There were elements of this novel that I absolutely loved, but others that just didn't work for me very well. There's some great stuff here about book history and printing, but it gets lost as the plot gets pretty all over the place. ( )

When his 18-year-old son dies mysteriously in battle, a Slovakian Count retires from the field and returns home to indulge his love of puzzles. He designs his castle so that walls continually appear and disappear, furniture is on tracks and moves to different places, and bookshelves descend from the ceiling or rise, phoenix-like, from the floor. While cataloging a new set of books, the Count’s daughter finds one that has been created to be a riddle. Her father is intrigued and invites the printer, a young Londoner named Nicholas Flood, to the castle to discuss a commission: an infinite book. Nicholas accepts the commission and the rest of the book is devoted to his quest to fulfill his commission. The road to Flood’s eventual fate does not run smoothly, and before the journey is over we’ve traveled the world and met a family of tumblers, a Sultan who wishes to die, a printing press that sets its own type, a lady pirate, and scores of other memorable characters.

Salamander is a quest book: everybody is looking for something, both physically and emotionally. It’s amazing that Wharton manages to weave all of their diverse searches into the one Grand Search: the never-ending book. It’s that one goal that brings all of the characters together, and that occasionally tears them apart. I’ll admit, I’m biased; I love books, and the descriptions of the various papers and inks and the workings of the printing press were fascinating. But the wonderful thing is that all of that detail isn’t just sitting there, waiting for the book geek to stroll by. The search for all of the physical trappings of the infinite book gives us a touchstone for all of the characters: WHY someone is searching for the perfect paper is just as important as how the search is conducted, or where the search leads.

Wharton has given us a gift: a magical, mysterious, marvel of book. The characters are strange, yet believable. The story takes many odd twists and turns and never ends up quite where you expect it to. The narrative flows like spilled ink, covering everything and forcing the reader into some unexpected corners. Mr. Wharton cleverly sets the reader on just as much of a quest as the characters are on; the reader who perseveres will be greatly rewarded. ( )

Een zeer origineel verhaal met een zeer originele invalshoek: een boek dat nooit eindigt. Soms verliest de auteur zich in 'filosofische' bespiegelingen die de vaart uit het verhaal halen. ( )

While wandering through the ruins of the abandoned city, a captain happens upon a partially destroyed bookshop. Intrigued, he wanders in, to discover its very arresting, female proprietor. Amongst the literary debris and in the candlelight they begin talking, about books, naturally enough. When the conversation turns to favourite books, she begins her amazing story.
Her grandfather, Count Konstantin was obsessed by riddles and puzzles. Having given up his military career on the death of his son, he set to their pursuit in earnest. His whole castle became an amazing mechanical puzzle and within its walls he collected unique books - often riddles in themselves. One day they happen upon a very intriguing book indeed, the work of one N. Flood of London. Summoning him to his castle in Bohemia, he entrusts him with a very special and challenging task - to create the infinite book with no beginning and no end.

Scarcely has he begun this endeavour, however, than he falls in love with the Count's lovely daughter, Irena. The Count soon finds out and banishes Flood to his dungeons. Flood only escapes following the Count's death when his daughter, Pica comes to rescue him (having herself escaped from the orphanage in which she had been placed). He sets off with her, his printing assistant, and a family of acrobats in the Count's old ship on a voyage around the world in search of this elusive book. But will he at last succeed in this quest, and will he again see his beloved Irena who disappeared shortly after giving birth to Pica?

This is a quite entrancing tale, but I do have a few niggles. In the first place, it is difficult to work out quite how Flood survived his 12 year imprisonment both physically and psychologically given the death of the Count and subsequent fleeing of his staff. Secondly it can feel a little disjointed, and it does seem to lose its momentum once they leave behind the castle walls.

However, these are only little concerns, for in the Salamander, Thomas Wharton has created a magical fairytale for grownups. Told in the third person, it would not have harmed it for it to have begun 'once upon a time'. It is charming and beguiling, beautifully written, laced with much wit and intelligence. ( )

I need to come back and post a review when I can think of something more coherent than **loves**

Fantastic read. Highly recommended. ( )