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Instant Lives (1974)

af Howard Moss

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1213224,160 (3.5)7
A humor classic--fractured biographical moments from the lives of great writers and composers. Loosely based on historical anecdotes, this is a collection of mostly imagined encounters between literary figures and their real or imagined family members, friends, and bitter enemies. In Howard Moss's satirical voice and Edward Gorey's twenty-five deadpan illustrations, we see Jane Austen wielding artful passive aggression and Sense and Sensibility galleys, the Alcott girls sculpting fudge, the rise of Emily Dickinson's ruthless witch hazel business, among other delights. Perfect for those who love literature too much to hold it closely to actual facts.… (mere)
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[Instant Lives] is an entertainment. It's short, just 84 pages, embellished with 25 pen-and-ink drawings by Edward Gorey. Howard Moss, poetry editor for The New Yorker for nearly forty years, authored these short pieces satirizing famous artistic persons of the 19th and early 20th centuries. Many mimic the unmistakable voice of the subject, for example, Henry James:

He took a dim view, if, indeed, a view, in all consciousness, could be considered one, when the very act of its perception was, by definition, barely discernible, of biography, that addiction to "truth-seeking" that so often cloaked, when it did not, more accurately, mask, a predilection for poking into corners best left un-poked, for lifting up stones heavy enough, one would have thought, to crush existence itself out of the low and wriggling forms of life that secreted themselves, ever so hopefully, ever so persistently, in pursuit of a safety indubitably not to be vouchsafed, beneath the mossy sides of their seemingly permanent shelters…That he, the author of What Maisie Knew, should be asked to offer sacrifices at the altar of a God he did not worship, neither as communicant nor convert, to act, doubly the slave, as the servitor of Mammon, a "deal"—as the American traders, ever hot in the pursuit of profit, might say—seemed to him not only to rub salt into an old wound but to be a special form of affront, as insulting as if, laid hands on by the misinformed, a first edition were to be used merely for the swatting of flies. He would not, no…


Or James Joyce:

Being a broth of a poi, cod-lei but Chile, to whom Doubloom seized to half charm, eggs isle seemed puf-ferable. He Christ the Iris zei, he crossed the Ingres flannel and maid his weigh a broad. Zoo rich! Elps! EEEEEEEEEEk! Them Swiss miss misses me. Watch out, Montaignes, and them Edel (Weiss) Leon? Ted? Price? Ah, my Tyne is come, said the looney.

Here is Mary Shelley:

…There was a pounding at the door. My God! Could it be Percy Bysshe? If he found out she'd been "experimenting" again, it would kill him.
"Just one moment, please," she said, trying to shove the monster back into the darkness of the attic.
"Get back into a recess . . . back! . . . back!" Mary whispered hoarsely.
The monster looked at her. "That's easier Sade than Donne . . ."
Even in this intolerable moment of panic, Mary could not resist a tiny rush of pride. Whatever she had created, it was far more literate than she had guessed . . .
  weird_O | Mar 27, 2022 |
The Gorey illustrations are, of course, fabulous. The depiction of Proust was exceptionally entertaining. The prose was a bit dodgy in places; the brief bios of Emily Dickinson, Debussy, and the Brontë sisters were great, but some of the others were rather impenetrable. ( )
  Krumbs | Mar 31, 2013 |
Thirty-one brief biographies of famous people. Tho brief, readers will learn new information missed by other authors. The illustrations are intrinsic to each essay. ( )
  Esta1923 | Feb 10, 2009 |
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Forfatter navnRolleHvilken slags forfatterVærk?Status
Howard Mossprimær forfatteralle udgaverberegnet
Edward GoreyIllustratormedforfatternogle udgaverbekræftet
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As the World is sifted into Time's Archives,
And the Bee reduceth Honey in his Hives,
So do We make our little instant lives . .

—St. Julian of Padua
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For Eudora Welty and Reynolds Price
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Louisa had had Concord.
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And with that, Jane swept out of the room, the galleys trailing behind her like a bridal train devised by a couturier impaled upon typography.
Anne entered the room wih the elegance of a squatter.
He would never finish Kremlin Bells, not at the rate they were going. The few Westerners familiar with the uncut version smuggled into Mexico say it resembles a remake of Sunset Boulevard seen from the pool's point of view.
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A humor classic--fractured biographical moments from the lives of great writers and composers. Loosely based on historical anecdotes, this is a collection of mostly imagined encounters between literary figures and their real or imagined family members, friends, and bitter enemies. In Howard Moss's satirical voice and Edward Gorey's twenty-five deadpan illustrations, we see Jane Austen wielding artful passive aggression and Sense and Sensibility galleys, the Alcott girls sculpting fudge, the rise of Emily Dickinson's ruthless witch hazel business, among other delights. Perfect for those who love literature too much to hold it closely to actual facts.

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