It was fun and startling to read adult-viewpoint stories about Marky Mark and Tiffany, who were famous when I was a kid, because the way they were depicted was so different from their personas in Seventeen Magazine and the like. Yes, of course they would be different, but the thing is that I had no idea they would be in this book, so reading about them was a trip back in time.

Of course, the best ones were the stories of non-celebrities. It reinforces the idea that everyone has something interesting about them, and only needs a very talented writer around to draw out their story and put it in a witty little package. My favorites were "Show Dogs" and "I Want This Apartment" and "Silly Billy". The story about Silly Billy was especially interesting to me because years ago I saw the documentary "Capturing the Friedmans", and recognized Silly Billy as David Friedman, whose father and brother were accused of child molestation. This connection gave more depth and perspective to the article as I read it, as well as to how I think about and remember the movie and its people. ( )

What a wonderful writer! She has a way of turning the most ordinary people into the most interesting people . . . . ( )

Engaging. Probably more so for the author's fellow New Yorkers, and more so at the times each essay was contemporary. Now it's dated (most by over 3 decades, no cell phones and only a couple of car phones). It could be read as history - getting a look at celebrities before they became big - but sometimes it read as if the author either 1. had an eye for ppl who were over-hyped (Fab Five Freddy) or 2. were going to be jinxed by the appearance of Orlean's essay (pop star Tiffany).

I do appreciate Orlean's detachment. Seldom do we get glimpses of her personality, or even of her strategies re' meeting up with these ppl and getting them to share their lives and perspectives with her. Iow, she's the opposite of Bill Bryson, which I appreciate *very* much.

And these are 'extraordinary' people. Then again, they're extraordinary in the sense that millions of ppl are. Her essays help a reader to realize that everyone has a story, everyone we meet could very well have something going on in their lives worth writing & reading about.

Otoh, these mini-bios are also fluffy. I had to flip through the book to pull up examples for these comments, as I've already forgotten most of the folks profiled. The few I remember were the few I googled, to find out 'where are they now.' ... So... one good thing about it being a relatively old book is that it is of historical interest. What was it like for a popular professional clown in NYC to manage his schedule, and his assistants' schedules, with no cell or car phone, for example? And it's maybe good that we can google our favorite personalities and learn more about them, and check whether they were successful.

So. 2.5 stars, rounded up because it's not Orleans' fault that I don't live in NYC and didn't read this closer to when it came out, in 2000. Still, not particularly recommended. ( )

Great writing used to describe some really interesting people. ( )

I gave this 4 stars because: In on story she used "and" rather than commas, which was completely annoying and I didn't like all of her stories.

I especially liked the stories on the Southern Gospel singers & their traveling show, The Fish Market window designer, the ten-year old "perfect America man, the New York City apartment broker, the only buttons-only store, Bill Blass, the Hana Surfer Girls, and the Ashanti King who drives a Taxi Cab.

The other stories were interesting as well... I certainly wanted more about the Torera, it was definitely lacking personal input.....

The Library I work in does not own a copy, but they will tomorrow as I am adding the one I got from the book sale to the collection! ( )