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Dogfight: A Love Story (2010)

af Matt Burgess

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
946287,692 (3.89)2
What Jonathan Lethem did for Brooklyn, Matt Burgess does for Queens in this exuberant and brilliant debut novel about a young drug dealer having a very bad weekend. Alfredo Batista has some worries. Okay, a lot of worries. His older brother, Jose--sorry, Tariq--is returning from a stretch in prison after an unsuccessful robbery, a burglary that Alfredo was supposed to be part of. So now everyone thinks Alfredo snitched on his brother, which may have something to do with the fact that Alfredo is now dating Tariq's ex-girlfriend, Isabel, who is eight months pregnant. Tariq's violent streak is probably #1 worry on Alfredo's list. Also, he needs to steal a pit bull. For the homecoming dogfight. Burgess brings to life the rich and vivid milieu of his hometown native Queens in all its glorious variety. Here is the real New York, a place where Pakistanis, Puerto Ricans, Haitians, An ­glos, African Americans, and West Indians scrap and mingle and love. But the real star here is Burgess's incredible ear for language--the voices of his characters leap off the page in riotous, spot-on dialogue. The outer boroughs have their own language, where a polite greeting is fraught with menace, and an insult can be the expression of the most tender love. With a story as intricately plotted as a Shakespearean comedy--or revenge tragedy, for that matter--and an electrically colloquial prose style, Dogfight, a Love Story establishes Matt Burgess as an exuberant new voice in contemporary literature. The great Queens novel has arrived.… (mere)
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Viser 1-5 af 6 (næste | vis alle)
It started out strong but failed to keep that momentum. Somehow I lost interest as soon as we entered Tariq's perspective. ( )
  beckyrenner | Aug 3, 2023 |
It started out strong but failed to keep that momentum. Somehow I lost interest as soon as we entered Tariq's perspective. ( )
  beckyrenner | Dec 29, 2016 |
This first-time author proves to be a powerful talent. This is the kind of book that makes you marvel on every page at the writer's talent. The story focuses on a low-level drug dealer, Alfredo, who lives in a small apartment in Queens with his crippled father, mother and pregnant girlfriend. The complication is that his girlfriend use to be his brother's lover. He started the relationship when his brother went to prison, and now the brother is about to be released. A great comic tale and magnificent portrait of the characters who inhabit this world. The climactic scene -- the dogfight -- is a high-wire act of taut writing, with all the plot lines of the novel coming together in one tension-filled critical moment. ( )
  johnluiz | Aug 6, 2013 |
In a theme reminiscent of Hubert Selby, Matt Burgess’ debut novel delves into the unseemly underbelly of New York, specifically Jackson Heights, Queens. The story centers on Alfredo, a low-level drug dealer that is not particularly good at his job. He and his pregnant girlfriend, Isabel, live with his parents in a small apartment.

From the get-go, there is an ominous feeling to the novel as the reader waits for the return of Alfredo’s brother, Tariq, who will soon be released from prison. The way the characters speak about Tariq or avoid the subject presents the reader with a foreboding and apprehension, an anxiousness of the possibility of retribution and violence. We soon learn that not only did Alfredo bail on a robbery at the last minute, thereby avoiding prison while his brother did not, but he also fell in love with his brother’s girlfriend while Tariq was in prison.

To combat ill will, Alfredo presents Tariq with stolen drugs and a dog fight upon his release. Hoping to stay in Tariq’s good graces, Alfredo is hoping that the money these ventures may illicit will soften the blow of Isabel’s pregnancy and devotion to Alfredo. When Tariq does arrive home, the family is on pins and needles. With his new faith in Islam, Tariq attempts to remain calm and peaceful. However, all hell breaks loose quickly. By the time all is said and done, Alfredo and Tariq have turned against each other. Tariq’s violence injures Isabel, and Alfredo’s duplicity kills Tariq.

While not excellent, Burgess feels like a natural storyteller. It felt like a first novel, and it would have benefitted from more carefully constructed character development. Nonetheless, I enjoyed it.
  Carlie | Jan 29, 2011 |
Poverty and love join together to form desperation in Alfredo's life. He wants only the best for his beloved Isabel and their unborn child. He wants to have a grand event to celebrate his big brother's release from prison. Unfortunately, on the raw streets of his neighborhood in Queens, Alfredo's wants are not easily satisfied. It seems that everything he tries makes his life worse, but still, he doesn't relent. Matt Burgess has written Alfredo's story at a breakneck pace, populating his life with a crazy cast of characters from across generations, races and ethnicities. In spite of Alfredo's dreary state much of his story is laugh out loud funny. ( )
1 stem alexann | Nov 13, 2010 |
Viser 1-5 af 6 (næste | vis alle)
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What Jonathan Lethem did for Brooklyn, Matt Burgess does for Queens in this exuberant and brilliant debut novel about a young drug dealer having a very bad weekend. Alfredo Batista has some worries. Okay, a lot of worries. His older brother, Jose--sorry, Tariq--is returning from a stretch in prison after an unsuccessful robbery, a burglary that Alfredo was supposed to be part of. So now everyone thinks Alfredo snitched on his brother, which may have something to do with the fact that Alfredo is now dating Tariq's ex-girlfriend, Isabel, who is eight months pregnant. Tariq's violent streak is probably #1 worry on Alfredo's list. Also, he needs to steal a pit bull. For the homecoming dogfight. Burgess brings to life the rich and vivid milieu of his hometown native Queens in all its glorious variety. Here is the real New York, a place where Pakistanis, Puerto Ricans, Haitians, An ­glos, African Americans, and West Indians scrap and mingle and love. But the real star here is Burgess's incredible ear for language--the voices of his characters leap off the page in riotous, spot-on dialogue. The outer boroughs have their own language, where a polite greeting is fraught with menace, and an insult can be the expression of the most tender love. With a story as intricately plotted as a Shakespearean comedy--or revenge tragedy, for that matter--and an electrically colloquial prose style, Dogfight, a Love Story establishes Matt Burgess as an exuberant new voice in contemporary literature. The great Queens novel has arrived.

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