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Ecclesiastes, Song of Songs af Iain Provan
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Ecclesiastes, Song of Songs (udgave 2001)

af Iain Provan

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Ecclesiastes regularly challenges the reader as to grammar and syntax. The interpretation even of words which occur frequently in the book is often unclear and a matter of dispute, partly because there is frequent word-play in the course of the argument. The argument is itself complex and sometimes puzzling and has often provoked the charge of inconsistency or outright self-contradiction. When considered in the larger context of the OT, Ecclesiastes stands out as an unusual book, whose connection with the main stream of biblical tradition seems tenuous. We find ourselves apparently reading about the meaninglessness of life and the certainty of death in a universe in which God is certainly present but is distant and somewhat uninvolved. When considered in the context of the NT, the dissonance between Ecclesiastes and its scriptural context seems even greater; for if there is one thing that we do not find in this book, it is the joy of resurrection. Perhaps this is one reason why Ecclesiastes is seldom read or preached on in modern churches. The Song of Songs (also known as the Song of Solomon) has been read, historically, by Christians, in two primary ways--as a text which concerns the love and sexual intimacy of human beings and as a text which uses the language of human love and intimacy to speak of something else--the relationship between Christ and the church. Christians have often felt that they must choose between these options--that a text about human love and sexual intimacy could not be at the same time a spiritual text. It is one of the challenges of reading the Song to explore how far this is necessarily true and how far Christian readers have been influenced in their reading more by Platonism and Gnosticism than by biblical thinking about the nature of the human being and of human sexuality. Another challenge is to discover whether the Song is really one "song" at all, or simply a haphazard collection of shorter poems cast together because of their common theme of love; and still another is to gain clarity on what, precisely, is the connection between the Song and Solomon. This commentary sets out to wrestle honestly with all the challenges of reading these biblical books--the challenges of reading the texts in themselves, and the challenges of reading them as intrinsic parts of Christian Scripture. --From publisher's description.… (mere)
Medlem:dvalliere
Titel:Ecclesiastes, Song of Songs
Forfattere:Iain Provan
Info:Zondervan (2001), Hardcover, 400 pages
Samlinger:Dit bibliotek
Vurdering:
Nøgleord:Commentary, OT Commentary, Song of Solomon, Song of Songs, Ecclesiastes, NIVAC, Old Testament

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The NIV Application Commentary Ecclesiastes and Song of Songs af Iain Provan

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On Song of Songs Provan pushes a strong egalitarian agenda which regularly overwhelms his exegesis. He's a great writer and has insightful comments on both text and society but his agenda leaves the text behind and at points rejects the wisdom of Old Testament texts (especially law). ( )
  toby.neal | Dec 31, 2016 |
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Ecclesiastes regularly challenges the reader as to grammar and syntax. The interpretation even of words which occur frequently in the book is often unclear and a matter of dispute, partly because there is frequent word-play in the course of the argument. The argument is itself complex and sometimes puzzling and has often provoked the charge of inconsistency or outright self-contradiction. When considered in the larger context of the OT, Ecclesiastes stands out as an unusual book, whose connection with the main stream of biblical tradition seems tenuous. We find ourselves apparently reading about the meaninglessness of life and the certainty of death in a universe in which God is certainly present but is distant and somewhat uninvolved. When considered in the context of the NT, the dissonance between Ecclesiastes and its scriptural context seems even greater; for if there is one thing that we do not find in this book, it is the joy of resurrection. Perhaps this is one reason why Ecclesiastes is seldom read or preached on in modern churches. The Song of Songs (also known as the Song of Solomon) has been read, historically, by Christians, in two primary ways--as a text which concerns the love and sexual intimacy of human beings and as a text which uses the language of human love and intimacy to speak of something else--the relationship between Christ and the church. Christians have often felt that they must choose between these options--that a text about human love and sexual intimacy could not be at the same time a spiritual text. It is one of the challenges of reading the Song to explore how far this is necessarily true and how far Christian readers have been influenced in their reading more by Platonism and Gnosticism than by biblical thinking about the nature of the human being and of human sexuality. Another challenge is to discover whether the Song is really one "song" at all, or simply a haphazard collection of shorter poems cast together because of their common theme of love; and still another is to gain clarity on what, precisely, is the connection between the Song and Solomon. This commentary sets out to wrestle honestly with all the challenges of reading these biblical books--the challenges of reading the texts in themselves, and the challenges of reading them as intrinsic parts of Christian Scripture. --From publisher's description.

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