her love for beautiful women, elegant automobiles, and the modern metropolis provided not only motifs for her pictures, but also influenced her artistic style. Simultaneously with her career as artist, Tamara de Lempicka pioneered a new image of life on the screen, evident in the new, self-confident woman and the changing aspects of femininity and masculinity. The same sense of style was reflected in a futuristic cult of speed, domestic design forms promulgated by the Bauhaus, and the dandyism of a George Brummell. Tamara de Lempicka's best-known painting, "Self-Portrait, or Tamara in a Green Bugatti", presents the artist as a female dandy brimming with cool elegance. Whether as an Art-D#65533;co artist, a post-Cubist or a Neoclasissist, de Lempicka struck the taste of a cosmopolitan (and wealthy) public that found its own image reflected in her work. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions ▾Biblioteksbeskrivelser af bogens indhold Ingen biblioteksbeskrivelser fundet. ▾LibraryThingmedlemmers beskrivelse af bogens indhold
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