Søg På Websted
På dette site bruger vi cookies til at levere vores ydelser, forbedre performance, til analyseformål, og (hvis brugeren ikke er logget ind) til reklamer. Ved at bruge LibraryThing anerkender du at have læst og forstået vores vilkår og betingelser inklusive vores politik for håndtering af brugeroplysninger. Din brug af dette site og dets ydelser er underlagt disse vilkår og betingelser.
Hide this

Resultater fra Google Bøger

Klik på en miniature for at gå til Google Books


Shannaras sværd (1977)

af Terry Brooks

Andre forfattere: Se andre forfattere sektionen.

Serier: Shannara (1), Shannara Trilogy (1), Shannara-Zyklus (Omnibus 1-3 - [Buch I]), Shannara Universe: Chronological (10)

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
6,9041031,059 (3.48)166
Shea af elverhuset Shannara må drage ud fra Skyggernes Dal sammen med druiden Allanon for at finde Sværdet, det eneste brugbare våben mod Troldmesteren, der stræber efter at dække verden med mørke.
Nyligt tilføjet afprivat bibliotek, MMGdec, hbertinelli, LolaVega, blackwitchmagic, Glenn23, ekaliel, randomengine
Efterladte bibliotekerInternational Space Station

Bliv medlem af LibraryThing for at finde ud af, om du vil kunne lide denne bog.

Der er ingen diskussionstråde på Snak om denne bog.

» Se også 166 omtaler

Engelsk (100)  Hollandsk (1)  Italiensk (1)  Fransk (1)  Alle sprog (103)
Viser 1-5 af 103 (næste | vis alle)
This book wears its influence on its sleeve. If you're looking for something Tolkien-esque, there are certainly direct analogues to Frodo, Gandalf, Sauron, Gollum, the one ring, the Nazgul, and the evil hordes of The Lord of the Rings; but the prose and the worldbuilding aren't nearly up to the same standard. There's not much original material (at least, little that receives any narrative focus), with one exception: Brooks' depiction of fantasy race is somewhat more complex than Tolkien's (admittedly a low bar). While the good race/evil race dichotomy is preserved, there are exceptions to the rule for both of the "evil" races, include one character who is an important part of the plot and treated as generally heroic. Not exactly groundbreaking or even progressive stuff, but certainly an improvement.
One of the odd things about this book is that the obstacles the characters face are almost always solved in uninteresting ways: the characters notice something they didn't before, or are rescued by someone else, or make an unremarkable plan to distract the enemy. The obstacles themselves usually come from the characters failing to notice something, or being deceived by their enemies. There is no character arc or thematically cohesive plot--just a series of fights, puzzles, and traps that eventually leads to getting the artifact and defeating the dark lord. In other words, it reads exactly like someone transcribed their Dungeons & Dragons campaign and turned it into a book. Originating as a role-playing game would certainly explain why the plot is so episodic, and the characters are so flat and archetypal--what's interesting to players of a game is completely different from what's interesting to readers of a book. I would say that modern Tolkien-esque fantasy tabletop games, if not directly influencing (or being influenced by) the Shannara books, at the very least come from a similar emotional place: the desire to live in Tolkien's world and experience an epic, world-changing quest of one's own. In satisfying that kind of desire, originality and cohesiveness are less important than a sense of nostalgia and identification with the characters. I understand why some people might like it; but ultimately, I just don't think a book is the best medium for this kind of story. ( )
  Sammelsurium | Nov 17, 2021 |
This story is not badly written…it's just, as a Tolkien knockoff, it's kind of weak. The Gandolf character is not at all sympathetic; and the two human versions of hobbits are not very convincing. In this tale, it's a magic, invincible sword that controls the outcome. With Greg Bear I am willing to tolerate a weak/slow beginning because I trust him to follow up with something worth the wait. But this book is just too weak/slow and not convincing. I suppose my primary poor opinion is based upon the continuous obvious comparison with the Lord of the Rings…if the story for the first 70 pages wasn’t so similar to Tolkien I might have given it more time to unfold, but even then, I couldn’t see it going anywhere but where Tolkien has already been. ( )
  majackson | Sep 24, 2021 |
Picked this up for my personal challenge of reading older fantasy.

I enjoyed this read, although it took me time to get through it. The first couple hundred pages gave me the inkling it was going to be a re-hash of Lord of The Rings. In way it was. We have the coming together of the different races to fight the evil. We have a sword instead of a ring. However Terry Brooks writing style captivated me and I plugged along and began enjoying the characters and the action and stopped comparing them to Tolkien. Brooks can write battle scenes with gusto-for sure.

All in all a great escape, Epic fantasy, and I will continue the series ( )
  JBroda | Sep 24, 2021 |
The Sword of Shannara was also the first of the high fantasy best-sellers, and since I’m in the middle of a (partial) reread of the Wheel of Time series, I thought it might be worth seeing what this novel was like. I shouldn’t have bothered. It’s fucking dreadful. A “Valeman” on his way home one night is scared by some giant flappy thing in the sky, and then waylaid by a scary man over seven foot tall with a goatee. Except the scary man is well-known to the Valemen (they live in a vale, see), although he is very mysterious. Cue info-dump. The Valeman’s adopted brother is half-elvish, and is actually the only surviving relative of an ancient elvish king. Because of this, he’s the only person who can wield the Sword of Shannara, an ancient, er, sword, and defeat the Warlock Lord, an evil sorcerer who is about to invade the Four Lands and kill everyone. Or maybe just enslave them. It’s not clear. There’s the good guys – one of which is a dwarf, and another is Boromir in all but name – and they have to make their way to Druid’s Keep to retrieve the sword before the evil gnome army. But the gnomes get there first, and Shea (the naming is absolutely terrible in this book), the half-elf half-not-a-hobbit-honestly, is separated from the others and ends up travelling into absolutely-not-Mordor chasing after the titular sword. Meanwhile, the others are involved in defending Tyrsis – which is definitely not Minas Tirith – against a huge army of gnomes and rock trolls… This was the first of the big-selling Tolkien rip-offs, and I can’t honestly see what its appeal is. Did people just want another LotR with the serial numbers filed off? And were they so desperate for it, they’d accept this sub-literate crap? Even now, fantasy fans still recommend this book – and then they do that thing, which is absolutely fucking stupid, of explaining that the first few books are not very good but “it gets a lot better around book four or five”. Seriously, fuck off. I’m not going to read half a dozen shit 700-page novels to reach one which is “better”, especially since as a fan of the series, the person recommending it clearly has no idea what a good book actually is. Books like this should no longer be in print. They do the genre a disservice, they do its readers a disservice. ( )
  iansales | Apr 15, 2021 |
I really enjoyed this book. Yes, I could see the obvious imitation of Lord of the Rings. There were times when I was laughing because the imitation was so blatant, and it became only too easy to refer to the characters by the names of their Middle Earthen counterparts. But, for some reason, I still really enjoyed it.
The characters had some differences from the LOTR characters, most notably Allanon. He is ancient, mysterious and magical like Gandalf, but unlike Gandalf, Allanon does not have the trust of Shea (Frodo) when he appears to send him on his quest. Frodo trusted Gandalf completely, as a friend and a mentor. Allanon not only doesn't have Shea and Flick's trust, he doesn't even try to earn it, obscuring information and guiding them with half-truths. The company or 'fellowship' trusts Allanon more from necessity than because he as actually gained their trust. Gandalf was honest with Frodo from the start of the quest. Frodo knew it would be dangerous. He knew there was a good chance he wouldn't succeed. He knew he probably wouldn't survive.
Shea understood the undertaking was dangerous, but he never understood the full danger. He didn't realize that in order to wield the sword and defeat the Warlock Lord, he would have to undergo a test of mental and spiritual strength, whereas Frodo was aware of the fact that the Ring would test him in this way before he even arrived and Rivendell. Shea is brave, and he does accept the task forced on him by circumstances, but he doesn't have the strength that Frodo has. Frodo knew, and accepted everything that happened to him, and willingly volunteered to take the Ring to Mordor. Shea is practically forced to go along when Menion gets into conflict with Allanon, apparently with the sole purpose of getting Shea to come. And Shea would have had to come, but he would have been a stronger character if he had chosen this on his own. One gets the impression that, even if Sam had not come with Frodo, Frodo would have been able to hold his own in the wilderness (without Sam, Frodo may not have had the strength to resist the Ring, and we all know what would have happened in Cirith Ungol without Sam, but Frodo could have taken care of himself on his own, at least at first,) whereas Shea is practically helpless the moment he finds himself on his own.
Menion was difficult to pin with a LOTR counterpart. His ability to irritate Allanon made me think of him as Pippin, but his ability to fight made him seem more like Legolas or Aragorn. I really liked Menion except for two things. First, his obnoxious instalove with Shirl Ravenlock, and second, his very annoying habit of leaving his sword lying around only to notice it's absence when he most needs it.
Like Samwise, Flick managed to become one of my favorite characters. He is the character who I'd say paralleled his LOTR counterpart the most in this series, being loyal, brave when he had to be, and simple in his desires.
Durin and Dayel are one part Legolas, one part Merry and Pippin, since they care for each other and largely remain together, though the fact that Dayel has a fiancé waiting for him back home makes him seem very un-Lord of the Rings-like.
Hendel, being a dwarf, was the obvious character to parallel Gimli, but Hendel lacked Gimli's temper and impetuousness, so he seems to be a blend of Aragorn, Gimli and, oddly enough, Gandalf. Hendel is older than any of the others in the company, accepting Allanon, and he has far more battle knowledge than any accept the Druid, he even seems wiser than Balinor, who I would peg as the most Aragorn-like of the characters.
Orl Fane was even nuttier than Sméagol. Gollum/Sméagol had some sanity still in him. He may have had a dual personality disorder, and been addicted to the Ring, but he was still able to use his reason. Brona, 'the Warlock Lord,' 'the Dark Lord' (between Sauron, Brona and Voldemort, you'd think that authors would be able to come up with another title besides Dark Lord,) is obviously Sauron. The Skull Bearers are clearly Ringwraiths, though they aren't quite as fearsome as the wraiths, and, unlike the wraiths, they don't have a clear number.
Panamon Creel and Keltset Mallicos are more enigmas. Who are they supposed to represent? Panamon is the type of roguish character we see a lot of in fiction now, but is not present in Lord of the Rings. Keltset is another of my favorite characters in this series. He couldn't speak, and Shea and Panamon know little about him, but, in a time when trolls seem to have joined the Warlock Lord against the free peoples, Keltset is there proving that not all trolls are bent on destruction without question.
Much of the plot also mirrored LOTR, until Shea was separated from the others. This too had some similarities to LOTR, but in LOTR, Frodo willingly separates from the group, taking Sam with him. In The Sword of Shannara, Shea is separated by accident, and Flick is unable to go with him. Because of this I found the plot somewhat different, and I honestly wondered what would happen. The lack of a Boromir character also helped to keep the plot somewhat different. The closest person to Boromir was Palance Buckhannah, and even he was far more like Denethor (because he was mad) or Théoden (because he was being controlled by an evil advisor) than like Boromir. The Battle of Tyrsis is like a combination of the Battle for Helms Deep and the Battle of the Pelennor Fields. The destruction of the Warlock Lord is a mirror of the destruction of the Ring. Allanon's going away to sleep and recover his strength is like Gandalf's going to the Gray Havens. Shea and Flick's return home is like an odd combination of the returns of Frodo and Bilbo to the Shire at the end of their respective adventures. Like Frodo, Shea has been deeply affected by his adventure, but like Bilbo, he seems to be fairly content in his undisturbed, undestroyed home, and doesn't have to go to the Gray Havens.
The Sword of Shannara may be a blatant imitation of The Lord of the Rings, but at least it's a good imitation, which is more than I can say for Eragon. Since the villain was defeated and the threat to the world was ended, I honestly don't know where the plot of the next books can possibly go, but I'm willing to find out. ( )
  ComposingComposer | Jan 12, 2021 |
Viser 1-5 af 103 (næste | vis alle)
ingen anmeldelser | tilføj en anmeldelse

» Tilføj andre forfattere (47 mulige)

Forfatter navnRolleHvilken slags forfatterVærk?Status
Terry Brooksprimær forfatteralle udgaverberegnet
Brick, ScottFortællermedforfatternogle udgaverbekræftet
Hildebrandt, GregIllustratormedforfatternogle udgaverbekræftet
Hildebrandt, GregOmslagsfotograf/tegner/...medforfatternogle udgaverbekræftet
Hildebrandt, TimIllustratormedforfatternogle udgaverbekræftet
Hildebrandt, TimOmslagsfotograf/tegner/...medforfatternogle udgaverbekræftet
Stefani, SilviaOversættermedforfatternogle udgaverbekræftet
Stefani, SilviaOversættermedforfatternogle udgaverbekræftet
Stone, SteveOmslagsfotograf/tegner/...medforfatternogle udgaverbekræftet
Westermayr, TonyOversættermedforfatternogle udgaverbekræftet
Du bliver nødt til at logge ind for at redigere data i Almen Viden.
For mere hjælp se Almen Viden hjælpesiden.
Kanonisk titel
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Alternative titler
Information fra den tyske Almen Viden. Redigér teksten, så den bliver dansk.
Oprindelig udgivelsesdato
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Vigtige steder
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Vigtige begivenheder
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Beslægtede film
Priser og hædersbevisninger
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Het begin...Shannara
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
For My Parents, Who Believed
Første ord
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
The sun was already sinking into the deep green of the hills to the west of the valley, the red and gray-pink of its shadows touching the corners of the land, when Flick Ohmsford began his descent.
Sidste ord
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
(Klik for at vise Advarsel: Kan indeholde afsløringer.)
Oplysning om flertydighed
Information fra den tyske Almen Viden. Redigér teksten, så den bliver dansk.
Die ist die Ausgabe, die das komplette The Sword of Shannara enthält. Nicht kombinieren mit dem gleichnamigen Werk, das nur den ersten von drei Teilen enthält, in die The Sword of Shannara für die erste deutschsprachige Ausgabe aufgeteilt wurde.
Forlagets redaktører
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Canonical DDC/MDS
Canonical LCC

Henvisninger til dette værk andre steder.

Wikipedia på engelsk (1)

Shea af elverhuset Shannara må drage ud fra Skyggernes Dal sammen med druiden Allanon for at finde Sværdet, det eneste brugbare våben mod Troldmesteren, der stræber efter at dække verden med mørke.

No library descriptions found.

Beskrivelse af bogen

Populære omslag

Quick Links


Gennemsnit: (3.48)
0.5 11
1 76
1.5 13
2 149
2.5 34
3 316
3.5 68
4 383
4.5 16
5 291

Er det dig?

Bliv LibraryThing-forfatter.


Om | Kontakt | LibraryThing.com | Brugerbetingelser/Håndtering af brugeroplysninger | Hjælp/FAQs | Blog | Butik | APIs | TinyCat | Efterladte biblioteker | Tidlige Anmeldere | Almen Viden | 164,460,665 bøger! | Topbjælke: Altid synlig