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Illuminating the Renaissance: The Triumph of…
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Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe (Getty Trust Publications: J. Paul Ge (udgave 2003)

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90Ingen297,736 (4.42)Ingen
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period - beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening - the art of book painting was raised to a new level of sophistication.Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of colour, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Focusing on the notable artists of the period - Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others - the catalogue examines both devotional and secular manuscript illumination within a broad context.… (mere)
Medlem:giviskos
Titel:Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe (Getty Trust Publications: J. Paul Ge
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Info:Getty Trust Publications: J. Paul Getty Museum (2003), Paperback
Samlinger:Dit bibliotek
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Nøgleord:Ingen

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Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe af Thomas Kren

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This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period - beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening - the art of book painting was raised to a new level of sophistication.Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of colour, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Focusing on the notable artists of the period - Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others - the catalogue examines both devotional and secular manuscript illumination within a broad context.

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