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Treemonisha : opera in three acts ;…
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Treemonisha : opera in three acts ; performing edition edited by Vera… (udgave 1972)

af Scott Joplin (Komponist), Vera Brodsky Lawrence (Redaktør), William Bolcom (Redaktør)

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Dubbed the "King of Ragtime" by his music publisher, Scott Joplin (1868–1917) was a formally educated musician whose popular piano rags inspired him to go on to composition on a larger, far more developed scale and conception. His second opera, Treemonisha, an example of his most serious work, was published in 1911 at his own expense. The story of a confident young woman whose life, in many respects, paralleled Joplin's, the work was a blueprint for social, racial, and sexual equality. The opera became Joplin's obsession, taking precedence over his other creative efforts while tragically affecting his health and fortune. In describing its energetic rhythms and melodies, The New York Times praised Treemonisha as gently imbued with ragtime, aspiring "to genuine operatic richness." The vocal score of this pioneering opera appears here in a handsome and inexpensive edition, sure to be valued by soloists, rehearsal pianists, and anyone who delights in the music of this important African-American composer.… (mere)
Medlem:OPERA_America
Titel:Treemonisha : opera in three acts ; performing edition edited by Vera Brodsky Lawrence and William Bolcom
Forfattere:Scott Joplin (Komponist)
Andre forfattere:Vera Brodsky Lawrence (Redaktør), William Bolcom (Redaktør)
Info:[United States] : Dramatic Publishing Company ; c1972
Samlinger:The Julius Rudel Archive Collection
Vurdering:
Nøgleord:Operas, Vocal scores with piano

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Treemonisha : Opera in Three Acts (Vocal Score) Performing Edition af Scott Joplin

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Forfatter navnRolleHvilken slags forfatterVærk?Status
Scott Joplinprimær forfatteralle udgaverberegnet
Bolcom, Williamhovedforfatteralle udgaverbekræftet
Lawrence, Vera Brodskyhovedforfatteralle udgaverbekræftet
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Dubbed the "King of Ragtime" by his music publisher, Scott Joplin (1868–1917) was a formally educated musician whose popular piano rags inspired him to go on to composition on a larger, far more developed scale and conception. His second opera, Treemonisha, an example of his most serious work, was published in 1911 at his own expense. The story of a confident young woman whose life, in many respects, paralleled Joplin's, the work was a blueprint for social, racial, and sexual equality. The opera became Joplin's obsession, taking precedence over his other creative efforts while tragically affecting his health and fortune. In describing its energetic rhythms and melodies, The New York Times praised Treemonisha as gently imbued with ragtime, aspiring "to genuine operatic richness." The vocal score of this pioneering opera appears here in a handsome and inexpensive edition, sure to be valued by soloists, rehearsal pianists, and anyone who delights in the music of this important African-American composer.

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