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Indlæser... 11,625 | 514 | 399 |
(3.91) | 279 | One month before graduating from his Central Florida high school, Quentin "Q" Jacobsen basks in the predictable boringness of his life until the beautiful and exciting Margo Roth Spiegelman, Q's neighbor and classmate, takes him on a midnight adventure and then mysteriously disappears. |
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Oprindelig udgivelsesdato |
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Personer/Figurer |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Vigtige steder |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Vigtige begivenheder |
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Beslægtede film |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Priser og hædersbevisninger |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Indskrift |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. And after, when we went outside to look at her finished lantern from the road, I said I liked the way her light shone through the face that flickered in the dark. —"Jack O'Lantern," Katrina Vandenberg in Atlas  People say friends don't destroy one another What do they know about friends? —"Game shows Touch Our Lives," The Mountain Goats  | |
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Tilegnelse |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. To Julie Strauss-Gabel, without whom none of this could have become real.  | |
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Første ord |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. The way I figure it, everyone gets a miracle.  | |
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Citater |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You see how fake it all is. It's not even hard enough to be made of plastic. It's a paper town. I mean look at it, Q: look at all those cul-de-sacs, thoses streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters.  Margo was not a miracle. She was not a fine and precious thing. She was a girl.  I like finding stuff out about her. I mean, that I didn't know before. I had no idea who she really was. I honestly never thought of her as anything but my crazy beautiful friend who does all the crazy beautiful things.  What a treacherous thing it is to believe that a person is more than a person.  Nothing ever happens like you imagine it will," she says. "Yeah, that's true," I say. But then after I think about it for a second, I add, "But then again, if you don't imagine, nothing ever happens at all.  Ben looks at me, his mouth on the edge of smiling, and the says, "I mean, that was a big damned cow. It wasn't even a cow so much as it was a land whale.  Peeing is like a good book in that it is very, very hard to stop once you start.  But imagining being someone else, or the world being something else, is the only way in. It is the machine that kills fascists.  Chuck Parson was a person. Like me. Margo Roth Spiegelman was a person, too. And I had never quite thought of her that way, not really; it was a failure of all my previous imaginings. All along - no only since she left, but for a decade before - I had been imagining her without listening, without knowing that she made as poor a window as I did.  The rules of capitalization are so unfair to words in the middle of the sentence.  There are so many people. It is easy to forget how full the world is of people, full to bursting, and each of them imaginable and consistently misimagined.  We were in the business of mutual amusement, and we were reasonably prosperous.  The only wounded man I can be is me.  I'm not saying that everything is survivable. Just that everything except the last thing is.  We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters.  And maybe by imagining these futures we can make them real, and maybe not, but either way we must imagine them.  | |
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Sidste ord |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Oplysning om flertydighed |
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Forlagets redaktører |
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk. | |
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Bagsidecitater |
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Originalsprog |
Information fra den franske Almen Viden. Redigér teksten, så den bliver dansk. | |
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Canonical DDC/MDS |
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▾Referencer Henvisninger til dette værk andre steder. Wikipedia på engelsk (3)
▾Bogbeskrivelser One month before graduating from his Central Florida high school, Quentin "Q" Jacobsen basks in the predictable boringness of his life until the beautiful and exciting Margo Roth Spiegelman, Q's neighbor and classmate, takes him on a midnight adventure and then mysteriously disappears. ▾Biblioteksbeskrivelser af bogens indhold No library descriptions found. ▾LibraryThingmedlemmers beskrivelse af bogens indhold
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Google Books — Indlæser... Byt (79 have, 341 ønsker)
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Warning - Some spoilers for this book and "Looking for Alaska". It's kind of impossible to not talk about that book.
This book has me...well, confused. See, normally, when I don't quite know which side of the fence I fall on with a book, Goodreads' reviews have a way of straightening me out. Either I read them and think "Yeah, okay, I can agree with this", or "Are you insane? How could you get anywhere close to that conclusion? Is there a way I can physically revoke your access to this website?" That contact forces me to form an opinion. And I came here expecting that.
That's not what greeted me.
People seem pretty firmly rooted on one or the other side when it comes to this book. Some might have a pinkie toe over the partition. Truth of the matter is, if you can honestly read this book and tell me that it's "irritating" or "terribly written", you clearly haven't read enough bad books. That's the good thing about Green - like or dislike his overall story, his writing never stales. It's beautiful, the metaphors are interesting, and the characters have just enough personality that I can almost see myself hanging out with them after a Saturday night booze cruise that ended in self discovery. But if you can wholeheartedly brand it with five stars without so much as mentioning Pudge, Alaska, the Katherines...you either are blind or have never read another Green book in your life.
Which brings me, I guess, to my core issue with this book - if I had read this before "Looking for Alaska", which would I have liked more?
I mean, Margo is pretty much Alaska except alive and (maybe) not mentally ill. "Looking for Alaska", at the least, has an excuse. It was the first of Green's works. He didn't have this little cookie cutter pattern.
And then again, as much as I would like to bash the formula, I also kind of like it. I like the idea of having the zany character and the straight man, and watching the zany one crumble to the surprise of the straight man who then has to spread their wings and...yes, there is some sort of comfort to it. Not to mention that, while the core idea is certainly the same, the zany characters all differ in how exactly they're unique, and the straight men all differ in how they're, erm, straight. They might all love wild adventures, but Margo's are very meticulously planned out, and Alaska's are very spur of the moment (even including her death!). And if you shrug and say "big shit, Margo writes out her plans in a notebook, how does that make her character any different", Green's writing isn't for you, and you might never get it. This isn't necessarily a bad thing, but there's no point in you sticking around his works.
Of course, that's just my outside perspective. But I think that's really the only way I can look at this book. From an analytical standpoint, I'm neutral, stuck. Unable to form an actual opinion. But thinking about it...maybe that's a good thing. The book was fun to read. I think many people need to be reminded that a book can be fun to read, but not necessarily a groundbreaking masterpiece. So I'll give it four stars, for the ride. I want to see Green's formula change, but for now...
Also, if you really think that Margo was an attention whore, you clearly have forgotten your high school years and need to remove your head from its lodging in your ass. Everyone wants to be remembered. Everyone. (