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Egon Schiele af Frank Whitford
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Egon Schiele (udgave 1981)

af Frank Whitford, Egon Schiele

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingSamtaler
1171186,152 (3.54)Ingen
Egon Schiele lived in Vienna during its last years as capital of the declining Habsburg empire. Rejected by his family, hounded by society for his interest in young girls, he expressed through his art a deep and bewildering loneliness and an obsession with sexuality, death and decay. He was only twenty-eight when he died, yet he left behind him a body of work that sustains a huge public reputation-and a myth. This book sets out to examine both.… (mere)
Medlem:BDAS
Titel:Egon Schiele
Forfattere:Frank Whitford
Andre forfattere:Egon Schiele
Info:London : Thames and Hudson, c1981.
Samlinger:Dit bibliotek
Vurdering:
Nøgleord:EUR (M) 75

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Egon Schiele af Frank Whitford

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My time appears to have been apt - I read this in a single day at the start of 2021, with the latest flu pandemic raging all around us, and the number of dead from the virus approaching one and a half million globally; and here I read, at the conclusion of this fine book, that first Klimt, then Schiele's young, pregnant wife, and then finally Egon Schiele himself, all succumbed to the flu pandemic that raged even more fiercely a hundred years ago. A warning if ever one was needed.

This superb biography covers not only the life of the artist Egon Schiele, but also the art circle he was a part of in Vienna between the start of the twentieth century and his death just after the Great War. Schiele's art continues to fascinate, but as a person he must have been extremely hard work. Is that at all surprising? Perhaps not - Schiele provides another lesson, in case one were needed, that we ought to dissociate the artist from the art. ( )
  soylentgreen23 | Jan 4, 2021 |
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On 31st October 1918, the day on which Egon Schiele died in his mother-in-law's house in Vienna, delegates were meeting elsewhere in the city to cut a defeated giant down to size.
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Egon Schiele lived in Vienna during its last years as capital of the declining Habsburg empire. Rejected by his family, hounded by society for his interest in young girls, he expressed through his art a deep and bewildering loneliness and an obsession with sexuality, death and decay. He was only twenty-eight when he died, yet he left behind him a body of work that sustains a huge public reputation-and a myth. This book sets out to examine both.

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