This book is a good examination of Batman's impact on society, but more than that it takes a good look at the impact of all comics. The author addresses issues of Batman's creation and his creators, war, propaganda, camp, homosexuality/homophobia and more.

He's very knowledgable and it's an interesting read, but after finishing it, you can't help but feel like Brooker had an agenda.

He seems to strongly defend the two most embattled topics of the Dark Knight - the 1960s TV series, and the question of his sexuality. It's one thing to be objective and fair in reporting these issues, but Brooker easily spends more than half his time explaining why the 1960s series wasn't as bad as we collectively remember it, and why Batman could be gay.

More than that, not only does he suggest that it's possible that Batman is gay, he suggests it might add more dimension to the character by opening him up to more situations. He quotes message board posts (a questionable form of research) and attacks any poster as "homophobic" if they try to assert that Batman is not gay.

Booker can spend all day examining the fictional life of Bruce Wayne off the page/screen, but that doesn't change the fact that Bruce Wayne HAS NO LIFE off the page/screen. We can only take him on what we have seen released from official sources (ie: DC Comics and WB). He reads a lot into subtext, which is fun, but that doesn't always mean it's the intended reading. I can apply political, religious and feminist readings to FRANKENSTEIN, but that doesn't mean it was Shelley's intention.

Regardless, Brooker is very knowledgable and informed, but the time he spends defending the two most embarrasing moments of Batman's history leads one to question his entire thesis -- especially when you take into account Brooker's own sexuality.

You'll feel like he had an agenda to promote.