Art in Theory (1648-1815) provides a wide-ranging andcomprehensive collection of documents on the theory of art from thefounding of the French Academy until the end of the NapoleonicWars. Like its highly successful companion volumes, Art inTheory (1815-1900) and Art in Theory (1900-1990), its'primary aim is to provide students and teachers with thedocumentary material for informed and up-to-date study. Its' 240texts, clear principles of organization and considerable editorialcontent offer a vivid and indispensable introduction to the art ofthe early modern period. Harrison, Wood and Gaiger have collected writing by artists,critics, philosophers, literary figures and administrators of thearts, some reprinted in their entirety, others excerpted fromlonger works. A wealth of material from French, German, Italian,Spanish, Dutch and Latin sources is also provided, including manynew translations. Among the major themes treated are early arguments over therelative merits of ancient and modern art, debates between theadvocates of form and color, the beginnings of modern art criticismin reviews of the Salon, art and politics during the FrenchRevolution, the rise of landscape painting, and the artistictheories of Romanticism and Neo-classicism. Each section is prefaced by an essay that situates the ideas ofthe period in their historical context, while relating theoreticalconcerns and debates to developments in the practice of art. Eachindividual text is also accompanied by a short introduction. Anextensive bibliography and full index are provided. For more details of our book and journal list in Art, visithttp://www.blackwellpublishing.com/arttheory