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Fear and Trembling (Penguin Classics) af…
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Fear and Trembling (Penguin Classics) (original 1843; udgave 1986)

af Soren Kierkegaard (Forfatter), Alastair Hannay (Oversætter), Alastair Hannay (Introduktion), Johannes de Silentio (Bidragyder)

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
3,453292,828 (3.82)120
In this rich and resonant work, Soren Kierkegaard reflects poetically and philosophically on the biblical story of God's command to Abraham, that he sacrifice his son Isaac as a test of faith. Was Abraham's proposed action morally and religiously justified or murder? Is there an absolute duty to God? Was Abraham justified in remaining silent? In pondering these questions, Kierkegaard presents faith as a paradox that cannot be understood by reason and conventional morality, and he challenges the universalist ethics and immanental philosophy of modern German idealism, especially as represented by Kant and Hegel. This volume, first published in 2006, presents the first new English translation for twenty years, by Sylvia Walsh, together with an introduction by C. Stephen Evans which examines the ethical and religious issues raised by the text.… (mere)
Medlem:Simonsen
Titel:Fear and Trembling (Penguin Classics)
Forfattere:Soren Kierkegaard (Forfatter)
Andre forfattere:Alastair Hannay (Oversætter), Alastair Hannay (Introduktion), Johannes de Silentio (Bidragyder)
Info:Penguin Classics (1986), Edition: Reprint, 160 pages
Samlinger:Dit bibliotek
Vurdering:
Nøgleord:Ingen

Detaljer om værket

Frygt og bæven af Søren Kierkegaard (1843)

  1. 00
    Iphigenia in Aulis af Euripides (andejons)
    andejons: Kierkegaard uses Agamemnons sacrifice as a contrast to Abraham's, for good reason. Reading Euripide's original treatment is interesting background.
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» Se også 120 omtaler

Engelsk (24)  Portugisisk (Portugal) (2)  Svensk (1)  Spansk (1)  Hollandsk (1)  Alle sprog (29)
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EXCERTOS
«O tratamento acentuadamente patético em Temor e Tremor (…), permite analisar pormenorizadamente nos sucessivos episódios, e nas sucessivas “modificações” anunciadas e logo introduzidas pelos respectivos autores, os conflitos de ordem pessoal e inter­-relacional que afectam o indivíduo que procura uma forma consequente de objectivar o seu sentimento. Nos episódios de Temor e Tremor, a representação do amor como uma força vital encontra­-se em todas as situações imagináveis como estando determinadas por esse sentimento — seja ele paternal, filial, fraternal, erótico, para com a divindade, para com a polis, ou a philosophia; na maioria dos casos, a ultrapassagem desse amor implica não só a óbvia perda desse sentimento, como a morte de uma das partes ou o seu desaparecimento enquanto receptáculo do amor de um outro.»
  Jonatas.Bakas | Sep 3, 2021 |
Definitely a must-read. Kïerkegaard's ability to see things from all possible points of view is refreshing, and more importantly, it doesn't feel like a whining, pretentious doctrine. I can see myself getting a copy of this, if possible. ( )
  georgeybataille | Jun 1, 2021 |
A deep dive into the implications of the story of Abraham and the Akedah.

The author wrote the treatise anonymously and as a philosophical tractate challenging the optimistic premises of Hegelianism. The author is also very likely projecting based upon his own recent experience of having cut off his engagement to his beloved.

He grapples with the ethical and moral conundrum at the heart of the story of the akedah: Abraham is a man of great faith and proved willing to do a horrifying thing in the name of that faith. The author explores multiple options of how that story might have gone down. He explores the ethical challenges involved and the kind of faith Abraham expressed. He lamented the glib way the story was often told and preached upon in the churches of the time. He explored the comparison and contrast of the knight of despair and the knight of faith. He told additional stories which exemplify longing and virtue.

And the work really doesn't have an ending. And it really doesn't come to much of a conclusion. Which is probably the point.

I've been exposed to enough Kierkegaard to have expected the deep dive, but I am clearly not familiar enough with the early 19th century continental philosophical milieu to appreciate the nuances of what he's trying to do here. I know Kierkegaard can make really profound and compelling spiritual applications of Biblical narratives, so the vagaries here must be on account of the more philosophical bent of the material and not a little unwillingness to go too far on a controversial matter. Make of it what you will. ( )
  deusvitae | May 29, 2021 |
Em TEMOR E TREMOR, Kierkegaard parte da narrativa do livro do Gênesis, em que Deus ordena a Abraão que sacrifique o próprio filho, Isaac, para propor três questões filosóficas que dizem respeito a todos os homens: A ordem moral pode ser suspensa pela vontade de Deus? Podia Abraão ocultar seu propósito às pessoas que lhe eram mais íntimas? Questões que conduzem ao cerne do dilema humano diante do absurdo: desesperar ou lançar-se ao "salto da fé".
  BolideBooks | May 14, 2021 |
Just when I think I might understand what he is saying...nope, no I don't.
  Pascale1812 | Apr 16, 2020 |
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» Tilføj andre forfattere (115 mulige)

Forfatter navnRolleHvilken slags forfatterVærk?Status
Kierkegaard, Sørenprimær forfatteralle udgaverbekræftet
Evan, C. StephenRedaktørmedforfatternogle udgaverbekræftet
Hannay, AlastairOversættermedforfatternogle udgaverbekræftet
Kierkegaard, Niels ChristianOmslagsfotograf/tegner/...medforfatternogle udgaverbekræftet
Mežaraupe, IngaOversættermedforfatternogle udgaverbekræftet
Rée, JonathanIntroduktionmedforfatternogle udgaverbekræftet
Schereubel, PaulIllustratormedforfatternogle udgaverbekræftet
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In this rich and resonant work, Soren Kierkegaard reflects poetically and philosophically on the biblical story of God's command to Abraham, that he sacrifice his son Isaac as a test of faith. Was Abraham's proposed action morally and religiously justified or murder? Is there an absolute duty to God? Was Abraham justified in remaining silent? In pondering these questions, Kierkegaard presents faith as a paradox that cannot be understood by reason and conventional morality, and he challenges the universalist ethics and immanental philosophy of modern German idealism, especially as represented by Kant and Hegel. This volume, first published in 2006, presents the first new English translation for twenty years, by Sylvia Walsh, together with an introduction by C. Stephen Evans which examines the ethical and religious issues raised by the text.

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