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A woman has been found in a sedan chair in front of a church, strangled. In her hand is a pouch containing fifty escudos and a handwritten - but unsigned - note bearing the words 'For masses for her soul'. The chief constable Martin Saldana confides in his old friend and comrade in arms, Diego Alatriste. Still in danger from the powerful enemies he made in his first adventure, Captain Alatriste is considering returning to Flanders where the war has just resumed. But first, his old friend Quevedo asks him for a favour. The daughter of one of his friends must be rescued from a convent, which certain 'priests' seem to be treating as little more than a harem. Then the woman who brought the girl to the convent goes missing and the connection is made to the murder at the church. It seems that Alatriste's sword is required once more.… (mere)
It has all the virtues the first book in the series had. It is also a bit thin of plot, but not as much as the first one. It's a fast and interesting read. It's a pity that Reverte has chosen a somewhat didactic tone and he doesn't completely get into the story, thus not allowing the reader to do so. ( )
A punto de incorporarse a su antiguo tercio en Flandes, Diego Alatriste se ve envuelto por mediación de su amigo don Francisco de Quevedo en otra peligrosa aventura. Una mujer ha aparecido estrangulada en una silla de manos frente a la iglesia de San Ginés, con una bolsa de dinero y una nota manuscrita: Para misas por su alma. El enigma se complica con los sucesos misteriosos que ocurren tras las paredes de un convento, cuando Alatriste es contratado para rescatar de allí a una joven novicia. En el azaroso y fascinante Madrid de Felipe IV, entre lances, tabernas, garitos, intrigas y estocadas, la aventura pondrá en juego la vida de los amigos del capitán, haciendo surgir del pasado los fantasmas de viejos enemigos: el pérfido secretario real Luis de Alquézar, el inquisidor fray Emilio Bocanegra y el siniestro espadachín italiano Gualterio Malatesta.
What strength this book musters, comes about from the conflict between portraying the soldier of fortune as much admired while simultaneously deploring his actions and the society which motivates those actions. Otherwise it is a pretty straight violent series of inadequately prepared blundering about redeemed by a last minute help of friends. All very macho and male gaze. ( )
A punto de incorporarse a su antiguo tercio de Flandes, Diego Alatriste se ve envuelto por mediación de su amigo don Francisco de Quevedo en otra peligrosa aventura. Una mujer ha aparecido estrangulada en una silla de manos frente a la iglesia de San Ginés, con una bolsa de dinero y una nota manuscrita: Para misas por su alma. El enigma se complica con los sucesos misteriosos que ocurren tras las paredes de un convento, cuando Alatriste es contratado para rescatar de allí a un joven novicia.
A woman has been found in a sedan chair in front of a church, strangled. In her hand is a pouch containing fifty escudos and a handwritten - but unsigned - note bearing the words 'For masses for her soul'. The chief constable Martin Saldana confides in his old friend and comrade in arms, Diego Alatriste. Still in danger from the powerful enemies he made in his first adventure, Captain Alatriste is considering returning to Flanders where the war has just resumed. But first, his old friend Quevedo asks him for a favour. The daughter of one of his friends must be rescued from a convent, which certain 'priests' seem to be treating as little more than a harem. Then the woman who brought the girl to the convent goes missing and the connection is made to the murder at the church. It seems that Alatriste's sword is required once more.
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