HjemGrupperSnakMereZeitgeist
Søg På Websted
På dette site bruger vi cookies til at levere vores ydelser, forbedre performance, til analyseformål, og (hvis brugeren ikke er logget ind) til reklamer. Ved at bruge LibraryThing anerkender du at have læst og forstået vores vilkår og betingelser inklusive vores politik for håndtering af brugeroplysninger. Din brug af dette site og dets ydelser er underlagt disse vilkår og betingelser.

Resultater fra Google Bøger

Klik på en miniature for at gå til Google Books

Indlæser...

The real jazz

af Hugues Panassié

MedlemmerAnmeldelserPopularitetGennemsnitlig vurderingSamtaler
251913,174IngenIngen
This sequel to the author's classic Hot Jazz puts more emphasis on the black jazzmen.
Ingen
Indlæser...

Bliv medlem af LibraryThing for at finde ud af, om du vil kunne lide denne bog.

Der er ingen diskussionstråde på Snak om denne bog.

Frenchman Hugues Panassié took credit for practically introducing Americans to their own music. After getting his hands on some jazz recordings, Panassié founded the Hot Club de France in 1932 and published his first book, Le Jazz Hot, in 1934. The Real Jazz was his first book in English, published during WWII as propaganda for music that he thought was in danger of being lost.

Like the Belgian Robert Goffin, Panassié considered himself witness to the birth of a marvelous new phenomenon, “hot jazz.” Unlike a symphony, which was played according to an unchanging conception imposed at the creation by the composer, jazz was spontaneous and dynamic, emphasizing rhythm over melody, more sensuous than cerebral. Jazz moved the musician to the fore, and musical creation became a matter of interpretation and improvisation. Panassié believed that European intellectuals discovered jazz before their American counterparts because the latter were mired in class and race prejudice. The history of slavery and white animosity forced Negroes in the U.S. to form a society of their own and prevented them from participating in the prevailing cultural stream. Whites could not be expected to recognize or appreciate the creative accomplishments of blacks, writes Panassié. (The point is effectively refuted by James Weldon Johnson, Ralph Ellison and others. There never was a time when black music and dance were not an influence on American culture, mainstream or otherwise.)

The jazz that so excited Panassié was what he first heard as a young man: Dixieland, New Orleans jazz, and the so-called Chicago school celebrated by Mezz Mezzrow. Between the publication of Le Jazz Hot in 1934 and The Real Jazz in 1940, though, Panassié changed his mind about the authenticity of the (white) Chicago style and argued in favor of the bluesy accent of Joe ‘King’ Oliver and other Negro bands. He believed that jazz had been diminished by commercialism; white orchestras replaced improvisation with prearranged patterns and melodic scores and added instruments (saxophones!) to appeal to the broader public. The overworked arrangements and refined tones of the showy big bands meant the loss of purity and character and authentic jazz flavor. What Panassié could not have known in the 1940s was that he was fighting a futile rearguard action. He was the quintessential ‘moldy fig’ shouting down the innovations of modern jazz, already nostalgic, trying to define the parameters of ‘real jazz’ even as the music was about to change forever (and again, as it always had) with the emergence of bebop.
  JazzBookJournal | Feb 9, 2021 |
ingen anmeldelser | tilføj en anmeldelse
Du bliver nødt til at logge ind for at redigere data i Almen Viden.
For mere hjælp se Almen Viden hjælpesiden.
Kanonisk titel
Originaltitel
Alternative titler
Oprindelig udgivelsesdato
Personer/Figurer
Vigtige steder
Vigtige begivenheder
Beslægtede film
Indskrift
Tilegnelse
Første ord
Citater
Sidste ord
Oplysning om flertydighed
Forlagets redaktører
Bagsidecitater
Originalsprog
Canonical DDC/MDS
Canonical LCC

Henvisninger til dette værk andre steder.

Wikipedia på engelsk (2)

This sequel to the author's classic Hot Jazz puts more emphasis on the black jazzmen.

No library descriptions found.

Beskrivelse af bogen
Haiku-resume

Current Discussions

Ingen

Populære omslag

Quick Links

Vurdering

Gennemsnit: Ingen vurdering.

Er det dig?

Bliv LibraryThing-forfatter.

 

Om | Kontakt | LibraryThing.com | Brugerbetingelser/Håndtering af brugeroplysninger | Hjælp/FAQs | Blog | Butik | APIs | TinyCat | Efterladte biblioteker | Tidlige Anmeldere | Almen Viden | 203,209,306 bøger! | Topbjælke: Altid synlig