Pretty good novel. Tom Outland's story, within the frame of the novel, is the most interesting. He explored a mesa in New Mexico with old ruins. It's the most poetic part. Professor is kind of jaded at end of his career, and wished his friend and student Tom had survived WW I. ( )

I found myself somewhat at sea with this one. Every time I thought I knew where it was going it would head off on something else. Professor St. Peter seems at some kind of crossroads, unhappy with the things happening around him and constantly annoyed by his, fairly, very annoying family. He won't let go of the attic study he has worked in even though they have moved to a new house but that doesn't really seem to end up as the theme I thought it would, He remembers former student Tom Outland with an almost mythic . Then we suddenly have a large section of Tom's story in New Mexico. That writing was more of what I expected from Cather but the return to St. Peter felt rushed and the end was very open ended. I don't think most of this would be a problem if I really cared about the characters but I never did. Okay, I did enjoy thoroughly despising Louie but who wouldn't? Just a bit too esoteric for me.

Summary: The move to a new home, academic success and his daughter’s marriages, and a deceased former student and son-in-law, precipitate a crisis for Professor Godfrey St. Peter.

The first sign was when the Professor paid up the rent on his old house so that he could still use his spartan old study, furnished only with a table, a sofa with Tom Outland’s old blanket, a couple seamstress’s forms left by Augusta, the family seamstress, and an unreliable heater that required leaving a window open for safety’s sake. The lavish new home had plenty of room since his daughters had married. But this was the place where he wrote the multi-volume history, Spanish Adventures in North America, that was the cornerstone of his academic success and the awards that followed that made the new house that Lillian had always wanted possible. Up until then, any niceties had come from her inherited income.

St. Peter’s older daughter Rosamond had originally married a former student, Tom Outland, who died in the war, but not before leaving her a patent that her new husband, Louie Marcellus, has commercialized, with lavish profits that he uses to lavish favor on Rosamond and her family. The younger daughter, Kathleen, less vain and more sensitive has married a journalist. There is tension between the two, particularly as the Marcelluses take their parents on trips, including a proposed trip to Paris.

St. Peter decides not to go, pottering about in his old study, revising Tom Outland’s journals. The book takes a break at this point with Tom speaking in the first person about a magical season of discovering an ancient indigenous people’s village high up on a mesa in the Southwest, cataloging his discoveries. His partner stakes him the funds (gambling winnings) to visit Washington to recruit researchers to come, to no avail. He then returns, only to find his partner sold them out, resulting in their final alienation. Tom then migrates to the college where St. Peter is professor, works with a physics professor on his invention, graduating with a patent. Part three of the book returns to the professor, and a crisis in his life with which the book concludes.

The book is fraught with the tensions that are pulling at St. Peter’s life. There is the spartan life of the scholar (and of Tom on the mesa which St. Peter had visited) in contrast with the life of luxury that both Lillian and her elder daughter Rosamond craved, that St. Peter’s success and Marcellus’ business acumen made possible. There is the tension between the elder and younger daughter and their husbands, the younger of which, St. Peter trusts, despite, or perhaps because of his modest means. There is the growing coolness between Godfrey and Lillian as neither can embrace the life of the other. St. Peter’s stubborn hold on his study and his refusal to go to Paris, which he loves, is a kind of passive resistance after acceding to the life Lillian desires. Tom seems to represent something of an ideal that St. Peter had not had the courage to pursue.

The summer of the Paris vacation was a last respite before returning to his teaching and the comfortable life Lillian wanted (or perhaps the growing awareness of their estrangement). As their return approaches, he experiences a weariness for which the doctor can find no bodily cause, setting the stage for his final crisis.

The structure of the book seems disjointed, with the second part a separate narrative in which Tom Outland is the main character. The only thing I can think is that it explains St. Peter’s fixation with Tom by setting their lives in contrast. The question remains of how or whether St. Peter will resolve the tensions in his life, tensions such as all of us live with, tensions that can fray to the breaking or result in creative resolutions. ( )

I read this long before I moved to Pittsburgh. Now that I live in Pittsburgh & I've heard that Cather also lived here at some point I'm even more interested in her. This bk was probably more subtle than bland but I remember it as the latter. I hope to read more by her so I can form a better opinion. ( )

Not a review as such, but I have always had a strong but vague feeling that Paul Auster's Moon Palace is a reworking of The Professor's House, but I have never pursued the idea with any rigor nor have I checked to see if others have thought the same.

At any rate, the Cather is wonderful and Moon Palace is one of the few Auster novels that is wholly free from the Important Novel of Ideas strain that mars, however slightly, even very good Auster novels.

Both are terrific books. ( )