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Indlæser... Blood on the Wood (2003)af Gillian Linscott
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Belongs to SeriesNell Bray (11) Hæderspriser
The suffragette movement has been left the bequest of a valuable painting and, with much grumbling, Nell Bray agrees to collect it. The widower of their benefactress, Oliver Venn, lives with his nephews in a beautiful house in the Cotswolds filled with priceless antiques and objets d'art. But when Nell takes the canvas to Christie's she is told it is a copy, so with outrage and impatience she has to return to the Venn household. One of the nephews, who has just bizarrely jilted his fiancee in favour of a peasant fiddler to save her from poverty, suggests she steal the genuine painting. Somewhat against her better judgement, Nell agrees to the plan, finding that Daniel Venn has fulfilled his part of the bargain by leaving the house open. What he didn't warn her about was that the body of his new bride-to-be would be concealed in his uncle's study. Nell's distrust of the police and her insatiable curiosity forces her to undertake her own investigation into the killing. And she does succeed where the police have failed, but not before the finger of suspicion is laid on more than one wrong person, and someone else falls victim to the real killer. No library descriptions found. |
Current DiscussionsIngenPopulære omslag
 Google Books — Indlæser...GenrerMelvil Decimal System (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999LC-klassificeringVurderingGennemsnit: (3.38)
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1
It all happened because a valuable painting, bequeathed to the Women's Social and Political Union, turned out to be a fake - commissioned after its owner's death by her husband, Oliver Venn. So, when a splinter group of the Fabians - the Scipians - gathers to camp at the Venn estate, Nell decides to kill two birds with one stone, so to speak, by sounding out the Scipians' commitment to women's suffrage while confronting Venn about the painting.
It's the younger Venn son, Daniel, a collector of folk music, who comes up with the plan that Nell should steal the picture that's rightfully hers. Daniel has also just got himself engaged to a silent, abused member of the agrarian classes, no matter that he's already engaged to quite a nice woman of his own sort. It's the downtrodden waif who turns up dead during Nell's quasi-sanctioned theft.
The historical detail, from ladies' fashions to radical politics, merges unobtrusively with the mystery through the likable and entertaining voice of the intrepid Nell. Her sleuthing skills emerge naturally from her forthright personality, as do her well-reasoned forays into the woods in the dead of night after a killer.
I really didn't pick whodunnit right till the last few pages. A delightful read recommended for the cosy historical mystery lover. (