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Indlæser... The Best American Short Stories 1997 (1997)af E. Annie Proulx (Editor & Introduction), Katrina Kenison (Series Editor)
![]() Ingen Der er ingen diskussionstråde på Snak om denne bog. Category: Manners and Right Behavior Author Story Source Ha Jin "Saboteur" The Antioch Review Robert Stone "Under the Pitons" Esquire Carolyn Cooke "Bob Darling" The Paris Review Jonathan Franzen "Chez Lambert" The Paris Review Category: Identifying the Stranger Michelle Cliff "Transactions" TriQuarterly Richard Bausch "Nobody in Hollywood" The New Yorker Cynthia Ozick "Save My Child!" The New Yorker Karen E. Bender "Eternal Love" Granta Leonard Michaels "A Girl with a Monkey" Partisan Review Lydia Davis "St. Martin" Grand Street Category: Perceived Social Values Junot Diaz "Fiesta, 1980" Story Donald Hall "From Willow Temple" The Atlantic Monthly T. Coraghessan Boyle "Killing Babies" The New Yorker Clyde Edgerton "Send Me to the Electric Chair" The Oxford American June Spence "Missing Women" The Southern Review Jeffrey Eugenides "Air Mail" The Yale Review Pam Durban "Soon" The Southern Review Category: Rites of Passage Michael Byers[disambiguation needed] "Shipmates Down Under" American Short Fiction Tobias Wolff "Powder" Fish Stories Alyson Hagy "Search Bay" Ploughshares Tim Gautreaux "Little Frogs in a Ditch" Gentlemen's Quarterly ingen anmeldelser | tilføj en anmeldelse
Presents a collection of stories selected from magazines in the United States and Canada. No library descriptions found. |
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![]() GenrerMelvil Decimal System (DDC)813.0108Literature English (North America) American fiction By type Short fictionLC-klassificeringVurderingGennemsnit:![]()
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The most grating of these stories was "Bones of the Inner Ear," by Kiana Davenport. In novel form, I might have had time to grow sympathetic to the various abused and abusive figures in this story about growing up poor in Hawai'i, but as it was, I felt I had barely met the character who emerges from the dung heap as the hero in the end.
The best of these mini-novels is Annie Proulx's "People in Hell Just Want a Drink of Water," which you can find in the excellent collection Close Range. We need the story of how these two families came to ranch country generations before in order to understand their conflict. It's long, but climbs tenaciously to its inevitable end, with the startling originality that I love in Proulx's work.
Other stories were more satisfying to me because they balanced background with action: Allan Gurganus's "He's at the Office," a take on Death of a Salesman; Tim Gautreaux's "Good for the Soul"; and Jhumpa Lahiri's "The Third and Final Continent." Though these three stories were on the long side as well, they circled back to create satisfying resolutions. This collection helped me discover that I like a story that is able to stand alone. These three are true, contained "stories" that you could re-tell boiled down to anecdote form. They have a plot skeleton, unlike "Bones" (irony unintended, but now that I see it, I'm keeping it).
One puzzler here is a Raymond Carver story, "Call if You Need Me." Since the author died in 1988, I suppose this must have been published posthumously to merit inclusion in this 2000 collection. It's not Carver's best. My favorite Carver stories are tight, short, almost airless, communicating their characters' meager choices in the very sparseness of the telling. This story is about a dissolving couple well-off enough to rent a house for the summer to work out their troubles. They fail to make a compelling case, to each other or the reader, and drift away like the horses they see in the night -- a moment that is supposed to represent some sort of epiphany, but seems gimmicky instead.
Another story that bucks the mold is ZZ Packer's "Brownies," which takes place over a four-day Brownie camping trip, with only a whiff of generational drama in the background. The writing here sizzles like Packer's initials, helping us to see past color to individuals. I'll be looking for more from her.
Finally, you'll have to tell me what "Pet Fly," by Walter Mosley is about, because I'm still not sure: it has something to do with color and corporations, and loneliness.
At any rate, Doctorow has gathered a diverse bunch of writers whose stories tend to meandering length. If you like your short stories with the emphasis on the short, try another year in this collection. (