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Indlæser... Women's Barracks (1950)af Tereska Torrès
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Bliv medlem af LibraryThing for at finde ud af, om du vil kunne lide denne bog. Der er ingen diskussionstråde på Snak om denne bog. Ah, the pulp art cover featuring women in uniform (you know there will be lesbians!). Oh, the suggestive title that tells you that the women are going to be in close proximity (you know there will be action!). This is lesbian pulp fiction at its best. In fact, the only thing that Women's Barracks is missing in order to make it a quintessential lesbian pulp novel is, oddly enough, the pulp. Though marketed as 25 cent throw-away drugstore literature, Women's Barracks is actually a well-written semi-autobiographical account of life in the Free French Army in London during World War II. Where you might expect to find bald-faced gratuity you instead get a thoughtful coming of age memoir peppered with women loving men and women loving each other. It's an account of women who arrive hopeful while some will leave with jaded feelings toward adulthood and humanity in general. In terms of literary quality it's only a few steps down from Francoise Mallet-Joris' The Illusionist and (on the other side of the Channel) Dorothy Strachey's Olivia. And it's quite a few steps above Colette. The only thing that makes this book lesbian pulp is the presence of an oddly unobtrusive narrator who only pokes her head out in order to pass pitying, moralizing reflections upon the lesbian characters. This is good literature where you wouldn't expect to find it. Also be sure to check out the Joan Schenkar's interview with Torres included at the end of the novel. This was a surprisingly good read. Naturally, I was attracted by the title and the cover, but how was I to know that the story would be good as well? Lesbian pulp is usually one of those things that you skim to the juicy parts and then stop reading because the lesbian usually dies in the end. This book is different. It has some very realistic depictions of all of the main characters, who are all very different. I especially liked the conversation that the narrator has with Ann (the Lesbian) and the differences between women who are lesbians and those who sleep with women occasionally but do not consider themselves lebians. The book doesn't center completely around this idea of sexual identity, there is also a very strong story of the question of war. Most of the characters in the book are convinced that the end of World War II with put an end to war altogether. As the book ends, the optimism they have of post-WWII Europe has begun to wane. Women's Barracks was the first lesbian themed pulp to hit the US. It was published in 1950. It was also the first pulp fiction that made it big. It sold over 2 million copies in the first 5 years. Wow. ingen anmeldelser | tilføj en anmeldelse
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Originally published in 1950, this account of life among female Free French soldiers in a London barracks during World War II sold four million copies in the United States alone and many more worldwide. The novel is based on the real-life experiences of the author, Tereska Torres. As the Blitz rains down over London, taboos are broken, affairs start and stop, and hearts are won and lost.Women's Barracks was banned for obscenity in several states and denounced by the House Select Committee on Current Pornographic Materials in 1952 as an example of how the paperback industry was "promoting moral degeneracy." In spite of such efforts--or perhaps, in part, because of them--the novel became a record-breaking bestseller and inspired a whole new genre: lesbian pulp. Femmes Fatales restores to print the best of women's writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series:Bedelia;Bunny Lake Is Missing;By Cecile;The G-String Murders;The Girls in 3-B;Laura;The Man Who Loved His Wife;Mother Finds a Body;Now, Voyager;Return to Lesbos;Skyscraper;Stranger on Lesbos;Stella Dallas;Women's Barracks. No library descriptions found. |
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Google Books — Indlæser... GenrerMelvil Decimal System (DDC)843.914Literature French French fiction Modern Period 20th Century 1945-1999LC-klassificeringVurderingGennemsnit:
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this wasn't awful but it wasn't really for me.
from the translator's preface, by george cummings:
"The problems brought forward here are problems that must be recognized wherever women have to live together without normal emotional outlets." perhaps he's not referring to the lesbianism, but i'm not convinced.
as if lesbians can't have true or longterm relationships: "...most intensely she had known that exhausting love which dies of its own sterility between brief flashes of passion. It was a love that circled on itself, like a cat chasing its own tail."
an example of the language: "At Down Street there was never any question of a true Lesbian pursuing a normal woman."
and, ugh, the perpetuation of rape culture, as if kissing someone is consent for sex: "She wanted to cry and ask his forgiveness. He was so gentle and nice, and she was probably behaving very badly, letting him kiss her and then refusing to go further, like those frightful teasers..."
this made me laugh, though: "They all gasped. They didn't cry out, for they were after all British..."
it's the time period again, but i didn't like the way she referred to abortion: "...the doctor bending over her with the chloroform, she had realized that she was about to kill her child, and it was too late."
[what happened between ann and petit] "seemed to me the saddest of all the things I had heard about the unnatural lives of these women." ( )