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Indlæser... The Russia House: A Novel (original 1989; udgave 2004)af John le Carre
Work InformationDet russiske hus af John le Carré (1989)
![]() Der er ingen diskussionstråde på Snak om denne bog. Un libro sostanzioso ma un po' lento che non aggiunge niente alle spy story già lette e conosciute. Certamente ben elaborate le descrizioni e gli ambienti di una Russia in epoca Glasnost. Tuttavia non riesce mai ad incollarti alla storia, piacevole sì ma resti sempre in attesa di un qualcosa che non arriva mai. Quando sei a metà libro (ed è un libro di oltre quattrocento pagine) ti chiedi perché lo hai iniziato. Finale non male, ma forse manca anche qui manca l'effetto "Wow!" ( ![]() Nicely paced. There was a sense of where things would go, right from the start. But just how they would get there... Solid spy fiction from le Carre. I found it slowed a bit in the middle, but the beginning was entertaining and the final third engrossing. This proved to be a good holiday read. You know what you are going to get when you pick up a Le Carré novel especially one entitled The Russia House. It is the time of Perestroika in Russia, but the spying game continues as normal. The British spies think that they have stumbled onto a scoop with a high placed Russian teetering on the edge of revealing the state of Russia's armaments programme. The only problem is that the connection has been made by the director of a publishing firm who publishes occasional Russian novels and who twenty years ago had been on the books of the British secret services. Barley Blair is typically upper class English with possible communist leanings: we all know the type, but there is a file on Blair on which someone had written 20 years ago "No Further Action (in brackets Ever)." What could possibly go wrong in recruiting Blair again, but the prize or the bait was so tempting. The first part of the story deals with the services attempts re-recruit Blair, he is reluctant, but has fallen under the charms of a Russian woman he met at a publishing bash in Moscow, who is the key to the source of the tantalising information. The Americans get involved working with the British in trying to ascertain the reliability of Blair and the information source. The British team full of characters, old hands in the world of spying, pitch in to work with the more professional American Team. Barley Blair likes a drink, in fact drinking gets him through much of his life, but he has charm and is intelligent enough to avoid obvious pit falls. Much of the early part of the book is conversations usually with or about Barley Blair and it is these conversation that provide a link to a narrative that drives the second part of the novel. Le Carré makes his spies human, they are characters, not cogs in a machine. Probably the office clerks or the computer people do all the hard background and number crunching work, but we do not hear much about this. We understand that agents in the field play a dangerous game and that "Joes" (people controlled by the professionals) are in fear of their lives, but any violence or assassinations take place outside of the narrative. It is a novel that thrives on mystery, the dropping of clues as to who is reliable or who plays a better game. Office politics seems more dangerous than the actual spying; It's all a bit of a cuddle really, but I was happy to go along for the ride and so 3.5 stars. Another JLC novel w little to no action. Well written and with some good Cold War insights and descriptions but it is the last JLC I will be reading. Took a while to read.
Why is it that writers who take the bleakest view of the human condition - Pascal, Swift, Graham Greene, John le Carré - make such excellent entertainers? ''The Russia House,'' though bleak in its political implications, is essentially an ''entertainment'' in the Graham Greene sense. That is to say it is an exciting spy story, which is at the same time a lively international comedy of manners. The comedy is black, most of the manners being those of spies. The book is also a well-informed, up-to-the-minute political parable, incisive and instructive. Distinctions
En engelsk bogforlægger bliver ufrivillig mellemmand mellem en russisk videnskabsmand og den engelske efterretningstjeneste. No library descriptions found. |
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![]() GenrerMelvil Decimal System (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999LC-klassificeringVurderingGennemsnit:![]()
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