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Indlæser... The Wager: A Tale of Shipwreck, Mutiny and Murder (original 2023; udgave 2023)af David Grann (Forfatter)
Work InformationThe Wager: A Tale of Shipwreck, Mutiny, and Murder af David Grann (2023) ![]() Der er ingen diskussionstråde på Snak om denne bog. ![]() ![]() I've read a lot of books like this and had high hopes, it is David Grann. It's certainly not bad, but Grann is best when he has a strong central character, this is more of a Towering Inferno with lots of parallel disasters diluting the narrative. Furthermore, he sticks to the history close enough, and that history is incomplete, so there are gaps. Also while he makes a big deal about how the stories conflicted, he doesn't present conflicting stories, or explain the different version of events. The ending is anti-climatic. Some of this is not the fault of Grann but the material he had to work with. Well Mr. Grann has done it again. I thought Killers of the Flower Moon was an incredible non-fiction account and here again The Wager matches that high standard of a well researched masterpiece. I like this description from the Washington post: "Reading it is like living one of those anxiety nightmares in which you’re just trying to get to that job interview, but you’re lost and your teeth are falling out and, wait, when your car dies you realize you’re naked, and then you’re attacked by flesh-eating zombies." Grann begins the book by giving the facts of the fateful voyage of the Wager, part of a five ship Armada whose mission was to attack the Spanish galleon and bring back the treasure to England. "It was January 1740, and the British Empire was racing to mobilize for war against its imperial rival Spain." He then begins the story will the collection of the crew, the "pressing" of any able bodied former seamen who might have tar on their fingers. Even a retirement home for old sailors is raided to find the men needed. I was amazed how many of these men could not swim. So right away you forget that you know the facts of the story and begin a tale of survival like few others. The depictions of scarlet fever, scurvy and starvation will stick with me for a while. The five parts of the story: The Wooden World, Into the Storm, Castaways, Deliverance, and Judgment describe the arc of the story but the details of what these men experienced and how they survived make for excellent reading, think the opposite of Gillian's Island. Highly recommend. Lines: “Whosoever commands the seas commands the trade of the world; whosoever commands the trade of the world commands the riches of the world.” Constructing a single large warship could require as many as four thousand trees; a hundred acres of forest might be felled. To “toe the line” derives from when boys on a ship were forced to stand still for inspection with their toes on a deck seam. To “pipe down” was the boatswain’s whistle for everyone to be quiet at night, and “piping hot” was his call for meals. A “scuttlebutt” was a water cask around which the seamen gossiped while waiting for their rations. A ship was “three sheets to the wind” when the lines to the sails broke and the vessel pitched drunkenly out of control. To “turn a blind eye” became a popular expression after Vice-Admiral Nelson deliberately placed his telescope against his blind eye to ignore his superior’s signal flag to retreat. (When ailing seamen were shielded belowdecks from the adverse elements outside, they were said to be “under the weather.”) According to tradition, a body to be buried at sea was wrapped in a hammock, along with at least one cannonball. (When the hammock was sewn together, the final thread was often stitched through the victim’s nose, to ensure that he was dead.) By portraying the natives as both magnificent and less than human, Europeans tried to pretend that their brutal mission of conquest was somehow righteous and heroic. The cure—that unforbidden fruit which decades later would be furnished to all British seamen, giving them the nickname Limeys—had been right within their grasp. they could be court-martialed by a panel of Cheap’s fellow officers and condemned to take a walk up Ladder Lane and down Hemp Street. Ferreting out and documenting all the incontrovertible facts of what had happened on the island—the marauding, the stealing, the whippings, the murders—would have undercut the central claim on which the British Empire tried to justify its rule of other peoples: namely, that its imperial forces, its civilization, were inherently superior. That its officers were gentlemen, not brutes. Empires preserve their power with the stories that they tell, but just as critical are the stories they don’t—the dark silences they impose, the pages they tear out. I pre-ordered this book months ago, solely on the fact that I loved Killers of the Flower Moon. Although I liked this book, it was not as enthralling and captivating as I had expected it to be. To me, it seemed rushed. It came across that there really wasn't much of a compelling story to fill an entire book. I think this would have worked better as long-form magazine or newspaper piece. Yes, they were shipwrecked, many died, there was a "mutiny," then they split into to factions, and tried to sail back home (they made it). Captain Cheap left Wager Island, made a few attempts to get back, and then is never heard from again. About 40 pages later, he simply pops up on land. That sort of describes how the story rushes through the sailor's experience. Except for a few sections, I did not get a real sense of what these people went through. In short, I could get a better understanding with doing my own online research. I did like it. But I was disappointed.
HæderspriserDistinctionsNotable Lists
History.
True Crime.
Nonfiction.
HTML:From the #1 New York Times bestselling author of Killers of the Flower Moon, a page-turning story of shipwreck, survival, and savagery, culminating in a court martial that reveals a shocking truth. The powerful narrative reveals the deeper meaning of the events on The Wager, showing that it was not only the captain and crew who ended up on trial, but the very idea of empire. "A tour de force of narrative nonfiction.? ??The Wall Street Journal On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty??s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as ??the prize of all the oceans,? it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes. But then ... six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes ?? they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death??for whomever the court found guilty could hang. The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann??s recreation of the hidden world on a British warship rivals the work of Patrick O??Brian, his portrayal of the castaways?? desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann??s work, the incredible twists of the narr No library descriptions found. |
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![]() GenrerMelvil Decimal System (DDC)910.9164History and Geography Geography and Travel Geography and Travel History, geographic treatment, biography - Discovery. exploration Geography of and travel in areas, regions, places in general Air And Water Pacific OceanLC-klassificeringVurderingGennemsnit:![]()
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