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Rules for the Dance: A Handbook for Writing and Reading Metrical Verse

af Mary Oliver

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488450,326 (3.96)3
"True ease in writing comes from art, not chance, / As those move easiest who have learn'd to dance," wrote Alexander Pope. "The dance," in the case of Oliver's brief and luminous book, refers to the interwoven pleasures of sound and sense to be found in some of the most celebrated and beautiful poems in the English language, from Shakespeare to Edna St. Vincent Millay to Robert Frost. With a poet's ear and a poet's grace of expression, Oliver shows what makes a metrical poem work - and enables readers, as only she can, to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure that intensify both the poem's narrative and its ideas."… (mere)
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I occasionally return to this and A Poetry Handbook by Oliver to remind me of some of the very basic basics. I like the anthology of metrical poetry that makes up the last third or so of this book. There are some good old friends there. ( )
  charliesierra | Jul 5, 2014 |
Clear, lucid, downt-to-earth approach to reading and writing poetry expected of Mary Oliver. This book covers metrics in a nice friendly manner. Nice colection of 50 metrical examples. Not the be all and end all on the subject but a good introduction.
  Bat | Oct 15, 2007 |
Oliver's books on craft are good picks. ( )
  amyfaerie | Feb 5, 2007 |
Love it. One of the few books on prosody that's not completely boring. A very practical book that frees one to enjoy the craft in an organic way. ( )
  porian | Nov 30, 2005 |
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"True ease in writing comes from art, not chance, / As those move easiest who have learn'd to dance," wrote Alexander Pope. "The dance," in the case of Oliver's brief and luminous book, refers to the interwoven pleasures of sound and sense to be found in some of the most celebrated and beautiful poems in the English language, from Shakespeare to Edna St. Vincent Millay to Robert Frost. With a poet's ear and a poet's grace of expression, Oliver shows what makes a metrical poem work - and enables readers, as only she can, to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure that intensify both the poem's narrative and its ideas."

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