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Indlæser... História de Quem Vai e de Quem Fica (L'amica geniale #3) (2013)
Work InformationDem der flygter og dem der bliver : tiden i midten af Elena Ferrante (2013)
Books Read in 2017 (41) Italian Literature (22) » 14 mere Books Read in 2016 (728) Books Set in Italy (50) Top Five Books of 2014 (537) Books Read in 2019 (490) Top Five Books of 2018 (789) Books Read in 2018 (970) Female Author (579) Books Read in 2021 (4,669) Finished in 2020 (9) 2023 (3) Indlæser...
Bliv medlem af LibraryThing for at finde ud af, om du vil kunne lide denne bog. Der er ingen diskussionstråde på Snak om denne bog. Third book in the Neapolitan Quartet, Those Who Leave and Those Who Stay continues the story narrated by the novel's Elena about her life among the educated class and the ties she still has to the impoverished, crime-ridden neighborhood she grew up in and where she still has family and old friends, including her brilliant but often troubled best friend Lila. Translated from the Italian, these books merge the deeply personal with political, socio-economic, and philosophical ideas. This novel is a perfect example of the old saying; You can't judge a book by it's cover. Judging by it's beautiful cover, I just didn't expect this third installment of Ferrante's Neapolitan Novels to end the way it did. Nevertheless, thoroughly enjoyed reading it and can't wait to read the 4th and final installment.
... Writing about the Brilliant Friend books has been one of the hardest assignments I’ve ever done. When I began, I thought I felt this way because I loved them so much and didn’t know where to start with all my praising. Then I had to fight a deep desire not to mention the things I most liked in the novels so I could keep them to myself. Now my view of the matter is that somehow Ferrante so thoroughly succeeds in her aim of seizing at “the evasive thing” that she has stirred up something from the depths of her mind that touches and spreads through mine. It has to do, presumably, with femininity, with having been a girl who loved reading and was supposed to know that you have to let the boys keep winning at math. It has to do too with the less gendered but even more bodily experience of living in and through a mind. And it has to do, profoundly, with living in a mind and being touched by another one: delighted, exasperated, confused, envious, sorrowful, appalled. As the years go by, the women in these novels allow the holes in their friendship to spread, yet Elena feels the presence of Lila constantly, an almost physical pressure, a disturbance in the air. Telling her own story, she thinks, is easy enough: “the important facts slide along the thread of the years like suitcases on a conveyor belt at an airport.” But involving Lila, “the belt slows down, accelerates, swerves abruptly . . . The suitcases fall off, fly open, their contents scatter here and there. Her things end up among mine.” “May I point out something?” Lila says to Elena in one of the women’s scarce, increasingly ill-tempered phone conversations in the Seventies. “You always use true and truthfully, when you speak and when you write. Or you say: unexpectedly. But when do people ever speak truthfully and when do things ever happen unexpectedly? You know better than I that it’s all a fraud and that one thing follows another and then another.” This, in a nutshell, is Lila’s problem, perhaps her tragedy. She thinks so fast and with such ferocious rigor; she sees connections and discerns so many fine distinctions; she’s impossible and overwhelming — “too much for anyone” and, most of all, for herself. But Elena keeps thinking about her, putting her on the page. Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both. HæderspriserDistinctionsNotable Lists
Både det politiske klima og venindernes forhold når imod slutningen af 1960'erne et anspændt stade. Hver har sit eget at kæmpe med, men båndet mellem dem kan stadig ikke brydes. No library descriptions found. |
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Google Books — Indlæser... GenrerMelvil Decimal System (DDC)853.92Literature Italian and related languages Italian fiction 1900- 21st CenturyLC-klassificeringVurderingGennemsnit:
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I will read the last novel looking for redemption.
A rollercoaster of a compelling reading, by the way. It is, for all purposes, a single novel in four parts. ( )