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Unforgettable Ghost Stories by Women Writers (2008)

af Mike Ashley (Redaktør)

Andre forfattere: Gertrude Atherton (Bidragyder), Olivia Howard Dunbar (Bidragyder), Mary Eleanor Wilkins Freeman (Bidragyder), Hildegarde Hawthorne (Bidragyder), Shirley Jackson (Bidragyder)13 mere, Greye La Spina (Bidragyder), Mary Molesworth (Bidragyder), Edith Nesbit (Bidragyder), Joyce Carol Oates (Bidragyder), Alice Perrin (Bidragyder), Ruth Rendell (Bidragyder), Charlotte Riddell (Bidragyder), Jessica Amanda Salmonson (Bidragyder), May Sinclair (Bidragyder), Harriet Prescott Spofford (Bidragyder), Francis Stevens (Bidragyder), Edith Wharton (Bidragyder), Gwendolyn Ranger Wormser (Bidragyder)

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19Ingen1,142,414 (3.67)1
For centuries, readers have enjoyed the delicious terror of stories about ghosts, spirits, phantoms, and things that go bump in the night. But how do women writers approach these spectral tales differently than men? You'll discover the answers in this unique collection of eighteen supernatural fables by female masters of the genre, including Edith Wharton, Joyce Carol Oates, Ruth Rendell, Shirley Jackson, and others. A brief author biography complements each story.  Set aside your images of traditional ghosts. The writers in this volume evoke spirits of place and memory instead. As the anthologist notes in his introduction, male authors tend to write stories with avenging ghosts and heart-pounding hauntings. Women are more subtle. Their stories frequently emphasize the psychological aspects of the characters, some of whom may fear going mad. In Wharton's "Kerfol," a woman is falsely accused of murdering her husband, but can she grasp the knowledge of what really killed him? Is the scholarly gent in Oates's "An Urban Paradox" accurately viewing life's dangers . . . or is the world even more perilous than he thinks? Fortified by a firm understanding of the human condition, the authors have imbued these harrowing tales with a generous helping of reality and humanity that make them utterly intriguing.… (mere)
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Forfatter navnRolleHvilken slags forfatterVærk?Status
Ashley, MikeRedaktørprimær forfatteralle udgaverbekræftet
Atherton, GertrudeBidragydermedforfatteralle udgaverbekræftet
Dunbar, Olivia HowardBidragydermedforfatteralle udgaverbekræftet
Freeman, Mary Eleanor WilkinsBidragydermedforfatteralle udgaverbekræftet
Hawthorne, HildegardeBidragydermedforfatteralle udgaverbekræftet
Jackson, ShirleyBidragydermedforfatteralle udgaverbekræftet
La Spina, GreyeBidragydermedforfatteralle udgaverbekræftet
Molesworth, MaryBidragydermedforfatteralle udgaverbekræftet
Nesbit, EdithBidragydermedforfatteralle udgaverbekræftet
Oates, Joyce CarolBidragydermedforfatteralle udgaverbekræftet
Perrin, AliceBidragydermedforfatteralle udgaverbekræftet
Rendell, RuthBidragydermedforfatteralle udgaverbekræftet
Riddell, CharlotteBidragydermedforfatteralle udgaverbekræftet
Salmonson, Jessica AmandaBidragydermedforfatteralle udgaverbekræftet
Sinclair, MayBidragydermedforfatteralle udgaverbekræftet
Spofford, Harriet PrescottBidragydermedforfatteralle udgaverbekræftet
Stevens, FrancisBidragydermedforfatteralle udgaverbekræftet
Wharton, EdithBidragydermedforfatteralle udgaverbekræftet
Wormser, Gwendolyn RangerBidragydermedforfatteralle udgaverbekræftet
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Vigtige begivenheder
Beslægtede film
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Sidste ord
Oplysning om flertydighed
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For centuries, readers have enjoyed the delicious terror of stories about ghosts, spirits, phantoms, and things that go bump in the night. But how do women writers approach these spectral tales differently than men? You'll discover the answers in this unique collection of eighteen supernatural fables by female masters of the genre, including Edith Wharton, Joyce Carol Oates, Ruth Rendell, Shirley Jackson, and others. A brief author biography complements each story.  Set aside your images of traditional ghosts. The writers in this volume evoke spirits of place and memory instead. As the anthologist notes in his introduction, male authors tend to write stories with avenging ghosts and heart-pounding hauntings. Women are more subtle. Their stories frequently emphasize the psychological aspects of the characters, some of whom may fear going mad. In Wharton's "Kerfol," a woman is falsely accused of murdering her husband, but can she grasp the knowledge of what really killed him? Is the scholarly gent in Oates's "An Urban Paradox" accurately viewing life's dangers . . . or is the world even more perilous than he thinks? Fortified by a firm understanding of the human condition, the authors have imbued these harrowing tales with a generous helping of reality and humanity that make them utterly intriguing.

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