Historien om et bebudet mord (1981)

Almoradi - 1982 ( )

MB-6

Whenever there is an unidentified narrator I always think of the Great and Terrible Oz, hiding behind his curtain. In Chronicle of a Death Foretold our narrator is not a Baum-inspired little man, but rather an unnamed friend of the murder victim, years after the fact recounting the downfall of Santiago Nasar. As the title of the novella indicates, everyone knew Santiago Nasar's life was in danger, but no one did anything about it. "There had never been a death more foretold" (p 50). As an aside, this could be a commentary on our society today. Everyone feels outrage - yet no one is stepping up to do something (anything!) about it. Distraction dictates the assumption someone else will take care of it. Or they are hoping so.
On the eve of Angela Vicaro's wedding her new husband discovers she did not come to their marriage bed a virgin. Oh the shame! Outraged and humiliated, he drags her back to her mother who beats her severely until she confesses. When Santiago Nasar is named responsible for Angela's deflowering, her twin brothers speak of revenge. They speak long and loud before they actually seek it. Woven throughout the entire story is the theme of foreshadowing. Even Santiago missed the signs of his own demise illustrated by his ominous dreams. He even misses the note slipped under his door. Then there is the obvious. The twins brag openly about how they are going to kill Santiago. A shopkeeper tells the murderers to wait until later out of respect for the bishop. The drunkards talk of the upcoming murder. Police officers ignore everyone. The church ignores, too. The entire community ignores the talk. Was it the distraction of the arrival of a bishop? Was it communal judgment that Santiago was getting what he deserved? ( )

Vítima da denúncia falaciosa de uma mulher repudiada na noite de núpcias, o jovem Santiago Nasar foi condenado à morte pelos irmãos da sua hipotética amante, como forma de vingar publicamente a sua honra ultrajada e sob o olhar cúmplice ou impotente da população expectante de uma aldeia colombiana: é esta a história verídica que serve de base a este romance, e que, logo nas suas primeiras linhas, é enunciada.

A capacidade de Gabriel García Márquez em reconstruir um universo possuído pela nostalgia, mágica e encantatória da infância e a sua genial mestria em contar histórias fazem deste romance mais uma das obras-primas que consagraram definitivamente este autor. ( )

La cronaca puntuale di un delitto d'onore. Pagina dopo pagina, riga dopo riga, un esempio inequivocabile di come ottusità e grettezza possano produrre valori fallaci e nati da presupposti meramente materiali, credervi e giunger sino ad ammazzare pur di tutelarne la presunta purezza. Una storia più che mai tristemente attuale. ( )