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Handel : Orlando [miniature score]

af George Frideric Handel (Composer, Librettist)

Andre forfattere: Carlo Sigismondo Capece (Librettist)

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingOmtaler
7Ingen2,365,822 (5)31
"At first sight the plot of Orlando is a simple one involving just five characters. The exotic Princess Angelica and her beloved Medoro are a happy couple pursued by two helplessly smitten rivals. Still inexperienced in affairs of the heart, Dorinda is also in love with Medoro. But as the opera runs its course, her developing maturity ultimately results in an exemplary display of self-conquest. Rather less straightforward is the affair involving the actual hero of the story, the knight Orlando. His integrity is at risk from the outset, torn as he is between the conflicting desires of love and the more enduring glory of military greatness. His inner balance is disturbed, little by little he loses his powers of reason. He eventually succumbs entirely to the grip of frenzy, before finally being healed by Zoroastro, who jealously protects his "fame"--In other words, his capability to return to fight other battles. Indeed Zoroastro is the only character capable of rising above such emotionality, appearing to exert a virtuoso control of the situation and ultimately safeguarding, at least in the opera's superficial structure, the ubiquitous happy ending, a sine qua non of opera seria."--Booklet.… (mere)
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Forfatter navnRolleHvilken slags forfatterVærk?Status
Handel, George FridericComposer, Librettistprimær forfatteralle udgaverbekræftet
Capece, Carlo SigismondoLibrettistmedforfatteralle udgaverbekræftet
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Kanonisk titel
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Originaltitel
Alternative titler
Oprindelig udgivelsesdato
Personer/Figurer
Vigtige steder
Vigtige begivenheder
Beslægtede film
Indskrift
Tilegnelse
Første ord
Citater
Sidste ord
Oplysning om flertydighed
Oplysninger fra den engelske Almen Viden Redigér teksten, så den bliver dansk.
Please do not combine with recordings
Forlagets redaktører
Bagsidecitater
Originalsprog
Canonical DDC/MDS
Canonical LCC

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"At first sight the plot of Orlando is a simple one involving just five characters. The exotic Princess Angelica and her beloved Medoro are a happy couple pursued by two helplessly smitten rivals. Still inexperienced in affairs of the heart, Dorinda is also in love with Medoro. But as the opera runs its course, her developing maturity ultimately results in an exemplary display of self-conquest. Rather less straightforward is the affair involving the actual hero of the story, the knight Orlando. His integrity is at risk from the outset, torn as he is between the conflicting desires of love and the more enduring glory of military greatness. His inner balance is disturbed, little by little he loses his powers of reason. He eventually succumbs entirely to the grip of frenzy, before finally being healed by Zoroastro, who jealously protects his "fame"--In other words, his capability to return to fight other battles. Indeed Zoroastro is the only character capable of rising above such emotionality, appearing to exert a virtuoso control of the situation and ultimately safeguarding, at least in the opera's superficial structure, the ubiquitous happy ending, a sine qua non of opera seria."--Booklet.

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