Francis Tyte is an actor and a kind of conman. He’s left a trail of emotional damage behind him through the years. He specializes in stringing women along, sometimes marrying them. He’s in it for the money, maybe the cruelty. He seems to feel the world owes him something, with no reciprocation on his part.

William Trevor weaves a clever story with danger always just beneath the surface – until it’s not. He focuses on the victims of Francis Tyte as much as the character himself. The illegitimate daughter and her distraught mother. Francis’ abandoned parents. His latest wife. And the destruction he’s done to all their lives. It’s one of Trevor’s best novels. ( )

So much prose writing style by today's authors --even the literary lights we admire -- is crass, hard edged, often blunt and profane. I'm ok with this since so much else in the works of our genius writers is praise worthy -- themes, structure, complex portrayals of the human condition. But, it's fitting in remembering the incomparable William Trevor to savor his marvelous prose, so rich, subtle and evocative. In describing a character in just two sentences Trevor can give us a deeply nuanced sense of the character's essence and relationship to time, place and others. His writing is amazing in how it distills so much depth of meaning in so economical a fashion. Perhaps it's his ability to so effortlessly convey such depth that made him the master of the short story genre.

In his works, including his novels, Trevor often first introduces us to people that are recognizable and situations that are comprehensible, but then inserts a character who will dramatically alter the predictable paths of the lives of these people. In "Other People's Worlds", Julia Ferndale is a 47 year-old widow living with her mother in comfortable circumstances. Julia views other people a bit too incautiously; she has a compassionate outlook that her hard-edged mother thinks could stand a bit more skepticism. Julia has fallen in love with a much younger man, Francis Tyte, and they are set to be married in a few weeks. Francis is a journeyman actor, a handsome, charming man who is principally known for his appearance in a television commercial. Francis has a smooth and ingratiating personality and he's captured the affection of Julia's entire family.

Francis is an utter fraud, a sociopath who has manipulated and defrauded women and couples across the country. Everything he has told Julia about his past is false, including the story that his parents were killed in a railway accident; they are alive in a retirement home. Francis is married to a much older women who he has abandoned. In London he had taken up with Doris, a shop girl, with whom he's had Joy, a hapless girl now twelve years-old. Doris is obsessed with her "Frankie" who stops by from time-to-time but keeps from making their relationship permanent with lies about his "dying" wife who he cannot abandon. It is suggested that Francis was sexually abused as a child, but this could be a lie. We do learn that on late night jaunts into London's seamier district he performs sexual acts with men for money.

Julia and Francis are married and depart on their honeymoon to Italy where on the first day Francis announces that he has no intention to remain with Julia and gets her in her shock to sign over some valuable jewelry he has had his eye on. Julia returns to England shattered, but doesn't wish to make this fraud public. Julia was a deeply religious Catholic, but in a counseling session with her priest we see that this event has shattered her belief that God is merciful and just.

There is a newspaper account of Francis's cruel act (the hotel manager had notified the Italian police) and thus learning about Julia Doris seeks her out. Doris is becoming increasingly unbalanced and has developed a delusion that an actress seen with Francis has stolen him from her. Doris's drinking is out of control and she is making threatening statements toward the actress. Julia tries to intervene by going to London to stop Doris who is on a drinking binge and can't be found. Julia becomes aware of Joy's plight and there's a growing indication that she must do something to save this child. Doris's threats to the actress are not fulfilled, but it is learned from the newspaper that a woman matching Francis's wife has been murdered. Doris is shown to be locked away somewhere, either prison or an asylum.

Another wonderful aspect of Trevor's plots is that he never takes the cheap path to resolving the conflicts created for the characters. What could for some authors be a revenge ending where Francis gets what he deserves turns out quite differently for Julia. She has been deeply hurt by Francis but she knows that her own weakness is part of the cause of this. She once loved Francis but now sees him as a pitiful person whose sickness stirs some degree of compassion, a trait that has remained despite the wounds she has suffered. A letter from Germany arrives in which Francis absolves himself from any blame and asks for money. Julia does so (and it seems will continue to do so), not out of love or any desire to entice him back, but because her core value of empathizing with "Other People's Worlds" remains within her, even though this has brought darkness to her. ( )