During the brief Meiji period, Japan underwent am astonishing metamorphosis from feudal state to modern industrial and military power. The national policy of isolationism, sakoku, initiated in 1639, was abruptly challenged in 1853 when Commodore Matthew C. Perry sailed into Tokyo Bay with four awe-inspiring iron vessels, locally known as "black ships." Forced into trade treaties, the Japanese state rushed to modernize under the enlightened leadership of Emperor Meiji.The popular woodblock prints of the Meiji period were snapshots of a modern society in the making. Those reproduced in Japan Awakens, all from the collection of the Art Gallery of Greater Victoria, show everything from political events and wars to intimate domestic scenes. Three thematic essays by Barry Till trace the links between the revival of imperial rule and forces both national and international, connecting formal and aesthetic changes in fine-art prints to these events.