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Memento (10th Anniversary Special Edition)…
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Memento (10th Anniversary Special Edition) [Blu-ray] (original 2000; udgave 2011)

af Guy Pearce (Actor)

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
3571055,963 (4.04)5
An intricate crime story about a man who has lost his short term memory due to a rare brain disorder. Now he is out to catch his wife's murderer, whose identity he cannot ever know for sure. The more he tries to figure out what is true and real, the more he sinks deeper into a multi-layered abyss of uncertainty and surprises.… (mere)
Medlem:dramidia
Titel:Memento (10th Anniversary Special Edition) [Blu-ray]
Forfattere:Guy Pearce (Actor)
Info:Lionsgate (2011), Edition: 10th Anniversary Special Edition
Samlinger:Movies
Vurdering:
Nøgleord:Ingen

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Memento [2000 film] af Christopher Nolan (Director) (2000)

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Ayant perdu sa mémoire à court terme suite à un traumatisme crânien, le personnage principal du film ne se défait pas de son appareil-photo ; il prend tout en note. Il consigne les informations les plus importantes en se les tatouant sur le corps (corps vraiment magnifique de l'acteur Guy Pierce !).
S'il est aussi déterminé, c'est parce qu'il est à la recherche de celui qui a violé et tué son épouse. En parallèle de l'histoire principale, il relate ce qu'il a vécu avant son accident, alors qu'il était inspecteur pour le compte d'un assureur.
Le film n'est pas du tout chronologique et alterne images en couleurs et en noir et blanc. Complexe, haletant et paranoïaque, il demande donc toute l'attention du spectateur.
Un film angoissant et extrêmement bien maîtrisé. ( )
  biche1968 | Mar 5, 2021 |
Memento (2000)

Guy Pearce – Leonard

Carrie-Anne Moss – Natalie
Joe Pantoliano – Teddy
Mark Boone Junior – Burt
Jorja Fox – Leonard’s Wife
Stephen Tobolowsky – Sammy Jankins
Harriet Sanson Harris – Mrs. Jankis
Callum Keith Rennie – Dodd

Screenplay by Christopher Nolan, based on the short story “Memento Mori” by Jonathan Nolan
Directed by Christopher Nolan

Colour. 113 min.

==============================================

You can always trust Christopher Nolan to raise pretentiousness to new heights. When he is content to tell a story and reveal a character, never mind how improbable the story and how twisted the character, Nolan can be superb. Insomnia (2002) is a perfect example of this. In more recent years, alas, he tends more and more to bloat even excellent scripts into mindless spectacles. Inception (2010) is a juicy example of this. Memento, far from being “the last unpretentious movie Nolan ever made”, is a harbinger of pretentious heights unseen before. It is a fascinating story but an awful script. As it proceeds backwards, it becomes more and more messy, finally ending up as an absolute mess. It is completely incomprehensible. The movie’s famous last line – “Now, where was I” – is ironically revealing about the whole thing. It never knows where it wants to go or what it wants to be. Terrific leading performance by Guy Pearce makes the whole quite watchable, often enjoyable, and occasionally even moving. You are really forced to imagine, however poor your imagination may be, what hell it must be to live without short-lived memory. Besides, Leonard (not “Lenny”, if you please!) is the finest walking work of tattooing art since Robert De Niro in Cape Fear (1991). All the same, the movie’s a one-off show. You can spin endless theories about Leonard’s short-term past, one flimsier than the other, but that’s not my idea of enjoyable after-movie experience. I like to think about my favourite movies, and they usually make me so for quite some time. But I don’t like doing jigsaws with so many missing pieces that the whole picture is meaningless. ( )
  Waldstein | Jan 9, 2021 |
The last unpretentious movie Nolan ever made. After this movie the clever concept was overwhelmed by the excess budget. ( )
1 stem themulhern | Jul 8, 2017 |
A man with no short-term memory kills somebody.

It's an engaging film, although now that the novelty has worn off it's hard to see what all the fuss was about.

Concept: B
Story: B
Characters: C
Dialog: B
Pacing: B
Cinematography: C
Special effects/design: B
Acting: B
Music: B

Enjoyment: B

GPA: 2.8/4 ( )
  comfypants | Jan 28, 2016 |
113 minutos
  Miquinba_F | Feb 19, 2012 |
Viser 1-5 af 10 (næste | vis alle)
Memento is simultaneously the ultimate stoner film, a noirish thriller and a brilliantly enacted investigation of the philosophical questions of time and memory. Remembering, the film makes clear, is not simply the opposite of forgetting. Forgetting, as Pynchon observed of ignorance, is not just a blank on the map; it has its own contours and laws, its own hunger. It is forgetting, after all, that makes memory possible. Total recall is close to complete amnesia. In Borges‘ famous story “Funes, His Memory,” the character who remembers everything -- “not only every leaf or every tree in every path of forest, but every time he had perceived or imagined that leaf” -- ends up like Shelby, who remembers nothing: “His own face in the mirror, his own hands, surprised him every time he saw them.”
tilføjet af SnootyBaronet | RedigerLA Weekly, Geoff Dyer (Mar 21, 2001)
 
Working from a short story by his brother, Jonathan Nolan, this newcomer has created a perfect movie: perfect in its form (witness the absolute "movieness" of its segmented takes, its backward logic, its pieced-together, visualized version of memory) and perfect in its measured effect on us. Memento gives us exactly as much as we are capable of absorbing and using-no more, no less. It cups us in its hands, plays with us for the duration, and then sets us free by allowing us to spring the catch.
tilføjet af SnootyBaronet | RedigerThe American Prospect, Wendy Lesser
 

» Tilføj andre forfattere (8 mulige)

Forfatter navnRolleHvilken slags forfatterVærk?Status
Nolan, ChristopherDirectorprimær forfatteralle udgaverbekræftet
Nolan, ChristopherScreenwriterhovedforfatteralle udgaverbekræftet
Moss, Carrie-AnneActormedforfatteralle udgaverbekræftet
Pantoliano, JoeActormedforfatteralle udgaverbekræftet
Pearce, GuyActormedforfatteralle udgaverbekræftet
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An intricate crime story about a man who has lost his short term memory due to a rare brain disorder. Now he is out to catch his wife's murderer, whose identity he cannot ever know for sure. The more he tries to figure out what is true and real, the more he sinks deeper into a multi-layered abyss of uncertainty and surprises.

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