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Pablo Neruda: Absence and Presence

af Pablo Neruda

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1063256,501 (4.05)4
Pablo Neruda is one of the most widely read poets in the world. A Nobel Prize winner and a man with legions of friends, he loved and wrote about everything is nature as well as objects of all descriptions. In this book, through Neruda's words, his friends' words, and magnificent photographs, we can to know his magical world, and ultimately the man himself. Neruda's elegant and lyrical poetry, presented here bilingually with superb translations by Alastair Reid, reveals a man of great warmth and complex thought. A passionate acquirer, he collected ships in bottles, shells, postcards, ships' figureheards, sextants, clocks, stones, books, hats, and more. These objects served as extensions of his imagination, the vocabulary of his poems. Luis Poirot's evocative photographs of Neruda, his possessions, and his surroundings provide a dramatic, yet intimate narrative alongside his poetry. Neruda's house in Isla Negra, facing the Pacific Ocean (he collected houses, too, and made them into original, often whimsical, objects in themselves) is where most of Poirot's photographs were taken. We are witness to the manner in which Neruda imbued this house, and all it contained, with his own vitality, style, and large imagination. More than twenty of Neruda's friends, including Julio Cort?ar, Eduardo Galeano, Alastair Reid, Diego Mu?s, Roberto Matta, and his wife Matilde Urrutia, offer personal insights and humorous memories of this prolific poet. A striking portrait by Poirot accompanies each testimony. An aura of Neruda prevails throughout this hypnotic journey of words and photographs. Even when the words are not his own, even when the camera is not focused on him, Neruda's presence haunts and inspires.… (mere)
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Neruda parece evolucionar desde las vanguardias, todavía con dejes modernistas, de los famosos "Veinte poemas de amor y una canción deseperada", hasta una poesía que se me antoja emparentada tanto con el arte soviético como con el pop-art anglosajón, pasando por una época de poesía política. En mi opinión, y con la excepción de los mentados "Veinte poemas", me gustan más los últimos poemas, en los que incorpora objetos cotidianos incuso como objeto principal del poema. Hasta tiene una "Oda a la alcachofa". A quien pueda pensar que esto es un poco ridículo o producto de una simple moda, que lea la "Oda al diccionario", toda una declaración de amor por el idioma y las palabras. Ya digo que esta poesía, aproximadamente desde 1955, es la que más me ha gustado. Lo anterior, con excepciones puntuales, es demasiado experimental para mi gusto. No están mis tiempos para vanguardias, qué le vamos a hacer. ( )
  caflores | Nov 9, 2012 |
This is an interesting collection of photos, mainly of Pablo Neruda's house in Isla Negra, paired with Neruda's poems and fragments of his poems. There is also a section of photographs of his friends and their memories of him. Some of these memories are very interesting, some not so much. On the whole, it is a beautiful tribute to a strange man. It provides a context to his poetry, but quite different from the kind of context one gains by reading a biography. ( )
1 stem cammykitty | Sep 23, 2012 |
A wonderfully sensual collection of photos and interviews about an extraordinary writer and his life and work. ( )
  Caroline_McElwee | Jun 7, 2007 |
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Pablo Neruda is one of the most widely read poets in the world. A Nobel Prize winner and a man with legions of friends, he loved and wrote about everything is nature as well as objects of all descriptions. In this book, through Neruda's words, his friends' words, and magnificent photographs, we can to know his magical world, and ultimately the man himself. Neruda's elegant and lyrical poetry, presented here bilingually with superb translations by Alastair Reid, reveals a man of great warmth and complex thought. A passionate acquirer, he collected ships in bottles, shells, postcards, ships' figureheards, sextants, clocks, stones, books, hats, and more. These objects served as extensions of his imagination, the vocabulary of his poems. Luis Poirot's evocative photographs of Neruda, his possessions, and his surroundings provide a dramatic, yet intimate narrative alongside his poetry. Neruda's house in Isla Negra, facing the Pacific Ocean (he collected houses, too, and made them into original, often whimsical, objects in themselves) is where most of Poirot's photographs were taken. We are witness to the manner in which Neruda imbued this house, and all it contained, with his own vitality, style, and large imagination. More than twenty of Neruda's friends, including Julio Cort?ar, Eduardo Galeano, Alastair Reid, Diego Mu?s, Roberto Matta, and his wife Matilde Urrutia, offer personal insights and humorous memories of this prolific poet. A striking portrait by Poirot accompanies each testimony. An aura of Neruda prevails throughout this hypnotic journey of words and photographs. Even when the words are not his own, even when the camera is not focused on him, Neruda's presence haunts and inspires.

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